A 19th century romantic fantasy in which orphan Sarah Cunningham wakes up from an accident to find everyone believes she is the Marchioness of Roxbury. The novel describes the way Sarah copes with her new persona.

1588: The London of Elizabeth I is rocked by news of a daring raid on the Tower. The truth is known only to a select few: that, for twenty years, a legendary doomsday device, its power fabled for millennia, has been kept secret and safe in the Tower.

In Imagining Nature Kevin Hutchings combines insights garnered from literary history, poststructuralist theory, and the emerging field of ecological literary studies. He considers William Blake's illuminated poetry in the context of the eighteenth-century model of "nature's economy,' a conceptual paradigm that prefigured modern-day ecological insights, describing all earthly entities as integrated parts of a dynamic, interactive system. Hutchings details Blake's sympathy for – and important suspicions concerning – the burgeoning contemporary fascination with such things as environmental ethics, animal rights, and the various fields of scientific naturalism. By focusing on Blake's concern for the relationship between nature and ideology (including the politics of class, gender, and religion) Hutchings avoids the sentimentalism and misanthropic pitfalls all too often associated with environmental commentary. He articulates a distinctively Blakean perspective on current debates in literary theory and eco-criticism and argues that while Blake's peculiar humanism and profound emphasis upon spiritual concerns have led the majority of his readers to regard his work as patently anti-natural, such a view distorts the central political and aesthetic concerns of Blake's corpus. By showing that Blake's apparent hostility toward the natural world is actually a key aspect of his famous critique of institutionalized authority, Hutchings presents Blake's work as an example of "green Romanticism" in its most sophisticated and socially responsive form.

“David”—a name mentioned nearly a thousand times in the Bible! Shepherd boy, musician, singer-songwriter, prophet and king (and part-time priest!), husband and father, and a God-gifted genius at close, hand-to-hand combat. An extraordinary man. This close reading of the life of David—all the way from where teenage David is first introduced (1 Sam 16) to his death (1 Kgs 2)—gives an opportunity to see the wonderful, the awful, and the (shockingly) ugly elements of his life. There are some difficult texts and difficult lessons. Significant matters arise, such as the nature of prayer, the importance of forgiveness, abuse, the nature of leadership, death and enemies, understanding patriarchy in biblical texts, spiritual gifts, and evil spirits. Readers will discover that these texts speak loudly and clearly to the issues of our day. Beginning with the Former Prophets (1 and 2 Samuel, 1 Kings) for the narrator’s point of view, this book also examines the Psalms to give an understanding of what was happening for David on the inside. Undertaken as a devotional exercise, the aim of these studies is always that of seeing Jesus more clearly and living more securely in the shadow of his wing.

Poetry moves us. Sometimes a poem changes our life. Then we analyze it as a cultural artifact with no special connection to us. An extensive critical apparatus enables us to develop sophisticated interpretations, but we dismiss as "idiosyncratic" even life-changing experiences of poetry. We need an apparatus to unfold our experience of reading poems into a more effective relationship with the world. Modern poets in particular wrote prophetic verse for this purpose. Archetypal psychology and phenomenology describe the soul that modern poetry moves in us. Three prosodic mechanisms activate the psyche. The polyphony of accentual and quantitative versification creates depth to lure the soul. Aural images reshape the reader’s stream of consciousness. Readers follow the movement of blocks of verse across the expanse of the page with what Maurice Merleau-Ponty terms the phenomenal body. These mechanisms reach us at the collective level of consciousness and generate the power we need to solve big, collective challenges, such as race, climate change, and inequality.

William Blake, poet, artist, and mystic, created a vast multidimensional universe through his verse and art. Spun from a fabric of symbolism and populated by a host of complex characters, BlakeÕs comprehensive world has provided endless inspiration to subsequent generations. For the reader of Blake, background knowledge of his symbolism is a necessity. In this volume, first published in 1965, S. Foster Damon, father of modern Blake studies and a professor at Brown University until his death, has assembled all references to particular symbols or aspects of BlakeÕs work and life, so that readers can see the entire spectrum of BlakeÕs thought on a variety of topics.

Under King Charles II, England's New World colonies are flourishing, as is France's colony Louisianne. Napolean is the dreaded Master of the European continent . . . And Sarah Cunningham, a woman from our own world, knows all too well what a difference this makes, for not long ago she was ripped from her life as a United States citizen in our history. Sarah, now the Duchess of Wessex, journeys to North America with her new husband, the Duke--but this is no pleasure trip. The fate of the world--New and Old--rests on her saving her friend Meriel, rescuing Louis, rightful King of France, from the clutches of the Marquis de Sade, and finding the Holy Grail. But she and her beloved Duke are beset by perils that will test their strength and spirit to the utmost.