Are all governments—east and west, Muslim and secular, authoritarian and constitutional, Republican and Democratic—fundamentally the same, all of them under the extraordinary, growing power of “technique” and bureaucracy? Is all politics, then, just an illusory affair of lies, deception, propaganda, partisan passions, and chaos on the surface of government and party? In his vast and penetrating writings, Bordeaux sociologist Jacques Ellul (1912–1994) points in those directions. Political Illusion and Reality is a collection of twenty-three essays on Ellul’s political thought. Veteran as well as younger Ellul scholars, political leaders, activists, and pastors, discuss aspects of Ellul’s thought as they relate to their own fields of study and political experience. Beginning with his 1936 essay “Fascism, Son of Liberalism,” translated and published here in English for the first time, Ellul and these authors will provoke readers to think some new thoughts about politics and government, and think more deeply about the main issues we face in our politically divided and troubled times.

"Elegant, deeply learned, and intellectually adventurous, its implications extend far beyond the boundaries of the Stuart and Caroline masque. It is an indispensable, exploration of political art and aestheticized politics. . . . a classic."--Stephen Greenblatt, University of California, Berkeley "A triumph of scholarship, insight, and explication, Oregel's book is truly a classic in the field of Renaissance studies. Anyone interested in Renaissance culture will find here a masterful analysis of its celebration of royal power."--Coppelia Kahn, Brown University "As knowing of art, theatrical and political history as it is sensitive to poetry, Orgel's book is learned, lively, and beautifully clear."--John Hollander, Yale University "A foundational text for the New Historicist Perspective in English Renaissance literary and cultural studies . . . as informative and suggestive as it was when new; in the clarity and grace of its writing, the breadth and precision of its arguments, the aptness and resonance of its examples, it is unsurpassed as an introduction to the dialectic of theatrical illusion and state authority--of play and power--in the culture of Elizabethan and Stuart England."--Louis Montrose, University of California, San Diego

"What is politization? . . . (It is that) all problems have, in our time, become political." --J. Ellul, from the Introduction Jacques Ellul, the author of The Technological Society and Propaganda, here examines modern man's passion for politics, the roles he plays in them, and his place in the modern state. He holds that everything having now been "politized," anything not directly political fails to arouse widespread interest among contemporary men--and in fact might be said not to exist. He shows that political activity is now a kaleidoscope of interlocking illusions, among which the most basic and damaging are those of popular participation in government, popular control of elected and other officials, and popular solution of public problems. This domination by the political illusion, Ellul demonstrates, explains why men now turn to the state for the solution of all problems--most of them problems that the state could not solve if it tried. This close-reasoned, brilliant diagnosis and prognosis is, like Jacques Ellul's earlier books, an alarming analysis of present-day life.

The distinguished political philosopher Raymond Geuss examines critically the central topics in Western political thought. In a series of analytic chapters he discusses the state, authority, violence and coercion, the concept of legitmacy, liberalism, toleration, freedom, democracy, and human rights. He argues that the liberal democratic state committed to the defense of human rights is in fact a confused conjunction of disparate elements. This is a profound and concise essay on the basic structure of contemporary politics, written throughout in voice that is skeptical, engaged, and clear.

In recent years, the rise of fundamentalism and a related turn to religion in the humanities have led to a powerful resurgence of interest in the problem of political theology. In a critique of this contemporary fascination with the theological underpinnings of modern politics, Victoria Kahn proposes a return to secularism—whose origins she locates in the art, literature, and political theory of the early modern period—and argues in defense of literature and art as a force for secular liberal culture. Kahn draws on theorists such as Carl Schmitt, Leo Strauss, Walter Benjamin, and Hannah Arendt and their readings of Shakespeare, Hobbes, Machiavelli, and Spinoza to illustrate that the dialogue between these modern and early modern figures can help us rethink the contemporary problem of political theology. Twentieth-century critics, she shows, saw the early modern period as a break from the older form of political theology that entailed the theological legitimization of the state. Rather, the period signaled a new emphasis on a secular notion of human agency and a new preoccupation with the ways art and fiction intersected the terrain of religion.

What you believe about politics matters. The decades since the Cold War, with new alignments of post–9/11 global politics and the chaos of the late 2010s, are swirling with alternative visions of political life, ranging from ethnic nationalism to individualistic liberalism. Political ideologies are not merely a matter of governmental efficacy, but are intrinsically and inescapably religious: each carries certain assumptions about the nature of reality, individuals and society, as well as a particular vision for the common good. These fundamental beliefs transcend the political sphere, and the astute Christian observer can discern the ways—sometimes subtle, sometimes not—in which ideologies are rooted in idolatrous worldviews. In this freshly updated, comprehensive study, political scientist David Koyzis surveys the key political ideologies of our era, including liberalism, conservatism, nationalism, democracy, and socialism. Koyzis gives each philosophy careful analysis and fair critique, unpacking the worldview issues inherent to each and pointing out essential strengths and weaknesses, as well as revealing the "narrative structure" of each—the stories they tell to make sense of public life and the direction of history. Koyzis concludes by proposing alternative models that flow out of Christianity's historic engagement with the public square, retrieving approaches for both individuals and the global, institutional church that hold promise for the complex political realities of the twenty-first century. Writing with broad international perspective and keen analytical insight, Koyzis is a sane and sensible guide for Christians working in the public square, culture watchers, political pundits, and all students of modern political thought.