In 2011 Wesley and Uri form a band together and tour the world. By 2016 they've gone their separate ways. Is it sex and drugs that get in the way of their rock and roll friendship, and the arrival of beautiful, normal Gloria and the promise of a life outside the band, or is it the mysteries Uri clings to that threaten everything they've built between them? This is a story of the journey between those two points, between hopeful youth and bitter-sweet experience, and all the mistakes people make along the way.

The 1990s produced some of the greatest artists and hits in dance music history. And the decade was among the genre's most successful in terms of energy, sales and global popularity. In this retrospective, 29 singers, songwriters, producers, DJs and industry professionals who enjoyed stardom on the club circuit and on pop radio candidly discuss their careers. Interviewed artists include Richard and Fred Fairbrass of Right Said Fred ("I'm Too Sexy"), Nicki French ("Total Eclipse of the Heart"), Haddaway ("What Is Love"), Lane McCray of La Bouche ("Be My Lover"), Martha Wash, vocalist of C+C Music Factory ("Gonna Make You Sweat [Everybody Dance Now]"), Robin S ("Show Me Love"), Frank Peterson, formerly of Enigma ("Sadeness, Part I"), CeCe Peniston ("Finally"), Dr. Alban ("It's My Life"), Thea Austin, formerly of Snap! ("Rhythm Is a Dancer") and many more. Commentaries are provided by former Billboard dance music editor Larry Flick, renowned producers/songwriters The Berman Brothers (Real McCoy's "Another Night") and acclaimed DJ Susan Morabito.

This rhythmic showcase of dances from all over the world features children of diverse backgrounds and abilities tapping, spinning, and boogying away! Tap, twirl, twist, spin! With musical, rhyming text, author Valerie Bolling shines a spotlight on dances from across the globe, while energetic art from Maine Diaz shows off all the moves and the diverse people who do them. From the cha cha of Cuba to the stepping of Ireland, kids will want to leap, dip, and zip along with the dances on the page!

Dance music has seen an unprecedented explosion in the 21st century as a stampede of subgenres, such as dance pop and EDM (electronic dance music), have come to define the pop music scene worldwide. In this collection of original interviews, 33 hitmakers from 11 countries discuss their lives and careers in this still-unfolding new age--including Alcazar's Andreas Lundstedt, Dave Aude, Bart & Baker, Bimbo Jones, Chris Cox, Darude, Inaya Day, Deepend, Freemasons, D.O.N.S./Warp Brothers' Oliver Goedicke, Xenia Ghali, Gryffin, Harrison, In-Grid, Kimberley Locke, Paul Oakenfold, Suzanne Palmer, Ralphi Rosario, Sak Noel, Richard Vission and more. Special commentary provided by Moto Blanco's Danny Harrison and clubland queen Martha Wash.

Beginning early in the 1980s, a dance music revolution swept across Europe and Britain, merging rock, new wave, disco and worldbeat sounds. The resulting explosion of high-energy, increasingly electronic dance-pop caused a sensation worldwide. In this book of original interviews, 32 of the era's most celebrated artists, producers and industry professionals discuss their lives and careers: Thomas Anders (Modern Talking's "You're My Heart, You're My Soul"), Pete Burns (Dead or Alive's "You Spin Me Round (Like a Record)"), Desireless ("Voyage Voyage"), Phil Harding (PWL Mixmaster), Junior ("Mama Used to Say"), Leee John (Imagination's "Just an Illusion"), Liz Mitchell (Boney M.'s 1988 "Megamix"), Fab Morvan (Milli Vanilli's "Girl You Know It's True"), Taco ("Putting On the Ritz"), Jennifer Rush ("The Power of Love"), Sabrina ("Boys"), Spagna ("Call Me"), Amii Stewart ("Knock on Wood"), Yazz ("The Only Way Is Up") and many more. Includes special commentary by Academy Award winner Mel Brooks and Audrey Landers, star of Dallas.

This first-of-its-kind book brings together writing by artists and scholars to survey the lively field of Puerto Rican experimental dance across four decades. Originally published as Habitar lo Imposible, the translation in English features essays, artist statements, and interviews plus more than 100 photos of productions, programs, posters, and scores. Throughout, Inhabiting the Impossible provides fresh, invaluable perspectives on experimentation in dance as a sustained practice that has from the start deeply engaged issues of race, gender, sexuality, and politics. The book is also enhanced by a bibliographic section with detailed resources for further study.

One of Oprah Daily's 20 Favorite Books of 2021 • Selected as one of Pitchfork's Best Music Books of the Year “One of the best books of its kind in decades.” —The Wall Street Journal An epic achievement and a huge delight, the entire history of popular music over the past fifty years refracted through the big genres that have defined and dominated it: rock, R&B, country, punk, hip-hop, dance music, and pop Kelefa Sanneh, one of the essential voices of our time on music and culture, has made a deep study of how popular music unites and divides us, charting the way genres become communities. In Major Labels, Sanneh distills a career’s worth of knowledge about music and musicians into a brilliant and omnivorous reckoning with popular music—as an art form (actually, a bunch of art forms), as a cultural and economic force, and as a tool that we use to build our identities. He explains the history of slow jams, the genius of Shania Twain, and why rappers are always getting in trouble. Sanneh shows how these genres have been defined by the tension between mainstream and outsider, between authenticity and phoniness, between good and bad, right and wrong. Throughout, race is a powerful touchstone: just as there have always been Black audiences and white audiences, with more or less overlap depending on the moment, there has been Black music and white music, constantly mixing and separating. Sanneh debunks cherished myths, reappraises beloved heroes, and upends familiar ideas of musical greatness, arguing that sometimes, the best popular music isn’t transcendent. Songs express our grudges as well as our hopes, and they are motivated by greed as well as idealism; music is a powerful tool for human connection, but also for human antagonism. This is a book about the music everyone loves, the music everyone hates, and the decades-long argument over which is which. The opposite of a modest proposal, Major Labels pays in full.