The shocking account of how a unit of average middle-aged Germans became the cold-blooded murderers of tens of thousands of Jews.

The remarkable autobiography of Paul Rusesabagina, the globally-recognized human rights champion whose heroism inspired the film Hotel Rwanda “Fascinating…your book is called An Ordinary Man, yet you took on an extraordinary feat with courage, determination, and diplomacy.” – Oprah, O, The Oprah Magazine As Rwanda was thrown into chaos during the 1994 genocide, Rusesabagina, a hotel manager, turned the luxurious Hotel Milles Collines into a refuge for more than 1,200 Tutsi and moderate Hutu refugees, while fending off their would-be killers with a combination of diplomacy and deception. In An Ordinary Man, he tells the story of his childhood, retraces his accidental path to heroism, revisits the 100 days in which he was the only thing standing between his “guests” and a hideous death, and recounts his subsequent life as a refugee and activist.

Philosophical reflections of a distinguished business owner over time.

NEW YORK TIMES BEST SELLER • The raw, candid, unvarnished memoir of an American icon. The greatest movie star of the past 75 years covers everything: his traumatic childhood, his career, his drinking, his thoughts on Marlon Brando, James Dean, Elizabeth Taylor, John Huston, his greatest roles, acting, his intimate life with Joanne Woodward, his innermost fears and passions and joys. With thoughts/comments throughout from Joanne Woodward, George Roy Hill, Tom Cruise, Elia Kazan and many others. A BEST BOOK OF THE YEAR: TIME and Vanity Fair "Newman at his best…with his self-aware persona, storied marriage and generous charitable activities…this rich book somehow imbues his characters’ pain and joy with fresh technicolor." —The Wall Street Journal In 1986, Paul Newman and his closest friend, screenwriter Stewart Stern, began an extraordinary project. Stuart was to compile an oral history, to have Newman’s family and friends and those who worked closely with him, talk about the actor’s life. And then Newman would work with Stewart and give his side of the story. The only stipulation was that anyone who spoke on the record had to be completely honest. That same stipulation applied to Newman himself. The project lasted five years. The result is an extraordinary memoir, culled from thousands of pages of transcripts. The book is insightful, revealing, surprising. Newman’s voice is powerful, sometimes funny, sometimes painful, always meeting that high standard of searing honesty. The additional voices—from childhood friends and Navy buddies, from family members and film and theater collaborators such as Tom Cruise, George Roy Hill, Martin Ritt, and John Huston—that run throughout add richness and color and context to the story Newman is telling. Newman’s often traumatic childhood is brilliantly detailed. He talks about his teenage insecurities, his early failures with women, his rise to stardom, his early rivals (Marlon Brando and James Dean), his first marriage, his drinking, his philanthropy, the death of his son Scott, his strong desire for his daughters to know and understand the truth about their father. Perhaps the most moving material in the book centers around his relationship with Joanne Woodward—their love for each other, his dependence on her, the way she shaped him intellectually, emotionally and sexually. The Extraordinary Life of an Ordinary Man is revelatory and introspective, personal and analytical, loving and tender in some places, always complex and profound.

“A remarkable—and singularly chilling—glimpse of human behavior. . .This meticulously researched book...represents a major contribution to the literature of the Holocaust."—Newsweek Christopher R. Browning’s shocking account of how a unit of average middle-aged Germans became the cold-blooded murderers of tens of thousands of Jews—now with a new afterword and additional photographs. Ordinary Men is the true story of Reserve Police Battalion 101 of the German Order Police, which was responsible for mass shootings as well as round-ups of Jewish people for deportation to Nazi death camps in Poland in 1942. Browning argues that most of the men of RPB 101 were not fanatical Nazis but, rather, ordinary middle-aged, working-class men who committed these atrocities out of a mixture of motives, including the group dynamics of conformity, deference to authority, role adaptation, and the altering of moral norms to justify their actions. Very quickly three groups emerged within the battalion: a core of eager killers, a plurality who carried out their duties reliably but without initiative, and a small minority who evaded participation in the acts of killing without diminishing the murderous efficiency of the battalion whatsoever. While this book discusses a specific Reserve Unit during WWII, the general argument Browning makes is that most people succumb to the pressures of a group setting and commit actions they would never do of their own volition. Ordinary Men is a powerful, chilling, and important work with themes and arguments that continue to resonate today.

On 11 September 2001, in a café in London, Ahmed Errachidi watched as the twin towers collapsed. He was appalled by the loss of innocent life. But he couldn’t possibly have predicted how much of his own life he too would lose because of that day. In a series of terrible events, Ahmed was sold by the Pakistanis to the Americans in the diplomatic lounge at Islamabad airport and spent five and a half years in Guantanamo. There, he was beaten, tortured, humiliated, very nearly destroyed. But Ahmed did not give in. This very ordinary, Moroccan-born London chef became a leader of men. Known by the authorities as The General, he devised protests and resistance by any means possible. As a result, he spent most of his time in solitary confinement. But then, after all those years, Ahmed was freed, his innocence admitted. This is Ahmed’s story. It will make you rethink what it means to be in the wrong place at the wrong time. It will also make you look anew at courage, survival, justice and the War on Terror.

A dead man pursues the secrets of his life and death in this “dense, subtle, substantive, perfectly shaped fiction” by the author of I, Lucifer (The Guardian, UK). Nathan Clark’s gravestone reads: At rest. But Nathan is not at rest, and knows he won’t be until he finds out why he died. How has he come to hover over his own funeral, a spectral spectator to the grief of his family and friends? Privy now to their innermost thoughts and feelings, Nathan spends the day of his wake getting to know the living as he has never known them before. But why isn’t Nathan’s young daughter Lois at the wake? Who are the two strangers at the funeral, and why does their presence fill him with dread? Nathan knows he has only so long to unlock these mysteries, because he is drawn time and again to a room in his house he never knew existed–a room that holds a terrifying secret. “Duncan's exhilarating, almost exhausting flood of insight into family patterns of love and habit is matched by the rich unexpectedness of his writing and the complex construction of the narrative.”—Publishers Weekly, starred review