The significance of panorama painting in the nineteenth century is frequently cited in contemporary debates about visuality and the emergence of the modern spectator. Stephan Oettermann's The Panorama is the first major historical study to appear in English of the rich phenomenon of the panorama, one of the most influential forms of visual entertainment in the nineteenth century. In this richly illustrated book Oettermann gives readers a concrete sense of the structural and experiential reality of the panorama, and the many forms it took throughout Europe and North America--a crucial task given that very few of the original nineteenth-century panoramas survive. At the same time, he outlines the many ways in which these remarkable and often immense 360-degree images were part of a larger transformation of the status of the observer and of popular culture. Thus, the panorama is treated not only as a new kind of image but also as an architectural and informational component of the new urban spaces and media networks.

When the Altreides family is banished to the desert planet of Dune, they are forced to battle an evil Emperor. Features punch-out characters and vehicles to reenact scenes that pop up as the pages are turned.

"This book also includes biographies of key personalities, from Charlemagne to Wycliffe, timelines, maps, glossary, gazetteer, and bibliography."--BOOK JACKET.

A Chicago Review of Books Most Anticipated Fiction Book of 2018 "Fast-paced, energetic, searing. There are moments in Steve Kistulentz's Panorama that will take your breath away." ---Daniel Alarcón, author of Lost City Radio Richard MacMurray, a cable news talking head, is paid handsomely to pontificate on the issues of the moment. On New Year's Day he is scheduled to be a guest on a prominent morning talk show. As he awaits the broadcast, the network interrupts with news that a jet airliner has crashed in Dallas and that everyone aboard has perished. Within an hour, amateur videotape surfaces of the plane's last moments, transforming the crash into a living image: familiar, constant, and horrifying. Richard learns that his sister, Mary Beth, was aboard the doomed flight, leaving behind her six-year-old son, Gabriel. Richard is the boy's only living relative. When he is given an opportunity to bring Gabriel home, it may be that the loss of his sister will provide him with the second chapter he never knew he wanted. In this powerful debut, Steve Kistulentz captures the sprawl of contemporary America--its culture, its values, the workaday existence of its people--with kaleidoscopic sweep and controlled intensity. Yet within the expansive scope of Panorama lies an intimate portrait of human loss rendered with precision, humanity, and humor.

Just as a panoramic image provides a broad view, Panorama provides a ground-breaking, broad view of the world’s history by reaching across regional boundaries and highlighting large-scale, global patterns. Panorama’s easily understood chronology, coupled with its innovative, proven digital tools, ensures that learners are always moving forward as they study change and continuity across time, assess knowledge gaps, and mold critical thinking skills. The result is improved course performance through greater understanding of our world’s past, its large-scale global trends, and its impact on and relevance to 21st-century students.

A wide-ranging study of the painted panorama’s influence on art, photography, and film This ambitious volume presents a multifaceted account of the legacy of the circular painted panorama and its far-reaching influence on art, photography, film, and architecture. From its 18th-century origins, the panorama quickly became a global mass-cultural phenomenon, often linked to an imperial worldview. Yet it also transformed modes of viewing and exerted a lasting, visible impact on filmmaking techniques, museum displays, and contemporary installation art. On the Viewing Platform offers close readings of works ranging from proto-panoramic Renaissance cityscapes and 19th-century paintings and photographs to experimental films and a wide array of contemporary art. Extensively researched and spectacularly illustrated, this volume proposes an expansive new framework for understanding the histories of art, film, and spectatorship.

This first book published on film noir established the genre--a classic, at last in translation.