A riveting investigation into how a restive region of China became the site of a nightmare Orwellian social experiment—the definitive police state—and the global technology giants that made it possible Blocked from facts and truth, under constant surveillance, surrounded by a hostile alien police force: Xinjiang’s Uyghur population has become cursed, oppressed, outcast. Most citizens cannot discern between enemy and friend. Social trust has been destroyed systematically. Friends betray each other, bosses snitch on employees, teachers expose their students, and children turn on their parents. Everyone is dependent on a government that nonetheless treats them with suspicion and contempt. Welcome to the Perfect Police State. Using the haunting story of one young woman’s attempt to escape the vicious technological dystopia, his own reporting from Xinjiang, and extensive firsthand testimony from exiles, Geoffrey Cain reveals the extraordinary intrusiveness and power of the tech surveillance giants and the chilling implications for all our futures.

A critical look at the terrifying ways the police are used to control'surplus' populations worldwide.

“A NATION OF SHEEP WILL BEGET A GOVERNMENT OF WOLVES”–EDWARD R. MURROW America is fast moving into a state of lockdown. Surveillance cameras, drug-sniffing dogs, SWAT team raids, roadside strip searches, blood draws at DUI checkpoints, mosquito drones, tasers, privatized prisons, GPS tracking devices, zero tolerance policies, overcriminalization, free speech zones—these are all symptoms of the emerging police state in America. A GOVERNMENT OF WOLVES paints a chilling portrait of a nation in the final stages of transformation into outright authoritarianism, whose citizens have become little more than a nation of suspects to be cowed, corralled, and controlled. Pulling from his extensive knowledge of constitutional law, history, and futuristic films, John W. Whitehead helps readers navigate this treacherous terrain and provides them with a blueprint for hopefully finding their way back to freedom.

The Founding Fathers wouldn't recognize America today. The God-given freedoms they championed in the Bill of Rights have been chipped away over the years by an ever-intrusive government bent on controlling all aspects of our lives in the name of safety and security. NSA wire-tapping and data collection is Orwellian in its scope. The TSA, BLM, and IRS are all jockeying for control of our lives. Warrantless searches are on the rise and even encouraged in some communities. Free speech, the right to bear arms, private property, and freedom of religion all are under attack. The Constitution has been tossed on the same trash pile as the Bible. From traffic light cameras to phone tapping, from militarized police forces to targeting specific groups of people, the government is unfettered in its desire to control the American people. Police State USA chronicles how America got to the point of being a de facto police state and what led to an out-of-control government that increasingly ignores the constitution and exploits 9/11 security fears to justify spying on its citizens. Stunning new surveillance technology makes it easier to keep tabs on the people. The acquisition by police departments of major battlefield equipment emboldens officials to strong-arm those they should be protecting. The failure of the news media to uphold the rights of citizens sets the stage for this slippery slope. Police State USA tells how we might overcome and recapture our freedoms, as envisioned by the Founding Fathers.

Legal legend Gerry Spence puts America's Most Wanted - its own law enforcement officers - on trial for rampant abuse of power. When the police become the criminals, the people become the enemy.

American police departments have presided over the business of motion pictures since the end of the nineteenth century. Their influence is evident not only on the screen but also in the ways movies are made, promoted, and viewed in the United States. Screening the Police explores the history of film's entwinement with law enforcement, showing the role that state power has played in the creation and expansion of a popular medium. For the New Jersey State Police in the 1930s, film offered a method of visualizing criminality and of circulating urgent information about escaped convicts. For the New York Police Department, the medium was a means of making the agency world-famous as early as 1896. Beat cops became movie stars. Police chiefs made their own documentaries. And from Maine to California, state and local law enforcement agencies regularly fingerprinted filmgoers for decades, amassing enormous records as they infiltrated theatres both big and small. As author Noah Tsika demonstrates, understanding the scope of police power in the United States requires attention to an aspect of film history that has long been ignored. Screening the Police reveals the extent to which American cinema has overlapped with the politics and practices of law enforcement.