Recounts the story of the Olympics held in Berlin in 1936, and how the Nazis attempted to turn the games into a propaganda tool for their cause.

This book is an expose of one of the most bizarre festivals in sport history. It provides portraits of key figures including Adolf Hitler, Jesse Owens, Leni Riefenstahl, Helen Stephens, Kee Chung Sohn, and Avery Brundage. It also conveys the charade that reinforced and mobilized the hysterical patriotism of the German masses.

The 1936 Olympic Games played a key role in the development of both Hitler’s Third Reich and international sporting competition. The Nazi Olympics gathers essays by modern scholars from prominent participating countries and lays out the issues--sporting as well as political--surrounding the involvement of individual nations. The volume opens with an analysis of Germany’s preparations for the Games and the attempts by the Nazi regime to allay the international concerns about Hitler’s racist ideals and expansionist ambitions. Essays follow on the United States, Great Britain, and France--top-tier Olympian nations with misgivings about participation--as well as Germany's future Axis partners Italy and Japan. Other contributions examine the issues involved for Finland, Sweden, Norway, Denmark, and the Netherlands. Throughout, the authors reveal the high political stakes surrounding the Games and how the Nazi Olympics distilled critical geopolitical issues of the time into a spectacle of sport.

The Berlin Olympic Games, more than 70 years on, remain the most controversial ever held. This book creates a vivid account of the disputes, the personalities, and the events which made these Games so memorable. Ironically, the choice of Germany as the host national for the 1936 Olympics was intended to signal the return to the world community after defeat in World War I. In actuality, Hitler intended the Berlin Games to be an advertisement for Germany as he was creating it, and they became one of the largest propaganda exercises in history. Two German Jews competed in the Games while the most memorable achievement was that of black American Jesse Owens, who won four gold medals. Ultimately, however, Germany was the overall biggest medal winner. The popular success of Owens allowed the Nazis to claim that their policies had no racial element and charges of antisemitism that did arise were leveled at the Americans.

"Nazi Games" recounts how the Olympic festival was a crucial part of the Nazi regime's mobilization of power. The narrative also includes a stirring account of the international effort to boycott the games, which was ultimately derailed by the American Olympic Committee.

This “startlingly good and vividly illuminating book” sheds new light on the Fascist sports spectacle that transfixed the world (The Spectator). For two weeks in August 1936, Nazi Germany achieved an astonishing propaganda coup when it staged the Olympic Games in Berlin. Hiding their anti-Semitism and plans for territorial expansion, the Nazis exploited the Olympic ideal, dazzling visiting spectators and journalists alike with an image of a peaceful, tolerant Germany. In Hitler’s Olympics, Anton Rippon tells the story of those remarkable Games, the first to overtly use the Olympic festival for political purposes. His account, which is illustrated with almost 200 rare photographs of the event, looks at how the rise of the Nazis affected German sportsmen and women in the early 1930s. And it reveals how the rest of the world allowed the Berlin Olympics to go ahead despite the knowledge that Nazi Germany was a police state.

For two weeks in August 1936, Nazi Germany achieved an astonishing propaganda coup when it staged the Olympic Games in Berlin. Hiding their anti-semitism and plans for territorial expansion, the Nazis exploited the Olympic ideal, dazzling visiting spectators and journalists alike with an image of a peaceful, tolerant Germany. In Hitler's Olympics, Anton Rippon tells the story of those remarkable Games, the first to overtly use the Olympic festival for political purposes. His account, which is illustrated with almost 200 rare photographs of the event, looks at how the rise of the Nazis affected German sportsmen and women in the early 1930s. And it reveals how the rest of the world allowed the Berlin Olympics to go ahead despite the knowledge that Nazi Germany was a police state.