When a ticking time bomb in human genes detonated, the Scourge of God began sweeping the planet, claiming its victims in a few short weeks. Soon an illusion of humanity haunted the streets, and its once-glamorous cities plunged into quiet darkness. The few who were spared by the Scourge were left to make sense of the new world. One of them, Vincent, was a passionate and good-natured man in his twenties. Having moved to New York City seven months before, after battling a life-sapping depression, he now faced the human apocalypse. New York City was a large wasteland of concrete, steel, rust, and broken glass. Birds ruled the sky, while rodents feasted on the ground-level remains. It was a dangerous and deteriorating place, but it became the staging ground for a new civilization. There Vincent found normalcy, friendships, love, and hope. Life seemed better than before the Scourge, but soon the injustices of the new world began raging a new battle within him. He decided to take justice into his own hands and become a new kind of Scourge. Loved by some. Loathed by others. Ultimately feared by all.

I have never seen plague bring a man back from the dead. Nor do I know of any sickness, in England or upon the continent, that gives its victims a taste for living flesh. So declares Sir Edward Dallingridge, a noble knight whose years defending England on the battlefield haven't prepared him to face an enemy as chilling -- and relentless -- as the living dead. But even as his countrymen flee in horror, Sir Edward rides straight into the unholy infestation. For his lady love lies trapped behind a hundred miles of fiendish terror, and nothing will keep him from her. With little more than the armor on his back, the blade in his hand, and the loyalty of the two fellow warriors at his side, he is willing to spill an ocean of tainted blood to reclaim the country he serves and the bride he worships.

In a book that fundamentally challenges our understanding of race in the United States, Neil Foley unravels the complex history of ethnicity in the cotton culture of central Texas. This engrossing narrative, spanning the period from the Civil War through the collapse of tenant farming in the early 1940s, bridges the intellectual chasm between African American and Southern history on one hand and Chicano and Southwestern history on the other. The White Scourge describes a unique borderlands region, where the cultures of the South, West, and Mexico overlap, to provide a deeper understanding of the process of identity formation and to challenge the binary opposition between "black" and "white" that often dominates discussions of American race relations. In Texas, which by 1890 had become the nation's leading cotton-producing state, the presence of Mexican sharecroppers and farm workers complicated the black-white dyad that shaped rural labor relations in the South. With the transformation of agrarian society into corporate agribusiness, white racial identity began to fracture along class lines, further complicating categories of identity. Foley explores the "fringe of whiteness," an ethno-racial borderlands comprising Mexicans, African Americans, and poor whites, to trace shifting ideologies and power relations. By showing how many different ethnic groups are defined in relation to "whiteness," Foley redefines white racial identity as not simply a pinnacle of status but the complex racial, social, and economic matrix in which power and privilege are shared. Foley skillfully weaves archival material with oral history interviews, providing a richly detailed view of everyday life in the Texas cotton culture. Addressing the ways in which historical categories affect the lives of ordinary people, The White Scourge tells the broader story of racial identity in America; at the same time it paints an evocative picture of a unique American region. This truly multiracial narrative touches on many issues central to our understanding of American history: labor and the role of unions, gender roles and their relation to ethnicity, the demise of agrarian whiteness, and the Mexican-American experience.

Criminals are being targeted by a mysterious murderer called the Scourge! Multiple villains have been gunned down, and no one seems to know what's happening or why! Captain America and USAgent dig deep into the roots of the mystery, finding clues that tie back to one of Marvel's oldest heroes. Collecting: Marvel Fanfare #29; Amazing Spider-Man Ė Captain America #318-320, #358-362; USAgent #1-4

The Realm of Iavor: a land where songs and magic entwine, where legend reverberates through the stones and water. History tells of heroes who rose from different walks of life to overcome an evil king and become the new rulers of the kingdom. Korvin the Barbarian. Tajenda the Assassin. Nolus the Hierophant. Retriss the Magister. Five years later, power and dark magic have corrupted the land of Iavor's once-heroes. Only the very villain, Althar Malagant the Darksinger, who once ruled the realm can redeem it. The outcast Princess Sidion seeks out Malagant, the only one with the power to challenge the fallen heroes and save Iavor before it is lost to darkness--again. But will the Darksinger rescue the realm or doom it once more?

A mutating plague is spreading. It's killing two of every three people on Earth. And Mike Crenshaw is totally unprepared. From the world of The Traveler Series comes a new cast of characters, new obstacles, and the same devastating, world-altering virus which plunges society into the depth of a dystopian hell. UNPREPARED begins in the hours before The Scourge takes hold. As if ripped from today's headlines, governments react too slowly and the disease spreads too fast. Quarantines don't work. Infrastructure fails. People die. Follow Mike and his friends as they try to survive this new landscape and find out how the world in which The Traveler Series was set came into being. It's a thrill ride that will keep you up at night with the lights on and the doors locked.