A travelogue revealing the hidden stories of Naples. In recent years Naples has become, for better or worse, the new destination in Italy. While many of its more unusual features are on display for all to see, the stories behind them remain largely hidden. In Marius Kociejowski’s portrait of this baffling city, the serpent can be many things: Vesuvius, the mafia-like Camorra, the outlying Phlegrean Fields (which, geologically speaking, constitute the second most dangerous area on the planet). It is all these things that have, at one time or another, put paid to the higher aspirations of Neapolitans themselves. Naples is simultaneously the city of light, sometimes blindingly so, and the city of darkness, although often the stuff of cliché. The boundary that separates death from life is porous in the extreme: the dead inhabit the world of the living and vice versa. The Serpent Coiled in Naples is a travelogue, a meditation on mortality, and much else besides.

Please note: This is a companion version & not the original book. Sample Book Insights: #1 Martorelli’s book is a 738-page treatise on a bronze octagonal inkpot that was subsequently housed in the museum at Portici. It is the only proof of its former existence. The book is still available for inspection and purchase. #2 Martorelli’s book was a 738-page treatise on a bronze octagonal inkpot that was subsequently housed in the museum at Portici. It was the only proof of its former existence. The book is still available for inspection and purchase. #3 Martorelli’s theory that Homer lived in Naples and founded the university there was not well received, and he lost his reputation. He began to believe that much of what we take to be Greek culture was in fact exported from ancient Italy to Greece. #4 Jacopo Martorelli was a Neapolitan philosopher who wrote a 738-page treatise on a bronze octagonal inkpot that was subsequently housed in the museum at Portici. He believed that much of what we consider Greek culture was actually imported from ancient Italy to Greece.

Marius Kociejowski follows up his now classic The Street Philosopher and the Holy Fool with The Pigeon Wars of Damascus. A metaphysical journalist in search of echoes rather than analogies, hints as opposed to verities, Kociejowski discovers once again at the periphery of Damascene society—for the outcast is often made of the very thing that rejects him—a way to understand the challenges and changes refashioning post-9/11 Syria and the Middle East, reminding us once again of the deeper purpose of travel: to absorb and understand the spirit of a place, and to return changed.

The story of hurricane-battered ships and the heoric men that fought to save them.

One day Sophie comes home from school to find two questions in her mail: "Who are you?" and "Where does the world come from?" Before she knows it she is enrolled in a correspondence course with a mysterious philosopher. Thus begins Jostein Gaarder's unique novel, which is not only a mystery, but also a complete and entertaining history of philosophy.

Across the Roman Empire, ubiquitous archaeological, art historical, and literary evidence attests to the significance of bathing for Romans' routines and relationships. Public baths were popularly viewed as necessities of daily life and important social venues. Given the importance of bathing to the Roman style of living, by endowing eight magnificent baths (the so-called imperial thermae) in the city of Rome between 25 BCE - 315 CE, imperial patrons greatly enhanced their popular and political stature. Decoration and Display in Rome's Imperial Thermae presents a detailed analysis of the extensive decoration of the best preserved of these bathing complexes, the Baths of Caracalla (inaugurated 216 CE). Maryl B. Gensheimer takes an interdisciplinary approach to existing archaeological data, textual and visual sources, and anthropological theories in order to generate a new understanding of the visual experience of the Baths of Caracalla and show how the decoration played a critical role in advancing imperial agendas. This reassessment of one of the most ambitious and sophisticated examples of large-scale architectural patronage in Classical antiquity examines the specific mechanisms through which an imperial patron could use architectural decoration to emphasize his own unique sociopolitical position relative to the thousands of people who enjoyed his benefaction. The case studies addressed herein--ranging from architectural to freestanding sculpture and mosaic--demonstrate that sponsoring monumental baths was hardly an act of altruism. Rather, even while they provided recreation for elite and sub-altern Romans alike, such buildings were concerned primarily with dynastic legitimacy and imperial largess. Decorative programs articulated these themes by consistently drawing analogies between the subjects of the decoration and the emperor who had paid for it. The unified decorative program--and the messages of imperial power therein--adroitly honored the emperor and consolidated his reputation.

The bookshop is, and will always be, the soul of the trade. What happens there does not happen elsewhere. The multifariousness of human nature is more on show there than anywhere else, and I think it’s because of books, what they are, what they release in ourselves, and what they become when we make them magnets to our desires. A memoir of a life in the antiquarian book trade, A Factotum in the Book Trade is a journey between the shelves—and then behind the counter, into the overstuffed basement, and up the spine-stacked attic stairs of your favourite neighbourhood bookshop. From his childhood in rural Ontario, where at the village jumble sale he bought poetry volumes for their pebbled-leather covers alone, to his all-but-accidental entrance into the trade in London and the career it turned into, poet and travel writer Marius Kociejowski recounts his life among the buyers, sellers, customers, and literary nobility—the characters, fictional and not—who populate these places we all love. Cataloging their passions and pleasures, oddities and obsessions, A Factotum in the Book Trade is a journey through their lives, and a story of the serendipities and collisions of fate, the mundane happenings and indelible encounters, the friendships, feuds, losses, and elations that characterize the business of books—and, inevitably, make up an unforgettable life.