Each week about fifty New Yorker cartoonists submit ten ideas, yielding five hundred cartoons for no more than twenty spots in the magazine. Arguably the most brilliant single-panel-gag cartoonists in the world create a bunch of cartoons every week that never see the light of day. These rejects were piling up in the dusty corners of studios all over the country. Sam Gross, who has been contributing since 1962, has more than 12,000 rejected cartoons. (Seriously. He's been numbering every single cartoon he's ever submitted to The New Yorker since the very beginning.) Enter editor Matthew Diffee. He tapped his fellow cartoonists, asking them to rescue these hilarious lost gems. From the artists' stacks of all-time favorite rejects, Diffee handpicked the standouts -- the cream of the crap -- and created The Rejection Collection, a place where good ideas go when they die. Too risqué, silly, or weird for The New Yorker, the cartoons in this book offer something no other collection has: They have never been seen in print until now. With a foreword by New Yorker cartoon editor Robert Mankoff that explains the sound judgment, respectability, and scruples not found anywhere in these pages, and handwritten questionnaires that introduce the quirky character of each artist, The Rejection Collection will appeal to fans of The New Yorker...and to anyone with a slightly sick sense of humor.

It’s the best of the worst: 293 of the funniest cartoons rejected by The New Yorker but luckily for us, now in paperback and available to enjoy. The Rejection Collection brings together some of The New Yorker’s brightest talents—Roz Chast, Gahan Wilson, Sam Gross, Jack Zeigler, David Sipress, and more—and reveals their other side. Their dark side. Their juvenile side. Their sick side. Their naughty side. Their outrageous side. And what a treat. Ventriloquist dummy cartoons. Operating room cartoons. Bring your daughter to work day cartoons (the stripper, the prison guard on death row). Lots of couples in bed, quite a few coffins, wise-cracking animals—an obsessive’s plumbing of the weird, the scary, the off-the-wall, and done so without restraint. Every week The New Yorker receives 500 cartoon submissions, and rejects a great majority—mostly, of course, for not being funny enough. There’s no question why these were rejected, and it’s not for lack of laughs. One can almost hear Eustace Tilley sniffing, We are not amused.

A bright young comic talent presents 18 bitterly funny--and frighteningly universal--tales of rejection, humiliation, and misfortune.

A collection from the award-winning cartoonist for the New Yorker features his funniest work from the past 15 years, as well as brand-new cartoons and sketches, visual riffs and illustrated one-liners.

Shapiro presents a colorful panoply of rejection letters--many from famous people including A-Rod, Jimi Hendrix, and Andy Warhol--that when taken together offer humor, insight, and the comfort of shared experience.

The comprehensive book of cartoons from the beloved New Yorker cartoonist.--From publisher description.

A hilarious collection of desert island cartoons from New Yorker cartoonists Jon Adams and Ellis Rosen to help us feel isolated. . . together. This timely reflection on isolation brings together the best of a beloved genre, featuring an array of desert cartoons done in the signature single-panel style of a New Yorker cartoon. Whether you’re feeling marooned in too-close quarters with a loved one, are frantically dreaming up ways to escape from your own quarantine island, or are simply feeling nostalgic for palm trees and sand, these cartoons are sure to make you smile–and we could all use a laugh right now. Drawn from a diverse collection of contributors, these humorous drawings are an essential addition to any coffee table collection, and bring a much-needed dose of levity to the circumstances we all find ourselves in.