The heartwarming coming-of-age tale of four high school outcasts who start a band to gain fame and popularity...but have to defend their hometown from a hungry horde of monsters instead. It’s 1989 and Marty Ward—Jackson, Tennessee’s number one juvenile delinquent—never wanted to join the Rock Gods. After all, who wants to play with nerds like Jonny, Lenny, and Doug? But after the high schoolers stumble into the gig of a lifetime—opening for local rock legend Tommi Tungstun—the four outcasts must put aside their differences and play together if they want to achieve their dreams of fame, freedom, and popularity. Standing in these future superstars’ way are: their parents, their teachers, a school full of jerks and bullies, a townful of bad bosses, sanctimonious preachers, and corrupt politicians, each other, and a rampaging horde of mutated monsters tearing through Jackson and eating everything in their path. Wait. Monsters?!?! Indeed! A secretive pharmaceutical company has converted the old perfume factory on the edge of town into an animal testing facility. Their newest concoction, a marvel of science designed as a cure, has disastrous results...transforming hundreds of pigs into horrifying demons with an appetite for human flesh. When the pigs attack, it’s left up Marty, Jonny, Lenny, and Doug to save the city and everyone in it. If they can’t figure out how to work together, they’ll be pig food. But, if they can join together as a band, as friends, as family…they’ll become Legends.

The heartwarming coming-of-age tale of four high school outcasts who start a band to gain fame and popularity...but have to defend their hometown from a hungry horde of monsters instead. It’s 1989 and Marty Ward—Jackson, Tennessee’s number one juvenile delinquent—never wanted to join the Rock Gods. After all, who wants to play with nerds like Jonny, Lenny, and Doug? But after the high schoolers stumble into the gig of a lifetime—opening for local rock legend Tommi Tungstun—the four outcasts must put aside their differences and play together if they want to achieve their dreams of fame, freedom, and popularity. Standing in these future superstars’ way are: their parents, their teachers, a school full of jerks and bullies, a townful of bad bosses, sanctimonious preachers, and corrupt politicians, each other, and a rampaging horde of mutated monsters tearing through Jackson and eating everything in their path. Wait. Monsters?!?! Indeed! A secretive pharmaceutical company has converted the old perfume factory on the edge of town into an animal testing facility. Their newest concoction, a marvel of science designed as a cure, has disastrous results...transforming hundreds of pigs into horrifying demons with an appetite for human flesh. When the pigs attack, it’s left up Marty, Jonny, Lenny, and Doug to save the city and everyone in it. If they can’t figure out how to work together, they’ll be pig food. But, if they can join together as a band, as friends, as family…they’ll become Legends.

In 1974, legendary Marvel Comics publisher Stan Lee approached underground pioneer Denis Kitchen and offered a way for them to collaborate. Their resulting series was called Comix Book and featured work by many of the top underground cartoonists including Joel Beck, Kim Deitch, Justin Green, Harvey Pekar, Trina Robbins, Art Spiegelman (first national appearance of Maus), Skip Williamson, and S. Clay Wilson. The Best of Comix Book showcases 150-pages of classic underground comix (printed on newsprint, as they originally appeared), many never before reprinted.

"Eddie is a low-rent hustler who got magically turned into a pug during a con gone wrong. Tala is the part-demon daughter of one of Eddie's many ex-girlfriends. When Tala finds herself the target of powerful inter-dimensional forces, she goes to Eddie for help--setting off a chain reaction of chaos and destruction that could threaten the very fabric of existence." --

At long last, MIKE NORTON's award-winning fantasy/humor webcomic is collected in one volume! Join the last Kinmundian and his faithful steed, The Battlepug, as they travel the globe seeking revenge against every giant ridiculous animal they can find. Featuring extras like sketches and art by some of the most creative artists in the business today! Collects the entire 5-volume original series of BATTLEPUG!

More than two decades ago, John Galliano and Alexander McQueen arrived on the fashions scene when the business was in an artistic and economic rut. Both wanted to revolutionize fashion in a way no one had in decades. They shook the establishment out of its bourgeois, minimalist stupor with daring, sexy designs. They turned out landmark collections in mesmerizing, theatrical shows that retailers and critics still gush about and designers continue to reference. Their approach to fashion was wildly different—Galliano began as an illustrator, McQueen as a Savile Row tailor. Galliano led the way with his sensual bias-cut gowns and his voluptuous hourglass tailoring, which he presented in romantic storybook-like settings. McQueen, though nearly ten years younger than Galliano, was a brilliant technician and a visionary artist who brought a new reality to fashion, as well as an otherworldly beauty. For his first official collection at the tender age of twenty-three, McQueen did what few in fashion ever achieve: he invented a new silhouette, the Bumster. They had similar backgrounds: sensitive, shy gay men raised in tough London neighborhoods, their love of fashion nurtured by their doting mothers. Both struggled to get their businesses off the ground, despite early critical success. But by 1997, each had landed a job as creative director for couture houses owned by French tycoon Bernard Arnault, chairman of LVMH. Galliano’s and McQueen’s work for Dior and Givenchy and beyond not only influenced fashion; their distinct styles were also reflected across the media landscape. With their help, luxury fashion evolved from a clutch of small, family-owned businesses into a $280 billion-a-year global corporate industry. Executives pushed the designers to meet increasingly rapid deadlines. For both Galliano and McQueen, the pace was unsustainable. In 2010, McQueen took his own life three weeks before his womens' wear show. The same week that Galliano was fired, Forbes named Arnault the fourth richest man in the world. Two months later, Kate Middleton wore a McQueen wedding gown, instantly making the house the world’s most famous fashion brand, and the Metropolitan Museum of Art opened a wildly successful McQueen retrospective, cosponsored by the corporate owners of the McQueen brand. The corporations had won and the artists had lost. In her groundbreaking work Gods and Kings, acclaimed journalist Dana Thomas tells the true story of McQueen and Galliano. In so doing, she reveals the revolution in high fashion in the last two decades—and the price it demanded of the very ones who saved it.

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