The human, business, design, engineering, cold war, and tech story of how the Olivetti company's first desktop computer, the P101, came to be. Within eighteen months it had caught up with, and surpassed, IBM, the American giant that had become an arm of the American government. Secrest tells how Olivetti made inroads into the US market in 1959 by taking control of Underwood of Hartford CT as an assembly plant for Olivetti's own typewriters and future miniaturized personal computers. Within a week of the purchase, the US government filed an antitrust suit to try to stop it. In 1960 Adriano Olivetti died suddenly of a heart attack; eighteen months later the young engineer who had assembled Olivetti's team of electronic engineers was killed in a suspicious car crash. The Olivetti company and the P101 came to an insidious and shocking end. -- adapted from jacket

This daring speculative novel tackles terrorism and anti-immigrant hysteria, combining lyric intensity with the tools of science fiction.

Enter the first five novels in the New York Times bestselling Thursday Next series—over one million copies in print!—and follow literary detective Thursday Next as she adventures through her alternate reality of literature-obsessed England. “What keeps this series humming is Fforde’s lively engagement with books and the indefatigable woman he’s created to defend them.”—People “It’s easy to be delighted by a writer who loves books so madly.”—Janet Maslin, The New York Times The Eyre Affair: Hailed by the Wall Street Journal as “delightfully clever,” this riotous novel follows Detective Thursday Next as she tracks down the villain who plucked Jane Eyre from the pages of Brontë’s novel—and averts a heinous act of literary homicide. Lost in a Good Book: Thursday fights to save the love of her life, navigating the works of Kafka and Austen and even Beatrix Potter’s The Tale of Flopsy Bunnies. But when she discovers a new play from the Bard himself and finds herself the target of a series of potentially lethal coincidences, she realizes the stakes are far higher than she could have predicted. The Well of Lost Plots: Thursday is ready for a break. She heads to the depths of the Well of Lost Plots, where all unpublished books reside, to lose herself in a cliché-ridden pulp mystery. What was supposed to be a well-deserved reprieve turns into chaos as Thursday discovers the Well’s dark underbelly, a veritable linguistic free-for-all. To top it off, a murderer is stalking Jurisfiction personnel and nobody is safe—least of all Thursday. Something Rotten: It’s back to reality for Thursday—and fiction never looked so good. But as she travels with the dithering Danish prince Hamlet, she becomes wrapped up in an outlaw fictioneer’s plot for absolute power. Can Thursday find a Shakespeare clone to stop this hostile takeover? First Among Sequels: Thursday grapples with a host of problems in the Book World, but her biggest challenge is motivating her sixteen-year-old son, Friday, to follow his destiny as a member of the ChronoGuard. As she juggles the trials of motherhood and saving the Book World, Thursday finds she must face down her most vicious enemy yet: herself.

The hidden history of the pocket calculator—a device that ushered in modern mathematics, helped build the atomic bomb, and went with us to the moon—and the mathematicians, designers, and inventors who brought it to life. Starting with hands, abacus, and slide rule, humans have always reached for tools to simplify math. Pocket-sized calculators ushered in modern mathematics, helped build the atomic bomb, took us to the bottom of the ocean, and accompanied us to the moon. The pocket calculator changed our world, until it was supplanted by more modern devices that, in a cruel twist of irony, it helped to create. The calculator is dead; long live the calculator. In this witty mathematic and social history, Keith Houston transports readers from the nascent economies of the ancient world to World War II, where a Jewish engineer calculated for his life at Buchenwald, and into the technological arms race that led to the first affordable electronic pocket calculators. At every turn, Houston is a scholarly, affable guide to this global history of invention. Empire of the Sum will appeal to math lovers, history buffs, and anyone seeking to understand our trajectory to the computer age.

"The funniest book Pynchon has written." — Rolling Stone "Entertainment of a high order." - Time Part noir, part psychedelic romp, all Thomas Pynchon—private eye Doc Sportello surfaces, occasionally, out of a marijuana haze to watch the end of an era. In this lively yarn, Thomas Pynchon, working in an unaccustomed genre that is at once exciting and accessible, provides a classic illustration of the principle that if you can remember the sixties, you weren't there. It's been a while since Doc Sportello has seen his ex- girlfriend. Suddenly she shows up with a story about a plot to kidnap a billionaire land developer whom she just happens to be in love with. It's the tail end of the psychedelic sixties in L.A., and Doc knows that "love" is another of those words going around at the moment, like "trip" or "groovy," except that this one usually leads to trouble. Undeniably one of the most influential writers at work today, Pynchon has penned another unforgettable book.

In the first full-scale life of the most important composer-lyricist at work in musical theatre today, Meryle Secrest, the biographer of Frank Lloyd Wright and Leonard Bernstein, draws on her extended conversations with Stephen Sondheim as well as on her interviews with his friends, family, collaborators, and lovers to bring us not only the artist--as a master of modernist compositional style--but also the private man. Beginning with his early childhood on New York's prosperous Upper West Side, Secrest describes how Sondheim was taught to play the piano by his father, a successful dress manufacturer and amateur musician. She writes about Sondheim's early ambition to become a concert pianist, about the effect on him of his parents' divorce when he was ten, about his years in military and private schools. She writes about his feelings of loneliness and abandonment, about the refuge he found in the home of Oscar and Dorothy Hammerstein, and his determination to become just like Oscar. Secrest describes the years when Sondheim was struggling to gain a foothold in the theatre, his attempts at scriptwriting (in his early twenties in Rome on the set of Beat the Devil with Bogart and Huston, and later in Hollywood as a co-writer with George Oppenheimer for the TV series Topper), living the Hollywood life. Here is Sondheim's ascent to the peaks of the Broadway musical, from his chance meeting with play- wright Arthur Laurents, which led to his first success-- as co-lyricist with Leonard Bernstein on West Side Story--to his collaboration with Laurents on Gypsy, to his first full Broadway score, A Funny Thing Happened on the Way to the Forum. And Secrest writes about his first big success as composer, lyricist, writer in the 1960s with Company, an innovative and sophisticated musical that examined marriage à la mode. It was the start of an almost-twenty-year collaboration with producer and director Hal Prince that resulted in such shows as Follies, Pacific Overtures, Sweeney Todd, and A Little Night Music. We see Sondheim at work with composers, producers, directors, co-writers, actors, the greats of his time and ours, among them Leonard Bernstein, Ethel Merman, Richard Rodgers, Oscar Hammerstein, Jerome Robbins, Zero Mostel, Bernadette Peters, and Lee Remick (with whom it was said he was in love, and she with him), as Secrest vividly re-creates the energy, the passion, the despair, the excitement, the genius, that went into the making of show after Sondheim show. A biography that is sure to become the standard work on Sondheim's life and art.

From National Book Award finalist Howard Norman, a novel of extraordinary emotional power--the story of a writer whose short and erotically charged marriage has ended in his wife's unsolved murder, and who, in the confusing aftermath, sells the story to an ambitious filmmaker