Thompson presents a re-appraisal of the 'scandalous memoirists' Costantia Phillips and Laetitia Pilkington, who feature with a cast of other 18th century apologists, and overturns scholarship's traditional discrediting of them.

This book contributes to the literary history of eighteenth-century women’s life writings, particularly those labeled “scandalous memoirs.” It examines how the evolution of this subgenre was shaped partially by several innovative memoirs that have received only modest critical attention. Breashears argues that Madame de La Touche’s Apologie and her friend Lady Vane’s Memoirs contributed to the crystallization of this sub-genre at mid-century, and that Lady Vane’s collaboration with Tobias Smollett in The Adventures of Peregrine Pickle resulted in a brilliant experiment in the relationship between gender and genre. It demonstrates that the Memoirs of Catherine Jemmat incorporated influential new strategies for self-justification in response to changing kinship priorities, and that Margaret Coghlan’s Memoirs introduced revolutionary themes that created a hybrid: the political scandalous memoir. This book will therefore appeal to scholars interested in life writing, women’s history, genre theory, and eighteenth-century British literature.

British Women's Life Writing, 1760-1840 brings together for the first time a wide range of print and manuscript sources to demonstrate women's innovative approach to self-representation. It examines canonical writers, such as Mary Wollstonecraft, Mary Robinson, and Helen Maria Williams, amongst others.

“A remarkable book . . . I found myself thinking that all expectant and new parents should read it.” —Michelle Slater A New York Times Book Review Editors' Choice In Raising a Rare Girl, Lanier explores how to defy the tyranny of normal and embrace parenthood as a spiritual practice that breaks us open in the best of ways. Like many women of her generation, when Heather Lanier was expecting her first child she did everything by the book in the hope that she could create a SuperBaby, a supremely healthy human destined for a high-achieving future. But her daughter Fiona challenged all of Lanier’s preconceptions. Born with an ultra-rare syndrome known as Wolf-Hirschhorn, Fiona received a daunting prognosis: she would experience significant developmental delays and might not reach her second birthday. The diagnosis obliterated Lanier’s perfectionist tendencies, along with her most closely held beliefs about certainty, vulnerability, God, and love. With tiny bits of mozzarella cheese, a walker rolled to library story time, a talking iPad app, and a whole lot of pop and reggae, mother and daughter spend their days doing whatever it takes to give Fiona nourishment, movement, and language. Loving Fiona opens Lanier up to new understandings of what it means to be human, what it takes to be a mother, and above all, the aching joy and wonder that come from embracing the unique life of her rare girl.

This collection discusses British and Irish life writings by women in the period 1700-1850. It argues for the importance of women's life writing as part of the culture and practice of eighteenth-century and Romantic auto/biography, exploring the complex relationships between constructions of femininity, life writing forms and models of authorship.

A heartfelt and inspiring personal account of a woman raised as a Lubavitcher Hasid who leaves that world without leaving the family that remains within it. Even as a child, Chaya Deitsch felt that she didn’t belong in the Hasidic world into which she’d been born. She spent her teenage years outwardly conforming to but secretly rebelling against the rules that tell you what and when to eat, how to dress, whom you can befriend, and what you must believe. Loving her parents, grandparents, and extended family, Chaya struggled to fit in but instead felt angry, stifled, and frustrated. Upon receiving permission from her bewildered but supportive parents to attend Barnard College, she discovered a wider world in which she could establish an independent identity and fulfill her dream of an unconfined life that would be filled with the secular knowledge and culture that were largely foreign to her friends and relatives in Crown Heights, Brooklyn. As she gradually shed the physical and spiritual trappings of Hasidic life, Chaya found herself torn between her desire to be honest with her parents about who she now was and her need to maintain a loving relationship with the family that she still very much wanted to be part of. Eventually, Chaya and her parents came to an understanding that was based on unqualified love and a hard-won but fragile form of acceptance. With honesty, sensitivity, and intelligence, Chaya Deitsch movingly shows us that lives lived differently do not have to be lives lived apart.

Unlike anything Joyce Carol Oates has written before, A Widow’s Story is the universally acclaimed author’s poignant, intimate memoir about the unexpected death of Raymond Smith, her husband of forty-six years, and its wrenching, surprising aftermath. A recent recipient of National Book Critics Circle Ivan Sandrof Lifetime Achievement Award, Oates, whose novels (Blonde, The Gravedigger’s Daughter, Little Bird of Heaven, etc.) rank among the very finest in contemporary American fiction, offers an achingly personal story of love and loss. A Widow’s Story is a literary memoir on a par with The Year of Magical Thinking by Joan Didion and Calvin Trillin’s About Alice.