Have you ever had the feeling a doll was watching you? Jenna finds the perfect gift for her sister at a neighbor’s garage sale—a beautiful old doll dressed all in red velvet. Jenna can’t believe her luck. Not only does Mrs. Tate seem happy to be rid of the doll, she even gives it to Jenna for free! But when Jenna takes the doll home, trouble begins. First her best friend gets a creepy feeling whenever she’s around it. Then the family cat hisses at the doll, and at night, Jenna thinks she can hear it moving around in her closet. Finally, when Jenna gives the doll to her sister, she won’t take it. Could the red velvet doll be haunted? And if it is, what can Jenna do? In this companion book to The Blue Ghost, Newbery Honor winner Marion Dane Bauer masterfully tells a doll story full of suspense and shivers.

This volume introduces short stories and essays by Kita Morio (1927-2011), one of the most significant, prolific, and beloved post-war writers in Japan. Also known by his literary persona, Dokutoru ManbÅ (Doctor Manbo), Kita was a remarkably versatile writer who produced both serious and comical works in a wide variety of genres. The short stories and essays included in this collection have been carefully selected from Kita's large body of writings to exhibit the breadth of his work. The collection includes his autobiographical fiction, comical essays, science fiction, somber fictional stories, and stories for children. Death, a work of autobiographical fiction, depicts the death and the writer's memories of his father, SaitÅ Mokichi, one of the most important poets in modern Japan. Being a psychiatrist and bipolar patient himself, Kita comically talks about his eccentric behavior during the manic state in the essay "I Am a Manic Patient." The title story, "The Red Ghost and the White Ghost," is a children's story about two ghosts who are incapable of scaring people. Although it is a story for children, Kita subtly includes his criticism of modern society where people value only scientific and tangible things.

"As quickly as I emerged from the bushes I turned and there, running toward us on the dirt road, was the most gruesome creature I had ever seen in my life. The creature was red and looked to be 10 to 12 feet tall and ran on four legs. On his back sat a human skeleton. Behind him sat the large, red setting sun. It looked as if the monster was riding out of the sun. The skeleton's jaw was agape as if he were laughing at us, jeering at us, striking fear into our hearts. The creature careened toward us at a frightening pace. I was almost frozen in fear. 'Run, Joseph, run!' I screamed. I reached over and grabbed the frightened boy with one hand and began to pull him along behind me as quickly as my legs would carry me. We ran back into the woods. The twigs and branches of the bushes and trees snapped as we plunged into the forest. The briars and thorns tore at our clothes and our flesh. Joseph emitted a scream. “Run faster!” he shouted. “It's right behind us!” The thunderous hooves got louder as the creature picked up speed and bore down on us." The Legend of the Red Ghost is inspired by actual events as told by 16-year-old Kip Young. Kip craves adventure and an escape from the uneventful life in a frontier boom town. Kip's life is anything but ideyllic. His younger brother, Charlie, suffers a congenital heart defect that threatens his life. One evening, a strange creature appears in the countryside terrorizing the townsfolk. It was described as running on four legs and covered with red fur. Most ominous of all was the spectral rider that sat on its back. Witnesses described a human skeleton that brandished a sword. Charlie soon becomes convinced the monster, known as "the Red Ghost," is the incarnation of Death itself. Charlie overhears several townsfolk discussing the monster. They refer to it as one of the seven horsemen of the Apocalypse. Others refer to it as the devil's stead. Certain he is going to die, Charlie becomes depressed. Kip decides to track down the creature to discover its true origin and protect his brother.

"As quickly as I emerged from the bushes I turned and there, running toward us on the dirt road, was the most gruesome creature I had ever seen in my life. The creature was red and looked to be 10 to 12 feet tall and ran on four legs. On his back sat a human skeleton. Behind him sat the large, red setting sun. It looked as if the monster was riding out of the sun. The skeleton's jaw was agape as if he were laughing at us, jeering at us, striking fear into our hearts. The creature careened toward us at a frightening pace. I was almost frozen in fear. 'Run, Joseph, run!' I screamed. I reached over and grabbed the frightened boy with one hand and began to pull him along behind me as quickly as my legs would carry me. We ran back into the woods. The twigs and branches of the bushes and trees snapped as we plunged into the forest. The briars and thorns tore at our clothes and our flesh. Joseph emitted a scream. "Run faster!" he shouted. "It's right behind us!" The thunderous hooves got louder as the creature picked up speed and bore down on us." The Legend of the Red Ghost is inspired by actual events as told by 16-year-old Kip Young. Kip craves adventure and an escape from the uneventful life in a frontier boom town. Kip's life is anything but ideyllic. His younger brother, Charlie, suffers a congenital heart defect that threatens his life. One evening, a strange creature appears in the countryside terrorizing the townsfolk. It was described as running on four legs and covered with red fur. Most ominous of all was the spectral rider that sat on its back. Witnesses described a human skeleton that brandished a sword. Charlie soon becomes convinced the monster, known as "the Red Ghost," is the incarnation of Death itself. Charlie overhears several townsfolk discussing the monster. They refer to it as one of the seven horsemen of the Apocalypse Others refer to it as the devil's stead. Certain he is going to die, Charlie becomes depressed. Kip decides to track down the creature to discover its true origin and protect his brother.

In 1890, on Indian reservations across the West, followers of a new religion danced in circles until they collapsed into trances. In an attempt to suppress this new faith, the US Army killed over two hundred Lakota Sioux at Wounded Knee Creek. Louis Warren's God's Red Son offers a startling new view of the religion known as the Ghost Dance, from its origins in the visions of a Northern Paiute named Wovoka to the tragedy in South Dakota. To this day, the Ghost Dance remains widely mischaracterized as a primitive and failed effort by Indian militants to resist American conquest and return to traditional ways. In fact, followers of the Ghost Dance sought to thrive in modern America by working for wages, farming the land, and educating their children, tenets that helped the religion endure for decades after Wounded Knee. God's Red Son powerfully reveals how Ghost Dance teachings helped Indians retain their identity and reshape the modern world.

Have you ever had the feeling a doll was watching you? Jenna finds the perfect gift for her sister at a neighbor’s garage sale—a beautiful old doll dressed all in red velvet. Jenna can’t believe her luck. Not only does Mrs. Tate seem happy to be rid of the doll, she even gives it to Jenna for free! But when Jenna takes the doll home, trouble begins. First her best friend gets a creepy feeling whenever she’s around it. Then the family cat hisses at the doll, and at night, Jenna thinks she can hear it moving around in her closet. Finally, when Jenna gives the doll to her sister, she won’t take it. Could the red velvet doll be haunted? And if it is, what can Jenna do? In this companion book to The Blue Ghost, Newbery Honor winner Marion Dane Bauer masterfully tells a doll story full of suspense and shivers.

“A riveting tale told through personal accounts and sketches along the way—ultimately, a story of success against great odds. I enjoyed it enormously.” —Tom Brokaw The first book to tell the full story of how a traveling road show of artists wielding imagination, paint, and bravado saved thousands of American lives—now updated with new material. In the summer of 1944, a handpicked group of young GIs—artists, designers, architects, and sound engineers, including such future luminaries as Bill Blass, Ellsworth Kelly, Arthur Singer, Victor Dowd, Art Kane, and Jack Masey—landed in France to conduct a secret mission. From Normandy to the Rhine, the 1,100 men of the 23rd Headquarters Special Troops, known as the Ghost Army, conjured up phony convoys, phantom divisions, and make-believe headquarters to fool the enemy about the strength and location of American units. Every move they made was top secret, and their story was hushed up for decades after the war's end. Hundreds of color and black-and-white photographs, along with maps, official memos, and letters, accompany Rick Beyer and Elizabeth Sayles’s meticulous research and interviews with many of the soldiers, weaving a compelling narrative of how an unlikely team carried out amazing battlefield deceptions that saved thousands of American lives and helped open the way for the final drive to Germany. The stunning art created between missions also offers a glimpse of life behind the lines during World War II. This updated edition includes: A new afterword by co-author Rick Beyer Never-before-seen additional images The successful campaign to have the unit awarded a Congressional Gold Medal History and WWII enthusiasts will find The Ghost Army of World War II an essential addition to their library.