Translated for the first time into English, The Myth of the Superhero looks beyond the cape, the mask, and the superpowers, presenting a serious study of the genre and its place in a broader cultural context.

As the nation seems to yearn for redemption from the evils that threaten its tranquility, the authors maintain that Joseph Campbell's monomythic hero is alive and well, but significantly displaced, in American popular culture.

Superheroes have been an integral part of popular society for decades and have given rise to a collective mythology familiar in popular culture worldwide. Though scholars and fans have recognized and commented on this mythology, its structure has gone largely unexplored. This book provides a model and lexicon for identifying the superhero mythos. The author examines the myth in several narratives--including Buffy the Vampire Slayer, Green Arrow and Beowulf--and discusses such diverse characters as Batman, Wolverine, Invincible and John Constantine.

A study of one of popular culture's superstars whose enchanting mystique pervades the modern world

What makes someone a hero? In the early 1960's, the image of a superhero was someone with a square jaw, a muscular build, and a quick smile whose biggest personal problem was trying to keep their girlfriends from guessing their secret identities. Then writer Stan Lee and artists Jack Kirby and Steve Ditko created a group of superheroes who revolutionized comics. These heroes, including The Fantastic Four, The Incredible Hulk, Spider-man, The X-men, Iron Man, Captain America and others, were not perfect heroes living in a perfect world, but fallible people with physical ailments and personal problems like our own. While the authors and artists who created them did not intend to write explicitly religious stories, their tales of imperfect heroes who try to do the right thing despite the many challenges they face, provide us with the opportunity to reflect on our own faith journeys as we strive to live heroic lives in the real world. Each chapter reflects on the heroes' most famous adventures and discusses the ways in which we are called to overcome many of the same obstacles they face as we strive to carry out the ministries to which God calls us. Each chapter ends with questions for reflection or group study.

Why are so many of the superhero myths tied up with loss, often violent, of parents or parental figures? What is the significance of the dual identity? What makes some superhuman figures "good" and others "evil"? Why are so many of the prime superheroes white and male? How has the superhero evolved over the course of the 20th and early 21st centuries? And how might the myths be changing? Why is it that the key superhero archetypes - Superman, Batman, Wonder Woman, Spider-Man, the X-Men - touch primal needs and experiences in everyone? Why has the superhero moved beyond the pages of comics into other media? All these topics, and more, are covered in this lively and original exploration of the reasons why the superhero - in comic books, films, and TV - is such a potent myth for our times and culture.>

Most readers think that superheroes began with Superman’s appearance in Action Comics No. 1, but that Kryptonian rocket didn’t just drop out of the sky. By the time Superman’s creators were born, the superhero’s most defining elements—secret identities, aliases, disguises, signature symbols, traumatic origin stories, extraordinary powers, self-sacrificing altruism—were already well-rehearsed standards. Superheroes have a sprawling, action-packed history that predates the Man of Steel by decades and even centuries. On the Origin of Superheroes is a quirky, personal tour of the mythology, literature, philosophy, history, and grand swirl of ideas that have permeated western culture in the centuries leading up to the first appearance of superheroes (as we know them today) in 1938. From the creation of the universe, through mythological heroes and gods, to folklore, ancient philosophy, revolutionary manifestos, discarded scientific theories, and gothic monsters, the sweep and scale of the superhero’s origin story is truly epic. We will travel from Jane Austen’s Bath to Edgar Rice Burroughs’s Mars to Owen Wister’s Wyoming, with some surprising stops along the way. We’ll meet mad scientists, Napoleonic dictators, costumed murderers, diabolical madmen, blackmailers, pirates, Wild West outlaws, eugenicists, the KKK, Victorian do-gooders, detectives, aliens, vampires, and pulp vigilantes (to name just a few). Chris Gavaler is your tour guide through this fascinating, sometimes dark, often funny, but always surprising prehistory of the most popular figure in pop culture today. In a way, superheroes have always been with us: they are a fossil record of our greatest aspirations and our worst fears and failings.