The illegitimate daughter of Pope Julius II, Felice della Rovere became one of the most powerful and accomplished women of the Italian Renaissance. Now, Caroline Murphy vividly captures the untold story of a rare woman who moved with confidence through a world of popes and princes. Using a wide variety of sources, including Felice's personal correspondence, as well as diaries, account books, and chronicles of Renaissance Rome, Murphy skillfully weaves a compelling portrait of this remarkable woman. Felice della Rovere was to witness Michelangelo paint the Sistine Chapel, watch her father Pope Julius II lay the foundation stone for the new Saint Peter's, and saw herself immortalized by Raphael in his Vatican frescos. With her marriage to Gian Giordano Orsini--arranged, though not attended, by her father the Pope--she came to possess great wealth and power, assets which she used to her advantage. While her father lived, Felice exercised much influence in the affairs of Rome, even egotiating for peace with the Queen of France. After his death, Felice persevered, making allies of the cardinals and clerics of St. Peter's and maintaining her control of the Orsini land through tenacity, ingenuity, and carefully cultivated political savvy. She survived the Sack of Rome in 1527, but her greatest enemy proved to be her own stepson Napoleone, whose rivalry with his stepbrother Girolamo ended suddenly and violently, and brought her perilously close to losing everything she had spent her life acquiring. With a marvelous cast of characters, The Pope's Daughter is a spellbinding biography set against the brilliant backdrop of Renaissance Rome.

The untold story of Felice della Rovere, the illegitimate daughter of Pope Julius II, and her rise to wealth and power in Renaissance Rome.

In Murder of a Medici Princess, Caroline Murphy illuminates the brilliant life and tragic death of Isabella de Medici, one of the brightest stars in the dazzling world of Renaissance Italy, the daughter of Duke Cosimo I, ruler of Florence and Tuscany. Murphy is a superb storyteller, and her fast-paced narrative captures the intrigue, the scandal, the romantic affairs, and the violence that were commonplace in the Florentine court. She brings to life an extraordinary woman, fluent in five languages, a free-spirited patron of the arts, a daredevil, a practical joker, and a passionate lover. Isabella, in fact, conducted numerous affairs, including a ten-year relationship with the cousin of her violent and possessive husband. Her permissive lifestyle, however, came to an end upon the death of her father, who was succeeded by her disapproving older brother Francesco. Considering Isabella's ways to be licentious and a disgrace upon the family, he permitted her increasingly enraged husband to murder her in a remote Medici villa. To tell this dramatic story, Murphy draws on a vast trove of newly discovered and unpublished documents, ranging from Isabella's own letters, to the loose-tongued dispatches of ambassadors to Florence, to contemporary descriptions of the opulent parties and balls, salons and hunts in which Isabella and her associates participated. Murphy resurrects the exciting atmosphere of Renaissance Florence, weaving Isabella's beloved city into her story, evoking the intellectual and artistic community that thrived during her time. Palaces and gardens in the city become places of creativity and intrigue, sites of seduction, and grounds for betrayal. Here then is a narrative of compelling and epic proportions, magnificent and alluring, decadent and ultimately tragic.

This study, drawing extensively upon manuscript sources, provides the first comprehensive account of how Rome's humanist community coped with the 1527 sack of the city, an event traditionally viewed as signaling the transition from the Renaissance to the Catholic Reformation.

Lucrezia Borgia is among the most fascinating and controversial personalities of the Renaissance. The daughter of Pope Alexander VI, she was intensely involved in the political life of Italy during the late fifteenth and early sixteenth centuries. While her marriage alliances helped advance the political objectives of the papacy, she also held the office of Governor of Spoleto, a role normally reserved for Cardinals, making her one of the most powerful and dynamic female figures of the Renaissance. Among the first books to employ historical method to move beyond myth and romance that had obscured the fascinating story of Lucrezia Borgia was this biography written by the noted German historian Ferdinand Gregorovius. Ferdinand Gregorovius (1821-1891) was one of the preeminent scholars of the Italian Renaissance. His biography of Lucrezia Borgia reveals the atmosphere of the Renaissance, painting a portrait of Lucrezia and her relationships with her father Rodrigo Borgia, Pope Alexander VI, her brother Cesare, her mother Vanozza, her father’s mistress, Giulia Farnese, her husband Duke Alfonso D’Este of Ferrara, and many others, including important artists and writers of the time. All are vividly portrayed against the colorful background of Renaissance Italy. Gregorovius separates myth from documented fact and his book remains a key reference work on the life and times of the Borgia princess. This new edition of Gregorovius’s classic work Lucrezia Borgia is enhanced with an introduction by Samantha Morris, a noted expert on the history of the Borgias. Samantha studied archaeology at the University of Winchester where her interest in the history of the Italian Renaissance began. She is the author of Cesare Borgia: In a Nutshell and Girolamo Savonarola: The Renaissance Preacher. She also runs the website theborgiabull.com.