Award-winning musical dramatist and teacher David Spencer provides a guide-to-the-game that helps you negotiate aspects of the musical theatre business and more.

This guide to the modern musical covers the entire process of creating a show, from finding and working out the initial idea, through to the ways in which writers can market a finished show and get it produced. For the interested theatregoer and writers, it is written in a lively and user-friendly style and illustrated with numerous examples.

The dean of Broadway musical directors examines the dynamics of how the book, music and lyrics work together to create such hits as My Fair Lady, Fiddler on the Roof, Guys and Dolls, Hair, Pal Joey, West Side Story, Company, South Pacific, Threepenny Opera and Porgy and Bess. Howard Kissel, chief theater critic for the New York Daily News, extends the reach of Engel's subjects by bringing them up to date with commentary on such shows as A Chorus Line, Nine, Sunday in the Park with George, Rent, Working and Falsettos. Kissel offers a thoughtful history on how musical theater has evolved in the three decades since Engel wrote Words with Music (1972) and how Engel's classic work remains vital and illuminating today.

Junie B. Jones is back and better than ever with a must-have Survival Guide! Hello, school children! Hello! Hello! It’s me . . . Junie B., First Grader! I have been going to school for over one-and-a-half entire years now. And I have learned a jillion things that will help you survive at that place. And guess what? Now I am going to pass this information on to y-o-u!!! I wrote it all down in my brand-new book! Here is some of the stuff I wrote about: Bus rules, carpools, how to stay out of trouble (possibly), homework, fun work, water fountains, friends (plus children you may not actually care for). All the helpful hints and drawings are done by me, Junie B. Jones! Plus also, there are stickers and pages for you to write in! This thing is a hoot, I tell you!

The Playwright's Survival Guide is written for both aspiring and established writers looking for an emotional, spiritual, or just plain practical connection back to what's important - the writing. It's a "how-to-be" book - with thoughts, stories of inspiration, a few tricks of the trade, a few outlets for venting frustrations, and a reassuring voice that speaks to all the doubts with an "I know. I've been there. This is what you do . . ." Gary Garrison demystifies the playwriting process, speaking honestly, poignantly, and with humor about the lessons he's learned along the way. He explores the issues playwrights face every day, including: inspiration criticism self-doubt relationships with teachers and mentors the art of self-promotion writer's block staying healthy in the art after your fingers are off the keyboard.

Actors and playwrights, can self-produce. There is notable precedence for self-producing, from Moliere to Shaw, from Shepard to the hundreds of playwrights and actors backing their work today. The How to Produce a Play without a Producer: A Survival Guide for Actors and Playwrights will empower the actor or writer by clarifying the intricacies of theatre production. Topics include budgeting, theatre spaces, building artistic and technical teams, legal and tax issues, box office management, marketing, publicity, press agents, and transferring the play to a higher production level.

The popularity of musicals has reached an all-time high leading to the development of numerous original shows. In this comprehensive new guide, Beating Broadway: How to Create Stories for Musicals That Get Standing Ovations, written by veteran storyteller and successful creator of musicals Steve Cuden, readers learn how the plots and stories behind musicals are developed and honed. With a breezy, lighthearted approach, creators at all levels are provided key advice for building winning musical stories. Cuden, who has been there, done that, offers writers the know-how and encouragement to construct brilliant, attention-grabbing musical storylines. Beating Broadway provides readers with practical, down-to-earth advice for crafting successful musical theater stories that will reach audiences everywhere. This complete, two-part manual also guides aspiring writers in what it takes to develop shows that can attract Broadway producers. By showing writers the ins and outs of storytelling required for today's commercial musical theater, Beating Broadway places success firmly within grasp. Readers also gain insight into how stories function in forty of the world's most beloved stage and movie musicals as Cuden breaks down each one into key narrative beats and plot points. "Beating Broadway is a take-you-by-the-hand guided tutorial written by a seasoned professional who really knows his stuff. This book feeds your mind with how stories for musicals are made. If you are interested in creating or producing a musical, Steve's insights will be helpful and inspiring to you.JEFF MARX, Tony winning Composer/Lyricist of Avenue Q "Beating Broadway digs deep to the core of how stories for successful musicals are created. This is a must-have book for anyone who wants to write exceptional musicals or is just a fan."SCOTT WITTMAN, Tony Winning Lyricist of Hairspray and Co-Lyricist and Executive Producer for the Hit TV Series, Smash "Beat-by-beat, Steve Cuden breaks down story, structure, and song spotting so you can beat the Broadway musical before it beats you!"CHERI STEINKELLNER, Emmy-winning Writer/Producer of Cheers and Teacher's Pet, Tony-nominated Writer of Sister Act