Two brothers are in love with the same girl, Clara, a healthy, natural girl.

This eBook features the unabridged text of ‘The Novel on Blue Paper by William Morris - Delphi Classics (Illustrated)’ from the bestselling edition of ‘The Complete Works of William Morris’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Morris includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘The Novel on Blue Paper by William Morris - Delphi Classics (Illustrated)’ * Beautifully illustrated with images related to Morris’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles

Two brothers are in love with the same girl, Clara, a healthy, natural girl.

Stevie's alter ego Pompey is young, in love and working as a secretary for the magnificent Sir Phoebus Ullwater, Bt. In between making coffee and typing letters for Sir Phoebus, Pompey scribbles down - on yellow office paper - her quirky thoughts. Her flights of imagination take in Euripedes, sex education, Nazi Germany and the Catholic Church in England, shattering conventions in their wake.

'Emotional and gripping' Daily Mail Happiness can be found in the most unexpected places . . . Ginny Carter was once a rising star in TV news, married with a young son – until her whole world dissolved on a freeway in a single instant. In the aftermath, she somehow pieces her life back together, but struggles to truly find meaning in her life. Then, on the anniversary of the fateful accident, she meets thirteen-year-old Blue Williams, who has been living on the streets, utterly alone. Ginny reaches out to him and slowly their friendship grows, each becoming the family the other lost. But just as Blue is truly beginning to trust her, she learns he has been hiding a shocking secret. Ginny wonders if she can help Blue to feel whole again, and at the same time heal herself. Blue is an emotionally gripping story of dark secrets revealed, second chances, and the power of love and courage to overcome life’s greatest challenges.

“Ravishing… as if Saavedra were a modern-day Borges.” —Luis Alberto Urrea, O, The Oprah Magazine A novel of dark obsession, missed connections, and violent love. Marcos has just been through a divorce and moved into a new apartment. He feels alienated from his ex-wife, from his daughter, from society; everything feels flat and fake to him. He begins to receive letters at his new address from an anonymous troubled woman who signs off as A. and who clearly believes she is writing to the former tenant, her ex-lover, in the aftermath of a violent heartbreak. Marcos falls under the spell of the manic, hypnotic missives and for the first time in years, something moves him. Blue Flowers alternates between the letters detailing the dissolution of A.'s relationship, and Marcos' growing fixation with this damaged person. The letters become a kind of exorcism as both A.'s epistolary affair and Marcos' personal life reach a crisis point. Possessed by A., he is driven to discover her true identity. Blue Flowers is a dark portrait of desire, undermining accepted truths about love and sex, violence and fear, men and women.

Revolution and the Word offers a unique perspective on the origins of American fiction, looking not only at the early novels themselves but at the people who produced them, sold them, and read them. It shows how, in the aftermath of the American Revolution, the novel found a special place among the least privileged citizens of the new republic. As Cathy N. Davidson explains, early American novels--most of them now long forgotten--were a primary means by which those who bought and read them, especially women and the lower classes, moved into the higher levels of literacy required by a democracy. This very fact, Davidson shows, also made these people less amenable to the control of the gentry who, naturally enough, derided fiction as a potentially subversive genre. Combining rigorous historical methods with the newest insights of literacy theory, Davidson brilliantly reconstructs the complex interplay of politics, ideology, economics, and other social forces that governed the way novels were written, published, distributed, and understood. Davidson also shows, in almost tactile detail, how many Americans lived during the Constitutional era. She depicts the life of the traveling book peddler, the harsh lot of the printer, the shortcomings of early American schools, the ambiguous politics of novelists like Brackenridge and Tyler, and the lost lives of ordinary women like Tabitha Tenney and Patty Rogers. Drawing on a vast body of material--the novels themselves as well as reviews, inscriptions in cherished books, letters and diaries, and many other records--Davidson presents the genesis of American literature in its fullest possible context.