Join Cinderella and Prince Charming on their royal wedding tour through six favourite story-book lands. Journey to Aladdin's Kingdom, the Land of Oz and the Giant's Kingdom at the top of the beanstalk; meet Peter Pan and Wendy in Neverland, Alice in Wonderland, and Snow White and the Seven Dwarfs in the Enchanted Forest. This sumptuous travel guide contains a fabulous fold-out map of each land, with a detailed route to follow, special points of interest to seek out and a wedding present hidden in each picture.

Everybody likes story time. Which story do you like best? Why do you like one story best? What happens at the end of the story?

Now with a reimagined look! Join a peasant boy who wants to be a knight in the laugh-out-loud funny, highly illustrated first book of the New York Times bestselling Once Upon a Tim chapter book series from Spy School author Stuart Gibbs. Tim is just a peasant, but he dreams big. He wants more out of life than to grow up to be a woodsman like his father. Unfortunately, the only route to success in the kingdom of Wyld is to be born a prince. Still, Tim is determined. He is brave and clever and always tries to do the right thing—even though he rarely gets the credit for it. Then news spreads that Princess Grace of the neighboring kingdom has been abducted by the evil Stinx and Prince Ruprecht needs a legion of knights to join him on his quest to rescue her. Tim finally has the lucky break he’s been waiting for, the opportunity to change his station in life. And even though he doesn’t know how to ride a horse or wield anything more deadly than a water bucket, he’s going to do whatever it takes to make sure his dream becomes a reality.

The story of arts and cultural policy in the twenty-first century is inherently of global concern no matter how local it seems. At the same time, questions of identity have in many ways become more challenging than before. Narrative, Identity, and the Map of Cultural Policy: Once Upon a Time in a Globalized World explores how and why stories and identities sometimes merge and often clash in an arena in which culture and policy may not be able to resolve every difficulty. DeVereaux and Griffin argue that the role of narrative is key to understanding these issues. They offer a wide-ranging history and justification for narrative frameworks as an approach to cultural policy and open up a wider field of discussion about the ways in which cultural politics and cultural identity are being deployed and interpreted in the present, with deep roots in the past. This timely book will be of great interest not just to students of narrative and students of arts and cultural policy, but also to administrators, policy theorists, and cultural management practitioners.

A whimsical tour of seven spooky locations introduces basic map-reading skills and highlights fun-filled "points of interest," from Dracula's Castle to Dr. Frankenstein's laboratory, on maps of such places as the Wicked Woods, a Ghostly Galleon and the Western Terror-tories. By the author of The Once Upon a Time Map Book.

Lena has a problem: she is a twelve-year-old giant child, but she is still only the size of a human: rejected by the giant king, she and her enormous talking cat, Rufus, go down to the human world seeking some magic that will restore her to her rightful status; Jin is a twelve-year-old genie, not yet allowed his full powers, and at the moment tied, for two more wishes, to the Golden King, an annoying, nasty tyrant who has sent him on a quest--and when these two children meet all the kingdoms may be changed forever.

Describes each season of farm life experienced by the author on his farm in Hampton, Iowa during the 1920s and 1930s and illustrates seasonal farm work from spring plowing to fall harvesting.