Rock Musical Characters: 7 males, 3 females Scenery: Interior That sweet transvestite and his motley crew did the time warp on Broadway in a 25th anniversary revival. Complete with sass from the audience, cascading toilet paper and an array of other audience participation props, this deliberately kitschy rock 'n' roll sci fi gothic is more fun than ever. "A socko wacko weirdo rock concert."-WNBC TV. "A musical that deals with mutating identity and time warps becomes one of the most mutated, time warped phenomena in show business."-N.Y. Times. "Campy trash."-Time.

SHAW ON SHAKESPEARE

People Like Us is a photographic documentation of the tight-knit community of dedicated fans who perform in and produce weekly shows of The Rocky Horror Picture Show in theaters around the country, and who in doing so, have kept the film on screens in the pop-culture collective consciousness for forty years. These "shadow cast" performers spend countless hours on painstakingly accurate reproductions of their characters' costumes, special theme nights, set fabrication, and promotions. The film becomes an anchor for their world, with its gently satirical silver screen archetypes and saucy one-liners lending themselves to an abundance of internet memes and fan fiction.

Sal Piro, President of the International Rocky Horror Picture Show Fan Club looks at the first 15 years of The Rocky Horror Picture Show fandom and how the quirky film became an international phenomena. This edition presents in its entirety, the original book from 1990 (Stabur) with all the pictures and narratives from the beginning to the celebration of the 15th Anniversary. Time was...and is...fleeting...come, join in....

The first scholarly collection devoted to The Rocky Horror Picture Show, dissecting the film from diverse perspectives including gender and queer studies, disability studies, cultural studies, genre studies, and film studies.

When 'The Rocky Horror Picture Show' was released in 1975, it initially received an indifferent reception in movie theaters, but began to gain notoriety after it was embraced by audiences at midnight screenings in New York City and elsewhere. The movies tells the misadventures of newly engaged Brad and Janet whose car breaks down in a rainstorm forcing them to seek refuge in the castle of the bizarre and flamboyant Dr. Frank-N-Furter. An homage to campy B-movies, sci-fi, and horror films, the movie was - and still is - more than the sum of its parts. Participatory and party-like, midnight showings attract moviegoers who dress as film characters, sing along with the catchy show tunes, and interact with the action on screen. In the four decades since its release, it has become a cultural phenomenon, not to mention one of the most commercially successful films of all time. 0In 'Fan phenomena: "The Rocky Horror Picture Show, "' editor Marisa C. Hayes brings together a diverse group of writers who explore the film's influence on the development of the pastiche tribute film, emerging queer activism of the 1970s, glam rock style, and the creative use of audience dialogue in recreating and interacting with the spoken and sung language of the film. Spotlighting a cult phenomenon and its fans, who count the number of times they've seen the movie in the hundreds, this contribution to the 'Fan phenomena' series covers never before explored topics related to 'The Rocky Horror Picture Show'. For anyone who has ever done the "Time Warp," this will be an essential reading.

A Bram Stoker Award finalist for Best First Novel: This endlessly inventive thriller pays homage to 1950s Hollywood horror films—with a demonic twist Schlock horror director Landis Woodley lives in a decaying mansion in the Hollywood Hills. When he abandoned the movie business—after being reduced to filming skin flicks and peep shows—he also left a laundry list of enemies, including the IRS. But avid fan Clint Stockbern is determined to write a piece on the alcoholic recluse for Monster magazine. Woodley agrees to the interview—for $600 in cash. As the tape recorder starts rolling, Stockbern travels back in time with Woodley. He hears recollections of Attack of the Haunted Saucer, the worst movie of all time, and Blood Ghouls of Malibu. But he really wants to know about Woodley’s masterpiece, Cadaver. Shot on location in the Los Angeles County morgue, the film was rumored to have used real corpses and everyone associated with the production has been fatally haunted since its 1957 release. But the truth is far more terrifying than Stockbern imagined. Is a dead Satanist, possessed by the devil, reaching out beyond the grave? Or is the reporter the final victim in a diabolical scheme dreamed up by mortals? Horror Show is a wild and wacky romp that sends up mid-century Hollywood horror movies and schlockmeisters Roger Corman, William Castle, and Ed Wood.