The New Australian Garden is an insider's account of the journey to design, construct and plant 18 landmark gardens that represent a new movement in Australian landscape design - one where the relationship between architecture and garden is paramount. Landscaper Michael Bates, working alone and in collaboration with some of the greatest design talents in the field, creates spaces that connect indoor to outdoor through masterful use of levels, innovative materials and experimental planting. Traditional lawns are reimagined as contoured sculptural forms, and water and fire pits inject life and energy into open spaces. The resulting gardens are destination spaces, sanctuaries and breathtaking backdrops for everyday life.

In Australian Dreamscapes, Claire Takacs showcases the varied gardens found in the Australian landscape, from lush green oases to semi-arid settings. Claire profiles Australian gardens, gardeners and garden designers who are drawing on the international movement towards a more naturalistic approach to planting design. Similar to the New Perennial movement and Prairie-style, these gardens take into consideration how plants grow in the wild and have created highly textural, visually pleasing gardens that appeal not only to our love of beauty, but that sit gently in their surrounding landscapes, giving a strong sense of place. Across 15 chapters and 22 gardens, Claire's stunning photography is accompanied by essays written by the garden owners or designers. The chapters detail the journey to establishing the gardens, their motivation, and the struggles and rewards the gardens bring day in, day out. Beautifully presented, Australian Dreamscapes is a stunning journey through the diversity of gardens in Australia.

This lavishly photographed book, written and curated by internationally respected gardening author Christine Reid and shot by renowned photographer Simon Griffiths, focuses on 18 stunning gardens from around Australia situated on a natural 'frontier'-rainforest, desert, bushland, saltbush plains, a volcanic crater, the ocean's edge, a harbour. The featured gardens have been created or restored in locations where the surrounding natural landscape is as significant as the cultivated and designed elements. In its images and stories Gardens on the Edge is much about the diversity and character of the Australian continent as it about the gardens. The accompanying stories not only explore the establishment of the garden, but also reference Australian history and geography, and cover issues ranging from dealing with droughts and climate change to restoring a long-neglected kitchen garden.

For too long Australians have been dominated by European gardening trends. Gordon Ford, like no other landscape designer before him, mastered the natural Australian style. Gordon Ford was early influenced by the English natural style landscape school of the eighteenth century. But his great skill has been to work with Australia's natural elements and to develop gardens that not only honoured the rugged beauty of the Australian landscape, but did so in a way that captured its apparent timelessness -- his gardens look as if they have always been there. In shaping our visual world, Gordon Ford focused on the essential balance between mass and void in his designs. His balance of the natural elements of rocks, water, trees and other plants achieves a timeless harmony -- we feel totally satisfied but uncertain as to where Mother nature stars and Gordon Ford finishes.

An exciting and refreshing call to arms, The Planthunter is a new generation of gardening book for a new generation of gardener that encourages readers to fall in love with the natural world by falling in love with plants.

A gloriously illustrated guide to planning the design and choosing the right plants to make a rich and sumptuous garden featuring Australian natives from the ABC garden guru.

Immerse yourself in the lives of Australia's influential garden shapers and creators. Paul Bangay, Arno King and Janine Mendel may all create totally different style gardens but they share many similar experiences. The scent of rosemary around the sandpit, planting carrots as a five year old, or running free in the Australian bush are just some of the common childhood experiences that have sparked an interest in the natural world for this generation. Some have come to garden making or writing through science, architecture or the arts. Collectively they have a wealth of expertise, what makes them unique is their passion and individual vision for garden making in Australia in the 21st century. We can journey with them as they relate their own experience within the context of increased urbanisation, shifts in lifestyle choices and concern for environmental sustainability. As Australia negotiates this transition, important questions arise about the future shape of our gardens and our connection to them. Above all else, this generation represents a fundamental shift in the values and beliefs attached by our society to nature, landscape and cultivated spaces.