In this theory-rich study, Shelby Johnson analyzes the works of Black and Indigenous writers in the Atlantic World, examining how their literary production informs "modes of being" that confronted violent colonial times. Johnson particularly assesses how these authors connected to places—whether real or imagined—and how those connections enabled them to make worlds in spite of the violence of slavery and settler colonialism. Johnson engages with works written in a period engulfed by the extraordinary political and social upheavals of the Age of Revolution and Indian Removal, and these texts—which include not only sermons, life writing, and periodicals but also descriptions of embodied and oral knowledge, as well as material objects—register defiance to land removal and other forms of violence. In studying writers of color during this era, Johnson probes the histories of their lived environment and of the earth itself—its limits, its finite resources, and its metaphoric mortality—in a way that offers new insights on what it means to imagine sustainable connections to the ground on which we walk.

A best seller in France, and already translated into Spanish, Italian, Greek, and Korean, Hervé Kempf'sHow the Rich Are Destroying the Earth now appears in its first English edition. Bringing to bear more than twenty years of experience as an environmental journalist, Kempf describes the invincibility that many of the world's wealthy feel in the face of global warming, and how their unchecked privilege is thwarting action on the single most vexing problem facing our world.In this important primer on the link between global ecology and the global economy, Kempf makes the following observations: First, that the planet's ecological situation is growing ever worse, despite the efforts of millions of engaged citizens around the world. And second, despite environmentalists' emphasis that "we're all in the same boat," the world's economic elites--who continue to benefit by plundering the environment--have access to "lifeboats" that insulate them from the resulting catastrophes.Societies have not been able to effectively combat the expanding ecological crisis because it is intimately linked to the social crisis in which the ruling form of capitalism has been organized to impede democratic initiatives. This link explains the failure to make progress against the greatest emergency of our time, because in this relationship the oligarchy plays an essential and destructive role. For this reason, solving the ecological crisis depends on disrupting the power of the world's elite.We cannot understand the entwined ecological and social crises, Kempf argues, if we don't see them as the two sides of the same disaster--a disaster that comes from a system piloted by a dominant social strata that has no drive other than greed, no ideal other than conservatism, no dream other than technology. But Kempf also calls for measured optimism: "Despite the scale of the challenges that await us, solutions are emerging and--faced with the sinister prospects the oligarchs promote--the desire to remake the world is being reborn."

A Boston Globe Best Poetry Book of 2011 This is the definitive edition of the work of one of America's greatest poets, increasingly recognized as one of the greatest English-language poets of the twentieth century, loved by readers and poets alike. Bishop's poems combine humor and sadness, pain and acceptance, and observe nature and lives in perfect miniaturist close-up. The themes central to her poetry are geography and landscape—from New England, where she grew up, to Brazil and Florida, where she later lived—human connection with the natural world, questions of knowledge and perception, and the ability or inability of form to control chaos. This new edition offers readers the opportunity to take in, entire, one of the great careers in twentiethcentury poetry.

Finalist for the 2022 National Book Award in Poetry! Interweaving elegy, indictment, and hope into a love letter to California, Look at This Blue examines America’s genocidal past and present to warn of a future threatened by mass extinction and climate peril. Truths about what we have lost and have yet to lose permeate this book-length poem by American Book Award winner and Fulbright scholar Allison Adelle Hedge Coke. An assemblage of historical record and lyric fragments, these poems form a taxonomy of threatened lives—human, plant, and animal—in a century marked by climate emergency. Look at This Blue insists upon a reckoning with and redress of America’s continuing violence toward Earth and its peoples, as Hedge Coke’s cataloguing of loss crescendos into resistance.