What is the fate of cinema in an age of new technologies, new aesthetic styles, new modes of cultural production and consumption? What becomes of cinema and a century-long history of the moving image when the theatre is outmoded as a social and aesthetic space, as celluloid gives over to digital technology, as the art-house and multiplex are overtaken by a proliferation of home entertainment systems? The Orientation of Future Cinema offers an ambitious and compelling argument for the continued life of cinema as image, narrative and experience. Commencing with Lumière’s Arrival of a Train at a Station, Bruce Isaacs confronts the threat of contemporary digital technologies and processes by returning to cinema’s complex history as a technological and industrial phenomenon. The technology of moving images has profoundly changed; and yet cinema materialises ever more forcefully in digital capture and augmentation, 3-D perception and affect, High Frame Rate cinema, and the evolution of spectacle as the dominant aesthetic mode in contemporary studio production.

Cinema, the primary vehicle for storytelling in the twentieth century, is being reconfigured by new media in the twenty-first. Terms such as "worldbuilding," "virtual reality," and "transmedia" introduce new methods for constructing a screenplay and experiencing and sharing a story. Similarly, 3D cinematography, hypercinema, and visual effects require different modes for composing an image, and virtual technology, motion capture, and previsualization completely rearrange the traditional flow of cinematic production. What does this mean for telling stories? Fast Forward answers this question by investigating a full range of contemporary creative practices dedicated to the future of mediated storytelling and by connecting with a new generation of filmmakers, screenwriters, technologists, media artists, and designers to discover how they work now, and toward what end. From Chris Milk and Aaron Koblin's exploration of VR spherical filmmaking to Rebeca Méndez's projection and installation work exploring climate change to the richly mediated interactive live performances of the collective Cloud Eye Control, this volume captures a moment of creative evolution and sets the stage for imagining the future of the cinematic arts.

Horror cinema is a genre that is undergoing constant evolution, from the sub-genre of 'found footage,' to post-cinematic new media forms such as Youtube horror, horror video games and cinematic virtual reality horror. By investigating how these new forms alter the dynamics of spectatorship, this book charts how cinema's affective capacities have shifted in relation to these modifications in the forms of cinematic horror. It applies a rich theoretical synthesis of phenomenological and Deleuzian approaches to a number of case studies, including films like The Blair Witch Project, Paranormal Activity and Creep as well as video games such as Alien: Isolation and new media forms such as Youtube horror and virtual reality horror.

This book demonstrates how the creative industries are driving new sectoral and spatial dynamics in European cities, regions, and countries, and how these may be influenced by international and global dynamics. It takes a purposeful geographical approach to the study of the creative industries across various Western, Central and Eastern European contexts since the 2008-2009 recession. Despite the growing research looking at the development of the creative industries in the last 15 years, there are still gaps in the coverage of what is happening in Central and Eastern Europe compared to Western Europe. This book addresses these gaps in two parts focusing on particular geographical scales and creative processes: local interplay between sector and space and the role of the creative industries in regional and national economies after the crisis. The book presents original analyses of the post-crisis environment, and novel data on topics such as the role of institutions in the regulation of the fashion industry in global cities, the impact of clustering on film innovation, location patterns of art galleries, regional specialisations and paths of professional carriers in creative industries.

This book, which accompanies an exhibition organized by the ZKM Institute for Visual Media, explores the history and significance of pre-cinema and of early experimental cinema, as well as the development of the unique theaters in which "immersion" evolved. 1,000 illustrations.

There is a major international interest in thin film materials and devices, Future Directions in Thin Film Science and Technology stimulated by important current and projected applications in many areas of information technology and other fields, constitutes the proceedings of the Ninth International School on Condensed Matter Physics. It features invited review articles by over 40 scientists of international repute, covering many aspects of thin film science and technology. Also included is a broad selection of shorter contributed papers by other participants, describing results of their recent research.The book will be of interest to postgraduate students and established scientists involved in the fabrication, characterisation, and applications of thin film materials and devices. The invited reviews will also be of value to final year undergraduates in physics, materials science, and electronic engineering studying many areas of contemporary solid state technology.

Contents:Introduction (J Keller)Spin Glass Hamiltonians: A Bridge Between Biology, Statistical Mechanics and Computer Science (P W Anderson)A New Optical Spectroscopy in Surface Science: Surface Anisotropy (R G Barrera & W L Machán)Liquid Crystal Paradigms of Condensed Matter Physics (P E Cladis)Future Trends in Calculating the Properties of Materials (M L Cohen)Charge Density Waves in Solids(G Grüner)Space Studies of the Electronic and Magnetic Structure of Metals (J Keller, C Amador & C de Teresa)Quasicrystals (J Keller & C de Teresa)Polymer Blends (C E Rangel-Nafaile)Interfacial Phase Transitions (A Robledo)Small Metallic Clusters (T M Sanders Jr)The Challenge of the Actinides (J L Smith)Trends in Rare Earth and Actinide Research (J Schoenes)