Plays of Sophocles is a set of three plays by Sophocles, an ancient Greek tragedian whose plays have survived until modern times. Included are Oedipus the King, Oedipus at Colonus and Antigone.

King Oedipus/Oedipus at Colonus/Antigone Three towering works of Greek tragedy depicting the inexorable downfall of a doomed royal dynasty The legends surrounding the house of Thebes inspired Sophocles to create this powerful trilogy about humanity's struggle against fate. King Oedipus is the devastating portrayal of a ruler who brings pestilence to Thebes for crimes he does not realize he has committed and then inflicts a brutal punishment upon himself. Oedipus at Colonus provides a fitting conclusion to the life of the aged and blinded king, while Antigone depicts the fall of the next generation, through the conflict between a young woman ruled by her conscience and a king too confident of his own authority. Translated with an Introduction by E. F. WATLING

The stirring tale of a legendary royal family's fall and ultimate redemption, the Theban trilogy endures as the crowning achievement of Greek drama. Essential reading for English and classical studies majors.

English versions of Sophocles' three great tragedies based on the myth of Oedipus, translated for a modern audience by two gifted poets. Index.

The doomed king of Thebes brings shame on his family in this iconic three-play cycle of ancient Greek literature, a foundational work of Western drama. Oedipus Rex: As a young man, Oedipus was told of a prophecy that he would kill his father and marry his mother. Fleeing his home to escape his destiny, he becomes the king of Thebes by marrying the former king’s widow. But now Thebes is cursed until Oedipus discovers who killed his predecessor—a mystery that will lead him to his own doom. Oedipus at Colonus: Blind and exiled from his own country, Oedipus takes up residence in Colonus while his two sons battle for the throne of Thebes. An oracle has pronounced that the location of their disgraced father’s final resting place will determine which of them will win. But an old enemy has his own plans for the burial. Antigone: The war is over and Thebes’s ruler, Creon, decrees that the body of Polynices—Oedipus’s son—is not to be buried. But Antigone, the late warrior’s sister, answers to a higher authority. When she breaks the law to bury her brother with proper rites, her act of civil disobedience will unleash great upheaval.

Oedipus the King is the first tragic play in Sophocles' classic Oedipus trilogy. The plays tells the story of a man who eventually becomes the King of Thebes while fulfilling an extremely tragic prophecy.

Sophocles I contains the plays “Antigone,” translated by Elizabeth Wyckoff; “Oedipus the King,” translated by David Grene; and “Oedipus at Colonus,” translated by Robert Fitzgerald. Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century. In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides’ Medea, The Children of Heracles, Andromache, and Iphigenia among the Taurians, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles’s satyr-drama The Trackers. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays. In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.