This first publication of the letters of one of America’s most consistently admired writers is both an exciting and a significant literary event. Willa Cather, wanting to be judged on her work alone, clearly forbade the publication of her letters in her will. But now, more than sixty-five years after her death, with her literary reputation as secure as a reputation can be, the letters have become available for publication. The 566 letters collected here, nearly 20 percent of the total, range from the funny (and mostly misspelled) reports of life in Red Cloud in the 1880s that Cather wrote as a teenager, through those from her college years at the University of Nebraska, her time as a journalist in Pittsburgh and New York, and during her growing eminence as a novelist. Postcards and letters describe her many travels around the United States and abroad, and they record her last years in the 1940s, when the loss of loved ones and the disasters of World War II brought her near to despair. Written to family and close friends and to such luminaries as Sarah Orne Jewett, Robert Frost, Yehudi Menuhin, Sinclair Lewis, and the president of Czechoslovakia, Thomas Masaryk, they reveal her in her daily life as a woman and writer passionately interested in people, literature, and the arts in general. The voice heard in these letters is one we already know from her fiction: confident, elegant, detailed, openhearted, concerned with profound ideas, but also at times funny, sentimental, and sarcastic. Unfiltered as only intimate communication can be, they are also full of small fibs, emotional outbursts, inconsistencies, and the joys and sorrows of the moment. The Selected Letters is a deep pleasure to read and to ponder, sure to appeal to those with a special devotion to Cather as well as to those just making her acquaintance.

Time Magazine's 10 Top Nonfiction Books of the Year • Willa Cather’s letters—withheld from publication for more than six decades—are finally available to the public in this fascinating selection. The hundreds collected here range from witty reports of life as a teenager in Red Cloud in the 1880s through her college years at the University of Nebraska, her time as a journalist in Pittsburgh and New York, and her growing eminence as a novelist. They describe her many travels and record her last years, when the loss of loved ones and the disasters of World War II brought her near to despair. Above all, they reveal her passionate interest in people, literature, and the arts. The voice is one we recognize from her fiction: confident, elegant, detailed, openhearted, concerned with profound ideas, but also at times sentimental, sarcastic, and funny. A deep pleasure to read, this volume reveals the intimate joys and sorrows of one of America’s most admired writers.

Cather, the Nebraska-born novelist, describes her childhood, her career as a writer, and the influences on her work

An infamous clause in Willa Cather's will, forbidding publication of her letters and other papers, has long caused consternation among Cather scholars. For Cather, a complex and private person who seldom made revelatory public pronouncements, personal letters provide-or would provide-an especially valuable key to understanding. But because of the terms of her will, that key is not readily available. Cather's letters will not come into public domain until the year 2017. Until then, even quotation, let alone publication in full, is prohibited. Janis P. Stout has gathered over eighteen hundred of Cather's letters--all the letters currently known to be available--and provides a brief summary of each, as well as a biographical directory identifying correspondents and a multisection index of the widely scattered letters organized by location, by correspondent, and by names and titles mentioned. This book will be an essential resource for Cather scholars.

Willa Cather's close friend and travelling campanion presents a portrait of the well-known author, describing her personality, appearance, relationships, and response to life's hardships and triumphs.

‘A Lost Lady’ is Willa Cather’s brilliant depiction of the decline of the American pioneer spirit and the bleakness of frontier life. In it, socialite Marrian Forrester lives with her husband, the ageing industrial magnate Captain Forrester, in the small town of Sweet Water. To the young, adoring narrator Niel Herbert, she is both bewitching and beautiful. The very definition of a lady. But Marrian Forrester is not what she seems and sparked by the death of her husband; her social decline lays bare her contradictions to the town. Published in 1923, Cather’s revered novel is an elegy to the pioneer west. The writer F. Scott Fitzgerald acknowledged its influence on his famous work ‘The Great Gatsby’ and the character of Daisy Buchanan in particular. Willa Cather (1873-1947) was an American writer who won acclaim for her novels that captured the American pioneer experience. Her books include ‘O Pioneers!’ (1913), ‘The Song of the Lark’ (1915), ‘My Ántonia’ (1918) and Death Comes for the Archbishop (1927) which was an instant critical success. In 1923, Cather gained widespread international recognition when she was awarded the Pulitzer Prize for ‘One of Ours’, a novel set during World War I. Willa Cather was granted honorary degrees by Princeton, Berkeley and Yale and in 1931 she graced the cover of Time Magazine. The American Academy of Arts and Letters awarded her a gold medal for fiction in 1944.

Selected Letters of Dawn Powell traces a richly talented writer's fifty-two-year journey from her childhood in a small Ohio town to the glitter of Manhattan. Powell was a prolific letter writer, and her correspondence provides an intimate look at the woman about whom The New York Times recently said: "[She] is wittier than Dorothy Parker, dissects the rich better than F. Scott Fitzgerald, is more plaintive than Willa Cather in her evocation of the heartland, and has more supple control of satirical voice than Evelyn Waugh." Living most of her life in Greenwich Village, Powell supported herself as a writer through the Great Depression and two world wars while nursing an autistic son, an alcoholic husband, and her own parade of illnesses. In her correspondence, including gossip-filled letters to such luminaries as Edmund Wilson, John Dos Passos, and the legendary editor Max Perkins, we find the record of a courageous and dramatic woman who produced fifteen novels, ten plays, and more than one hundred stories.