★ “Smith spins a quietly moving narrative...Wada’s large-scale woodblock style illustrations are a perfect complement to the story’s restrained text...The graceful way in which this book handles a sensitive and serious subject makes it a first purchase."—School Library Journal When the tsunami destroyed Makio's village, Makio lost his father . . . and his voice. The entire village is silenced by grief, and the young child's anger at the ocean grows. Then one day his neighbor, Mr. Hirota, begins a mysterious project—building a phone booth in his garden. At first Makio is puzzled; the phone isn't connected to anything. It just sits there, unable to ring. But as more and more villagers are drawn to the phone booth, its purpose becomes clear to Makio: the disconnected phone is connecting people to their lost loved ones. Makio calls to the sea to return what it has taken from him and ultimately finds his voice and solace in a phone that carries words on the wind. The Phone Booth in Mr. Hirota's Garden is inspired by the true story of the wind phone in Otsuchi, Japan, which was created by artist Itaru Sasaki. He built the phone booth so he could speak to his cousin who had passed, saying, "My thoughts couldn't be relayed over a regular phone line, I wanted them to be carried on the wind." The Tohoku earthquake and tsunami in 2011 destroyed the town of Otsuchi, claiming 10 percent of the population. Residents of Otsuchi and pilgrims from other affected communities have been traveling to the wind phone since the tsunami.

'Absolutely breathtaking' Christy Lefteri, Sunday Times bestselling author of The Beekeeper of Aleppo. We all have something to tell those we have lost . . . On a windy hill in Japan, in a garden overlooking the sea stands a disused phone box. For years, people have travelled to visit the phone box, to pick up the receiver and speak into the wind: to pass their messages to loved ones no longer with us. When Yui loses her mother and daughter in the tsunami, she is plunged into despair and wonders how she will ever carry on. One day she hears of the phone box, and decides to make her own pilgrimage there, to speak once more to the people she loved the most. But when you have lost everything, the right words can be the hardest thing to find . . . Then she meets Takeshi, a bereaved husband whose own daughter has stopped talking in the wake of their loss. What happens next will warm your heart, even when it feels as though it is breaking... The Phone Box at the Edge of the World is an unforgettable story of the depths of grief, the lightness of love and the human longing to keep the people who are no longer with us close to our hearts. Everyone is talking about The Phone Box at the Edge of the World 'A moving and uplifting anatomisation of grief and the small miraculous moments that persuade people to start looking forward again' Sunday Times 'Strangely beautiful, uplifting and memorable, it's a book to savour' Choice, Book of the Month 'A poignant, atmospheric novel dealing with love, coming to terms with loss and the restoration of one's self' Daily Mail 'A story about the dogged survival of hope when all else is lost . . . A striking haiku of the human heart' The Times 'Beautiful. A message of hope for anyone who is lost, frightened or grieving' Clare Mackintosh, Sunday Times bestselling author of After the End 'Incredibly moving. It will break your heart and soothe your soul' Stacey Halls, Sunday Times bestselling author of The Familiars 'Mesmerising . . . beautiful . . . a joy to read' Joanna Glen, Costa shortlisted author of The Other Half of Augusta Hope 'Spare and poetic, this beautiful book is both a small, quiet love story and a vast expansive meditation on grieving and loss' Heat 'A perfect poignant read' Woman & Home

"A positive and realistic representation of both a wheelchair user and an elderly, interracial gay male couple." —Kirkus Reviews "A beautiful and uplifting book." —School Library Journal Lou spends every Saturday with Grandad and Pops. They walk to the library hand in hand, like a chain of paper dolls. Grandad reads books about science and design, Pops listens to rock and roll, and Lou bounces from lap to lap. But everything changes one Saturday. Pops has a fall. That night there is terrible news: Pops will need to use a wheelchair, not just for now, but for always. Unable to cope with his new circumstances, he becomes withdrawn and shuts himself in his room. Hearing Grandad trying to cheer up Pops inspires Lou to make a plan. Using skills learned from Grandad, and with a little help from their neighbors, Lou comes up with a plan for Pops.

kira-kira (kee' ra kee' ra): glittering; shining Glittering. That's how Katie Takeshima's sister, Lynn, makes everything seem. The sky is kira-kira because its color is deep but see-through at the same time. The sea is kira-kira for the same reason. And so are people's eyes. When Katie and her family move from a Japanese community in Iowa to the Deep South of Georgia, it's Lynn who explains to her why people stop them on the street to stare. And it's Lynn who, with her special way of viewing the world, teaches Katie to look beyond tomorrow. But when Lynn becomes desperately ill, and the whole family begins to fall apart, it is up to Katie to find a way to remind them all that there is always something glittering -- kira-kira -- in the future. Luminous in its persistence of love and hope, Kira-Kira is Cynthia Kadohata's stunning debut in middle-grade fiction.

The novella Romaji Diary represents the first instance of a Japanese writer using romaji (roman script) to tell stories in a way that could not be told in kana or kanji. Sad Toys is a collection of 194 Tanka, the traditional 31– syllable poems that are evocative of Japan's misty past and its tentative steps into the wider world. The publication of this edition of two of Takuboku Ishikawa's finest and most popular works together in translation has proven to be interesting from various standpoints. Romaji Diary and the collection of tanka, Sad Toys, while different forms of literature, are not as dissimilar as they appear on the surface. Takuboku himself wrote that poetry "must be an exact report, an honest diary, of the changes in a man’s emotional life," and these tanka are indeed as much a diary as a standard prose one. Both works reflect clearly, honestly, and poignantly the emotions and philosophy of a complex individual living in a time of profound change in Japan. Romaji Diary is here presented in full in English for the first time.

A heartwarming tale of courage, resilience and hope from master storyteller and winner of the prestigious Newbery Medal, Linda Sue Park. When her name was Keoko, Japan owned Korea, and Japanese soldiers ordered people around, telling them what they could do or say, even what sort of flowers they could grow. When her name was Keoko, World War II came to Korea, and her friends and relatives had to work and fight for Japan. When her name was Keoko, she never forgot her name was actually Kim Sun-hee. And no matter what she was called, she was Korean. Not Japanese. Inspired by true-life events, this amazing story reveals what happens when your culture, country and identity are threatened.

A heartwarming picture book about an iron ore - mine horse and a timid young miner in Bell Island, Newfoundland, from award-winning author of Mr. Hirota's Garden and The Agony of Bun O'Keefe