The articles in this collection, written by medievalists and Renaissance scholars, are part of the recent "cultural turn" in translation studies, which approaches translation as an activity that is powerfully affected by its socio-political context and the demands of the translating culture. The links made between culture, politics, and translation in these texts highlight the impact of ideological and political forces on cultural transfer in early European thought. While the personalities of powerful thinkers and translators such as Erasmus, Etienne Dolet, Montaigne, and Leo Africanus play into these texts, historical events and intellectual fashions are equally important: moments such as the Hundred Years War, whose events were partially recorded in translation by Jean Froissart; the Political tussles around the issues of lay readers and rewriters of biblical texts; the theological and philosophical shift from scholasticism to Renaissance relativism; or European relations with the Muslim world add to the interest of these articles. Throughout this volume, translation is treated as a form of writing, as the production of text and meaning, carried out in a certain cultural and political ambiance, and for identifiable - though not always stated - reasons. No translation, this collection argues, is an innocent, transparent rendering of the original.

The process of translation transports a text through time and place and, as the editors suggest, no translation is an innocent, transparent rendering of the original'. These fourteen specially commissioned essays examine the pressures of culture and society on the medieval translator and explore the personal agenda which was and is an inevitable factor in translation. The scope of this interesting collection is broad with subjects including: Eusebius' Greek version of Virgil's Fourth Eclogue; King Alfred's Boethius; Wace's Roman de Brut: Jean Froissart's Chroniques; Leo Africanus; Montaigne; Shakespeare.

The articles in this collection, written by medievalists and Renaissance scholars, are part of the recent "cultural turn" in translation studies, which approaches translation as an activity that is powerfully affected by its socio-political context and the demands of the translating culture. The links made between culture, politics, and translation in these texts highlight the impact of ideological and political forces on cultural transfer in early European thought. While the personalities of powerful thinkers and translators such as Erasmus, Etienne Dolet, Montaigne, and Leo Africanus play into these texts, historical events and intellectual fashions are equally important: moments such as the Hundred Years War, whose events were partially recorded in translation by Jean Froissart; the Political tussles around the issues of lay readers and rewriters of biblical texts; the theological and philosophical shift from scholasticism to Renaissance relativism; or European relations with the Muslim world add to the interest of these articles. Throughout this volume, translation is treated as a form of writing, as the production of text and meaning, carried out in a certain cultural and political ambiance, and for identifiable - though not always stated - reasons. No translation, this collection argues, is an innocent, transparent rendering of the original.

The Routledge Handbook of Translation and Politics presents the first comprehensive, state of the art overview of the multiple ways in which ‘politics’ and ‘translation’ interact. Divided into four sections with thirty-three chapters written by a roster of international scholars, this handbook covers the translation of political ideas, the effects of political structures on translation and interpreting, the politics of translation and an array of case studies that range from the Classical Mediterranean to contemporary China. Considering established topics such as censorship, gender, translation under fascism, translators and interpreters at war, as well as emerging topics such as translation and development, the politics of localization, translation and interpreting in democratic movements, and the politics of translating popular music, the handbook offers a global and interdisciplinary introduction to the intersections between translation and interpreting studies and politics. With a substantial introduction and extensive bibliographies, this handbook is an indispensable resource for students and researchers of translation theory, politics and related areas.

The emergence of standard modern languages in early modern Europa entailed a competition with the dominant Latin culture, which remained the prevalent medium for the language of science, philosophy, theology and philology until at least the eighteenth century. In this process, translation played a very special role: in a number of significant instances we can identify in the undertaking of a specific translation a policy of acquisition of classical - and by definition authoritative - texts that contributed to the building of an intellectual library for the emerging nation. At the same time, the transmission of ideas and texts across Europe constructed a diasporic and transnational culture: the emerging vernacular cultures acquired not only the classical Latin models, incorporating them in their own intellectual libraries, but turned their attention also to contemporary, or near-contemporary, vernacular texts, conferring on them, through the act of translation, the status of classics. Through the examination of case studies, that take into account both literary and scientific texts, this volume offers an overview of how early modern Europe developed its vernacular national literatures, following the model suggested in the late Middle Ages, through a process of acquisition and translation.

A range of important issues in current research are debated in the latest volume in the series, with a special focus on warfare.