Originally published by G.P. Putnam's Sons in 2014.

The New York Times bestselling author of Neuromancer and Agency presents a fast-paced sci-fi thriller that takes a terrifying look into the future. DON'T MISS THE SERIES—NOW STREAMING EXCLUSIVELY ON PRIME VIDEO! Flynne Fisher lives down a country road, in a rural America where jobs are scarce, unless you count illegal drug manufacture, which she’s trying to avoid. Her brother Burton lives on money from the Veterans Administration, for neurological damage suffered in the Marines’ elite Haptic Recon unit. Flynne earns what she can by assembling product at the local 3D printshop. She made more as a combat scout in an online game, playing for a rich man, but she’s had to let the shooter games go. Wilf Netherton lives in London, seventy-some years later, on the far side of decades of slow-motion apocalypse. Things are pretty good now, for the haves, and there aren’t many have-nots left. Wilf, a high-powered publicist and celebrity-minder, fancies himself a romantic misfit, in a society where reaching into the past is just another hobby. Burton’s been moonlighting online, secretly working security in some game prototype, a virtual world that looks vaguely like London, but a lot weirder. He’s got Flynne taking over shifts, promised her the game’s not a shooter. Still, the crime she witnesses there is plenty bad. Flynne and Wilf are about to meet one another. Her world will be altered utterly, irrevocably, and Wilf’s, for all its decadence and power, will learn that some of these third-world types from the past can be badass.

Discover the cult classic behind the major new TV adaption from the creators of Westworld, starring Chloe Grace Moretz. ----- 'Big-screen, popcorn-chewing thrills' Guardian Flynne Fisher lives in the rural American South, working at the local 3D printing shop, while earning much needed extra money playing VR games for rich people. One night she dons a headset and finds herself in futuristic London-a sleek and mysterious world, alluringly different from her own hardscrabble existence. But this isn't like any game she's ever played before: Flynne begins to realize it isn't virtual reality... it's real. Someone in London, seventy years in the future, has found a way to open a door to Flynne's world. And as utterly beguiling as London is... it's also dangerous. As Flynne searches to discover who has connected their worlds, and for what purpose, her presence here sets dangerous forces into motion...forces intent on destroying Flynne and her family in her own world. The Peripheral is master storyteller William Gibson's dazzling, hallucinatory glimpse into the fate of mankind - and what lies beyond. ----- 'Mesmerizing, captivating, haunting' Sunday Times 'Frightening, plausible. Not just a unique and brilliantly talented SF novelist but a social and psychological visionary' The Times 'Frantic with imagination and frantic with the appetite to see what happens next' Observer 'A swirlingly philosophical quantum daydream of drones and bodyswapping' Daily Telegraph, Books of the Year

The Peripheral Mind is the first monograph to discuss the philosophical relevance of the Peripheral Nervous System. It combines conceptual analysis, discussion of neuroscientific data, philosophical speculation, and first-person phenomenological accounts to solve a wide range of extant problems in the philosophy of mind.

Science is usually knownbyits most successful figures and resource-rich institutions. In stark contrast, Creativity from the Peripherydraws our attention to unknown figures in science—those who remain marginalized, even neglected, within its practices. Researchers in early twentieth-century colonial India, for example, have made significant contributions to the stock of scientific knowledge and have provided science with new breakthroughs and novel ideas, but to little acclaim. As Deepanwita Dasgupta argues, sometimes the best ideas in science are born from difficult and resource-poor conditions. Inthis study,she turns our attention to these peripheral actors, shedding new light on how scientific creativity operates in lesser-known, marginalized contexts, and how the work of self-trained researchers, though largely ignored , has contributed to important conceptual shifts. Her book presents a new philosophical framework for understanding this peripheral creativity in science through the lens of trading zones—where knowledge is exchanged between two unequal communities—and explores the implications for the future diversity of transnational science.

Following his acclaimed history of the Situationist International up until the late sixties, The Beach Beneath the Street, McKenzie Wark returns with a companion volume which puts the late work of the Situationists in a broader and deeper context, charting their contemporary relevance and their deep critique of modernity. Wark builds on their work to map the historical stages of the society of the spectacle, from the diffuse to the integrated to what he calls the disintegrating spectacle. The Spectacle of Disintegration takes the reader through the critique of political aesthetics of former Situationist T.J. Clark, the Fourierist utopia of Raoul Vaneigem, René Vienet’s earthy situationist cinema, Gianfranco Sangunetti’s pranking of the Italian ruling class, Alice-Becker Ho’s account of the anonymous language of the Romany, Guy Debord’s late films and his surprising work as a game designer. At once an extraordinary counter history of radical praxis and a call to arms in the age of financial crisis and the resurgence of the streets, The Spectacle of Disintegration recalls the hidden journeys taken in the attempt to leave the twentieth century, and plots an exit from the twenty first. The dustjacket unfolds to reveal a fold-out poster of the collaborative graphic essay combining text selected by McKenzie Wark with composition and drawings by Kevin C. Pyle.

When Thangjam Manorama was arrested and killed by the Assam Rifles in July 2004 in Manipur, it unleashed a protest likes of which no one had witnessed before. This was one of the triggers for this collection - to provide a space for women and men from the 'Northeast' to tell us about the issues that confronted them daily, to talk about the pressures, the insecurities, the uncertainties confronting them in an area that has been facing low intensity warfare for decades. The anger and the frustrations of the Manipuri women who staged that dramatic protest after Manorama's killing have in many ways been vindicated. Each essay in this book brings to mind that troubling image, each contributor points to the Manipuri women, holding them up as a flag of rebellion, of protest, of questioning. Each essay questions issues of nation, identity, of what makes the people of the Northeast so alienated from the 'mainstream'. Many contributors are writers, academics or activists from the Northeast but there are many are, like the editor, 'outsiders'. But 'outsiders who share a passion for the region and an intense desire to see change, to see peace. Published by Zubaan.