Reflection on the history of psychoanalysis, its conceptual foundations and its relation to other disciplines.

Lebeau examines the long and uneven history of developments in modern art, science, and technology that brought pychoanalysis and the cinema together towards the end of the nineteenth century. She explores the subsequent encounters between the two: the seductions of psychoanalysis and cinema as converging, though distinct, ways of talking about dream and desire, image and illusion, shock, and sexuality. Beginning with Freud's encounter with the spectacle of hysteria on display in fin-de-siecle Paris, this study offers a detailed reading of the texts and concepts which generated the field of psychoanalytic film theory.

In a career spanning more than five decades the distinguished French psychoanalyst Jean Laplanche (1924-2012) elaborated a distinctive methodology for the reading of Freud's corpus and evolved, in connection with it, a radical new metapsychology - one that critically recast Freud's early 'seduction' theory of trauma and placed at the heart of psychic life a particular model of 'enigmatic signification.' Seductions and Enigmas is a volume dedicated to the implications of Laplanche's thought for reading and interpretation. It collects papers that elaborate Laplanche's unique method for the interpretation of Freud, with its attention to the decentering and recentering movements of thought that structure the psychoanalytic field, and explore how the metapsychological developments arising from the implementation of that method open up new horizons for the psychoanalytic reading of other texts and oeuvres in the cultural domain. The volume comprises essays by Laplanche as well as by clinicians and scholars whose work takes inspiration from his research. Authors variously establish, develop or consolidate Laplanche's critical methodology as such, or work through aspects of his major theoretical innovations as points of departure for the reading of cultural works of different kinds: fiction, drama, painting, visual and sound installations, and film. These theoretical innovations cover a breadth of topics including seduction, sublimation, gender, femininity, the functions of binding and unbinding, masochism and the role of the enigmatic. In their range, the texts brought together here are a testament to the vitality and fertility of Laplanche's theoretical endeavour, for anyone concerned with the re-reading of Freud or with continuing to recalibrate and advance the parameters of critical interpretation in light of Freud's legacy.

This book makes clear that the problem of seduction and suggestion raises major psychoanalytic, and more generally philosophical problems that are still of great importance for the self-understanding of contemporary humankind.

In 1896, Sigmund Freud presented his revolutionary seduction theory, arguing that acts of sexual abuse and violence inflicted on children are the direct cause of adult mental illness. Nine years later, Freud completely reversed his position, insisting that these sexual memories were actually fantasies that never happened. Why did Freud retract the seduction theory? And why has the psychoanalytic community gone to such lengths to conceal that retraction? In this landmark book, drawing on his unique access to formerly sealed and hidden papers, Jeffrey Moussaieff Masson dares to uncover the truth about this critical turning point in Freud's career and its enduring impact on the theory and practice of psychoanalysis. The Assault on Truth reveals a reality that neither Freud nor his followers could bear to face. Bracing in its honesty, gripping its revelations, this is the book that prompted Masson's break with the psychoanalytic community-and launched his subsequent brilliant career as an independent thinker and writer.

Psychoanalysts from diverse backgrounds (Freudian, Sullivanian, classical, interpersonal and self-psychological) discuss: "What is the Seduction Hypothesis?," "The Traumas of Everyday Life," and "Severely Traumatized Patients."