THE STORY BEHIND THE SCREENPLAY OF THE TWO POPES, THE MAJOR MOTION PICTURE STARRING ANTHONY HOPKINS AND JONATHAN PRYCE (PREVIOUSLY PUBLISHED AS THE POPE). From the Academy Award-nominated screenwriter of The Theory of Everything and Darkest Hour comes the fascinating and revealing tale of an unprecedented transfer of power, and of two very different men - who both happen to live in the Vatican. In February 2013, the arch-conservative Pope Benedict XVI made a startling announcement: he would resign, making him the first pope to willingly vacate his office in over 700 years. Reeling from the news, the College of Cardinals rushed to Rome to congregate in the Sistine Chapel to pick his successor. Their unlikely choice? Francis, the first non-European pope in 1,200 years, a one time tango club bouncer, a passionate soccer fan, a man with the common touch. Why did Benedict walk away at the height of power, knowing his successor might be someone whose views might undo his legacy? How did Francis - who used to ride the bus to work back in his native Buenos Aires - adjust to life as leader to a billion followers? If, as the Church teaches, the pope is infallible, how can two living popes who disagree on almost everything both be right? Having immersed himself in these men's lives to write the screenplay for The Two Popes, Anthony McCarten masterfully weaves their stories into one gripping narrative. From Benedict and Francis's formative experiences in war-torn Germany and Argentina to the sexual abuse scandal that continues to rock the Church to its foundations, to the intrigue and the occasional comedy of life in the Vatican, The Two Pope glitters with the darker and the lighter details of one of the world's most opaque but significant institutions.

This book offers an introduction to the theological and historical aspects of the papacy, an office and institution that is unique in this world. Throughout its history up to our present time, the Petrine ministry is both fascinating and challenging to people, both inside and outside the Catholic Church. Gerhard Cardinal Müller speaks from a particular and personal viewpoint, including his experience of working closely with the pope every day as Prefect of the Congregation for the Doctrine of the Faith. He addresses, in particular, those dimensions of the papal office which are crucial for understanding more deeply the pope as a visible principle of the church’s unity. 500 years after the Protestant reformation, the book offers insights into the ecumenical controversies about the papacy throughout the centuries, in their historical context. The book also exposes prejudices and cliches, and points to the authentic foundation of the Petrine ministry.

Days after the assassination of his prime minister in the middle of Rome in November 1848, Pope Pius IX found himself a virtual prisoner in his own palace. The wave of revolution that had swept through Europe now seemed poised to put an end to the popes' thousand-year reign over the Papal States, if not indeed to the papacy itself. Disguising himself as a simple parish priest, Pius escaped through a back door. Climbing inside the Bavarian ambassador's carriage, he embarked on a journey into a fateful exile.Only two years earlier Pius's election had triggered a wave of optimism across Italy. After the repressive reign of the dour Pope Gregory XVI, Italians saw the youthful, benevolent new pope as the man who would at last bring the Papal States into modern times and help create a new, unified Italian nation. But Pius found himself caught between a desire to please his subjects and a fear--stoked by the cardinals--that heeding the people's pleas would destroy the church. The resulting drama--with a colorful cast of characters, from Louis Napoleon and his rabble-rousing cousin Charles Bonaparte to Garibaldi, Tocqueville, and Metternich--was rife with treachery, tragedy, and international power politics.David Kertzer is one of the world's foremost experts on the history of Italy and the Vatican, and has a rare ability to bring history vividly to life. With a combination of gripping, cinematic storytelling, and keen historical analysis rooted in an unprecedented richness of archival sources, The Pope Who Would Be King sheds fascinating new light on the end of rule by divine right in the west and the emergence of modern Europe.

The compelling story of Pope Pius XI's secret relations with Benito Mussolini. A ground-breaking work that will forever change our understanding of the Vatican's role in the rise of Fascism in Europe.

On the Pope (Du Pape) is the main political-philosophical work of the counter-revolutionary writer and philosopher, Joseph de Maistre. Maistre worked for 20 years on the writing of his magnum opus, a book that laid the foundation for his invention of political ultramontanism. Ultramontanism was a school of thought of the Catholic Church that promoted the doctrine of central papal supremacy in matters of governance and spirituality. Championed by Pope Pius IX, the ultramontanists attained their greatest triumph in the late 19th century with the formal proclamation of papal primacy and infallibility. On the Pope is divided into four parts. In the first part, Maistre makes the argument for his thesis that there is "no pope without the supremacy which belongs to him" and "no Catholicism without one pope." His argument in favor of papal infallibility stands out in the history of theology because he was among the earliest Catholic writers to openly discuss the doctrine. Part two reveals the key components of Maistre's political thought: His absolutist ideas about the nature of sovereignty, his unique argument for the divine origins of all forms of political sovereignty, and his rejection of social contract theories on the origin of society and sovereignty. Part three is devoted to demonstrating Maistre's argument that, above all, nations need a higher sovereign to help protect against the abuses of power, and that this sovereign should be the pope, as the savior and creator of European civilization. He argues that the only nations that have known civil liberty are those which "have remained sufficiently under the influence of the Sovereign Pontiff." Part four deals primarily with "schismatic churches." Maistre felt that the schismatic churches would inevitably fall into Protestantism, and from Protestantism through Socinianism into philosophic indifference. For "no religion can resist science, except one."

Pope Pius XII presided over the Catholic Church during one of the most challenging moments in its history. Elected in early 1939, Pius XII spoke out against war and destruction, but his refusal to condemn Nazi Germany and its allies for mass atrocities and genocide remains controversial almost seventy years after the end of the Second World War. Scholars have blamed Pius’s inaction on anti-communism, antisemitism, a special emotional bond with Germany, or a preference for fascist authoritarianism. Delving deep into Catholic theology and ecclesiology, Jacques Kornberg argues instead that what drove Pius XII was the belief that his highest priority must be to preserve the authority of the Church and the access to salvation that it provided. In The Pope’s Dilemma, Kornberg uses the examples of Pius XII’s immediate predecessors Benedict XV and the Armenian genocide and Pius XI and Fascist Italy, as well as case studies of Pius XII’s wartime policies towards five Catholic countries (Croatia, France, Hungary, Poland, and Slovakia), to demonstrate the consistency with which Pius XII and the Vatican avoided confronting the perpetrators of atrocities and strove to keep Catholics within the Church. By this measure, Pius XII did not betray, but fulfilled his papal role. A meticulous and careful analysis of the career of the twentieth century’s most controversial pope, The Pope’s Dilemma is an important contribution to the ongoing debate about the Catholic Church’s wartime legacy.

A fascinating and enlightening look at the world’s oldest and most mysterious institution, written by an American journalist with unparalleled knowledge about the Vatican's past and present. The sexual abuse scandals that shook American and British Catholicism in 2002 brought to light a long-standing cultural gap between the English-speaking Catholic world and the Vatican. In Rome, the crisis was often seen as an attack on the Church mounted by money-hungry lawyers, a hostile press, and liberal activists who used it as a way to turn attention on such concerns as celibacy, women’s ordination, and lay empowerment. When the Vatican struck down the U.S. bishops’ draft for handling allegations of sexual abuse, many saw it as an attempt to curb an independent American Catholic church. Yet, as time passed, it became clear that the Vatican’s well-founded concerns about due process were shared by most liberal U.S. bishops and canon lawyers. ALL THE POPE’S MEN is a lucid, in-depth guide to the sometimes puzzling, often incomprehensible inner workings of the Vatican. It reveals how decisions are made, how papal bureaucrats think, and how careers in the Roman Curia are shaped. It debunks the myths that have fed the distrust and suspicions many English-speaking Catholics harbor about the way the Vatican conducts its business, explains who really wields the power, and offers entertaining profiles of the personalities, historical and present-day, who have wielded that power for good and for bad. A thoughtful analysis of the recent sexual abuse crisis sheds light on how the Vatican perceives the Church in the United States. Balanced, lively, and filled with Vatican history and lore, ALL THE POPE’S MEN provides the general reader with an authoritative picture of the highly charged relationship between the Vatican and the richest, most influential national Catholic church in the world today.