An American institution, Sun Records has a history with many chapters -- its Memphis origins with visionary Sam Phillips, the breakthrough recordings of Elvis Presley, and the studio's immense influence on the sound of popular music. But behind the company's chart toppers and legendary musicians there exists another story, told by Barbara Barnes Sims. In the male-dominated workforce of the 1950s, 24-year-old Sims found herself thriving in the demanding roles of publicist and sales promotion coordinator at Sun Records. Sims's job placed her in the studio with Johnny Cash, Roy Orbison, Jerry Lee Lewis, Charlie Rich, Carl Perkins, and other Sun entertainers, as well as the unforgettable Phillips, whose work made the music that defined an era. The Next Elvis: Searching for Stardom at Sun Records chronicles Sims's career at the studio, a pivotal time at this recording mecca, as she darted from disc jockeys to distributors. Sims not only entertains with personal stories of big personalities, but also brings humor to the challenges of a young woman working in a fast and tough industry. Her disarming narrative ranges from descriptions of a disgraced Jerry Lee Lewis to the remarkable impact and tragic fall of DJ Daddy-O Dewey to the frenzied Memphis homecoming of Elvis after his military service. Collectively, these vignettes offer a rare and intimate look at the people, the city, and the studio that permanently shifted the trajectory of rock 'n' roll.

The Elvis Machine is a book of poems inspired by living, loving, and hate-fucking in Memphis, Tennessee--a city still kissed with the 1950s. Forged in a dumpster fire of toxic Elvises, these poems are pornographic bad romances, psychedelic love dirges, and threnodies for sex, drugs, and rock'n'roll. They'll make you laugh off the pain as much as you'll cry, cringe, and feel exposed in this 'No Boys Allowed' clubhouse of feminine rage and healing. "Kim Vodicka is the sexier Stephen Wright of poetry, with incisive one-liners so sharp and mind-blowingly funny that you forget how hard you were laughing before you started crying, then started laughing again." -John Skipp, author of The Art of Horrible People "Vodicka's poetry is a seasick-sweet treasure trove of marvel. Her verses leave you yearning for the kind of love and life you know is bad for you, but you can't stop reading." -Elle Nash, author of Animals Eat Each Other "Here is the uncanny valley girl, the B-movie queen, Kim Vodicka, delivering a prize fight of the sexes in poetry where every line is a punch line. This book is the seminal display of misogyny's trauma, an unflinching exposé of toxic relationships, and an exquisitely honest portrayal of a woman's most intimate bits. Vodicka peels us to the core. This is what raw feels like." -Jeanette Powers, author of Dandylion Riot and founder of Stubborn Mule Press "The Elvis Machine is foaming at the mouth all over your pillow. Vodicka takes our balls and wears them like a teething necklace. Her wordplay is as bloody as it is brilliant. This is a love story dissected and displayed of its most vulnerable parts. Once again, she has managed to rock all my sensibilities." -Kelsey Marie Harris, author of The Jolly Queef

THE NEW YORK TIMES BESTSELLER Elvis Presley’s fiancée and last love tells her story and sets the record straight in this deeply personal memoir that reveals what really happened in the final years of the King of Rock n' Roll. Elvis Presley and Graceland were fixtures in Ginger Alden’s life; after all, she was born and raised in Memphis, Tennessee. But she had no idea that she would play a part in that enduring legacy. For more than three decades Ginger has held the truth of their relationship close to her heart. Now she shares her unique story… In her own words, Ginger details their whirlwind romance—from first kiss to his stunning proposal of marriage. And for the very first time, she talks about the devastating end of it all and the fifty thousand mourners and reporters who descended on Graceland in 1977, exposing Ginger to the reality of living in the spotlight of a short yet immortal life. Above it all, Ginger rescues Elvis from the hearsay, rumors, and tabloid speculations of his final year by shedding a frank yet personal light on a very public legend. From a unique and intimate perspective, she reveals the man—complicated, romantic, fallible, and human—behind the myth, a superstar worshipped by millions and loved by Ginger Alden. INCLUDES PHOTOS

On a lazy Sunday in 1954, twelve-year-old Jerry Schilling wandered into a Memphis touch football game, only to discover that his team was quarterbacked by a nineteen-year-old Elvis Presley, the local teenager whose first record, "That’s All Right," had just debuted on Memphis radio. The two became fast friends, even as Elvis turned into the world’s biggest star. In 1964, Elvis invited Jerry to work for him as part of his "Memphis Mafia," and Jerry soon found himself living with Elvis full-time in a Bel Air mansion and, later, in his own room at Graceland. Over the next thirteen years Jerry would work for Elvis in various capacities — from bodyguard to photo double to co-executive producer on a karate film. But more than anything else he was Elvis’s close friend and confidant: Elvis trusted Jerry with protecting his life when he received death threats, he asked Jerry to drive him and Priscilla to the hospital the day Lisa Marie was born and to accompany him during the famous "lost weekend" when he traveled to meet President Nixon at the White House. Me and a Guy Named Elvis looks at Presley from a friend’s perspective, offering readers the man rather than the icon — including insights into the creative frustrations that lead to Elvis’s abuse of prescription medicine and his tragic death. Jerry offers never-before-told stories about life inside Elvis’s inner circle and an emotional recounting of the great times, hard times, and unique times he and Elvis shared. These vivid memories will be priceless to Elvis’s millions of fans, and the compelling story will fascinate an even wider audience.

(Book). On January 1, 1967, a contract between "Colonel" Tom Parker and his sole client, Elvis Presley, gave Parker a 50 percent cut of profits that Presley generated. It was a shameless grab for a bigger piece of a pie that had actually been shrinking for some time. Though Parker's plan to reestablish Presley as a star after he left the army proved successful at first (with the triumph of films like G.I. Blues and Blue Hawaii ), by 1967 Presley's singles struggled to break the top 20, and he hadn't hit number one for six years. Amazingly, by the end of 1968 he was artistically revitalized, reemerging in a TV comeback special and slimmed down for the now-iconic black leather suit. It was the pivotal moment of the second great period of Presley's career, which lasted through to the end of 1970, during which he recorded some of his most enduring records, including "Suspicious Minds" and "In the Ghetto." Return of the King document's Presley reclamation of his crown, making an extraordinary transition from fading balladeer to engaged, vital artist.

This is the first of two volumes that make up what is arguably the definitive Elvis biography. Rich in documentary and interview material, this volume charts Elvis' early years and his rise to fame, taking us up to his departure for Germany in 1958. Of all the biographies of Elvis - this is the one you will keep coming back to.

On the night of August 19, 1974, Elvis decides that he’d like to leave a little something of himself behind when it’s his time to go. He visits a fertility doctor, and soon, his son is born. Years later, the baby has inevitably matured into a young man, who now grapples with the secrecy surrounding his paternity. Elvis has long left the building, and it may take a certain special friend to help his son discover the truth behind his extraordinary lineage. Fraught with tension, poignancy and raw emotion, The New Elvis examines the lives of two disparate friends—one born into a life of privilege, and the other despair—and ultimately unites them through truth, healing, and love.