This new Companion offers a sample of innovative approaches to interpreting and appreciating William Faulkner in the twenty-first century.

This collection of essays by ten major scholars explores Faulkner's widespread cultural import.

Considering that he worked a stint as a screen writer, it will come as little surprise that Faulkner has often been called the most cinematic of novelists. Faulkner’s novels were produced in the same high period as the films of classical Hollywood, a reason itself for considering his work alongside this dominant form. Beyond their era, though, Faulkner’s novels—or the ways in which they ask readers to see as well as feel his world—have much in common with film. That Faulkner was aware of film and that his novels’ own “thinking” betrays his profound sense of the medium and its effects broadens the contexts in which he can be considered. In a range of approaches, the contributors consider Faulkner’s career as a scenarist and collaborator in Hollywood, the ways his screenplay work and the adaptations of his fiction informed his literary writing, and how Faulkner’s craft anticipates, intersects with, or reflects upon changes in cultural history across the lifespan of cinema. Drawing on film history, critical theory, archival studies of Faulkner’s screenplays and scholarship about his work in Hollywood, the nine essays show a keen awareness of literary modernism and its relation to film.

William Faulkner in Context explores the environment that conditioned Faulkner's creative work. This book provides a broad and authoritative framework that will help readers to better understand this widely read yet challenging writer. Each essay offers a critical assessment of Faulkner's work as it relates to such topics as genre, reception, and the significance of place. Although Faulkner dwelt in his native Mississippi throughout his life, his visits to cities like New Orleans, Paris, and Los Angeles profoundly shaped his early career. Inextricable from the dramatic upheavals of the twentieth century, Faulkner's writing was deeply affected by the Great War, the Great Depression, World War II, and the civil rights movement. In this volume, a host of renowned scholars shed light on this enigmatic writer and render him accessible to students and researchers alike.

William Faulkner remains one of the most important writers of the twentieth century, and Faulkner Studies offers up seemingly endless ways to engage anew questions and problems that continue to occupy literary studies into the twenty-first century, and beyond the compass of Faulkner himself. His corpus has proved particularly accommodating of a range of perspectives and methodologies that include Black studies, visual culture studies, world literatures, modernist studies, print culture studies, gender and sexuality studies, sound studies, the energy humanities, and much else. The fifteen essays collected in The New William Faulkner Studies charts these developments in Faulkner scholarship over the course of this new century and offers prospects for further interrogation of his oeuvre.

This succinct, yet comprehensive account of William Faulkner's literary career, novels, and key short stories offers an imaginative topography of his efforts to reckon with his Southern past, to acknowledge its modernization, and to develop his own modernist method. Drawing on various critical approaches, it provides a coherent interpretation of the author's career, emphasizing Faulkner's receptivity to change, not just his critical resistance to it. Now available in paperback, William Faulkner: Seeing Through the South places Faulkner's art in context while concentrating on textual detail, technique, and thematic preoccupations across his career.

The book explains the novel's connection with the American South of the 1920s, illuminating its modernist style and exploring its autobiographical elements. After surveying criticism on the novel, the book examines the theme that dominates the work: the changes occuring in Southern race, class and gender definitions.