SEVEN GOLDEN ODES OF ARABIA The Mu'allaqat Translations, Introduction Paul Smith The Mu'allaqat is the title of a group of seven long Arabic odes or qasidas that have come down from the time before Islam. Each is considered the best work of these pre-Islamic poets. The name means 'The Suspended Qasidas' or 'The Hanging Poems', the traditional explanation being that these poems were hung on or in the Kaaba at Mecca. These famous ancient Arabic qasidas are formed of three parts: they start, with a nostalgic opening in which the poet reflects on what has passed, known as nasib. A common concept is the pursuit of the poet of the caravan of his love; by the time he reaches their campsite they have already moved on. The second section is rahil (travel section) in which the poet contemplates the harshness of nature and life away from the tribe. Finally there is the message of the poem, which can take several forms: praise of the tribe, fakhr; satire about other tribes, hija; or some moral maxims, hikam. Included with each qasida of each poet is a brief biography plus a list of further reading. The correct rhyme-structure has been kept as well as the beauty and meaning of these powerfull poems. CONTENTS: The Introduction... The Mu'allaqat, The Qasida. The Poets... Imra'ul-Qays, Tarafa, Amru, Harith, Antara, Zuhair, Labid. Appendix... Kab's Qasida of the Mantle. Pages... 147. COMMENTS ON PAUL SMITH'S TRANSLATION OF HAFIZ'S 'DIVAN'. "It is not a joke... the English version of ALL the ghazals of Hafiz is a great feat and of paramount importance. I am astonished.." Dr. Mir Mohammad Taghavi (Dr. of Literature) Tehran. "Superb translations. 99% Hafiz 1% Paul Smith." Ali Akbar Shapurzman, translator of works in English into Persian and knower of Hafiz's Divan off by heart. "Smith has probably put together the greatest collection of literary facts and history concerning Hafiz." Daniel Ladinsky (Penguin Books author). Paul Smith is a poet, author and translator of many books of Sufi poets of the Persian, Arabic, Urdu, Turkish, Pashtu and other languages... including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Nesimi, Kabir, Anvari, Ansari, Jami, Khayyam, Rudaki, Yunus Emre, Lalla Ded, Mu'in, Ghalib, Iqbal, Abu Nuwas and many others, as well as poetry, fiction, plays, biographies and 12 screenplays. www.newhumanitybooksbookheaven.com

THE MU'ALLAQAT: The Seven Golden Odes (Qasidas) of Arabia (Large Print & Large Format Edition) Translation & Introduction Paul Smith. The Mu'allaqat is the title of a group of seven long Arabic odes or qasidas that have come down from the time before Islam. Each is considered the best work of these pre-Islamic poets. The name means 'The Suspended Qasidas' or 'The Hanging Poems', the traditional explanation being that these poems were hung on or in the Kaaba at Mecca. These famous ancient Arabic qasidas are formed of three parts: they start, with a nostalgic opening in which the poet reflects on what has passed, known as nasib. A common concept is the pursuit of the poet of the caravan of his love; by the time he reaches their campsite they have already moved on. The second section is rahil (travel section) in which the poet contemplates the harshness of nature and life away from the tribe. Finally there is the message of the poem, which can take several forms: praise of the tribe, fakhr; satire about other tribes, hija; or some moral maxims, hikam. Included with each qasida of each poet is a brief biography plus a list of further reading. The correct rhyme-structure has been kept as well as the beauty and meaning of these powerful poems. Contents: The Mu'allaqat, The Qasida. The Poets... Imra'ul-Qays, Tarafa, Amru, Harith, Antara, Zuhair, Labid. Appendix... Kab's Qasida of the Mantle. Large Print (16pt) & Large Format (8" x 10") Edition. Pages... 173. Comments on Paul Smith's Translation of Hafiz's 'Divan'. "It is not a joke... the English version of all the ghazals of Hafiz is a great feat and of paramount importance. I am astonished.." Dr. Mir Mohammad Taghavi (Dr. of Literature) Tehran. "Superb translations. 99% Hafiz 1% Paul Smith." Ali Akbar Shapurzman, translator of works in English into Persian and knower of Hafiz's Divan off by heart. "Smith has probably put together the greatest collection of literary facts and history concerning Hafiz." Daniel Ladinsky (Penguin Books author). Paul Smith ( b. 1945) is a poet, author and translator of many books of Sufi poets of the Persian, Arabic, Urdu, Turkish, Pashtu and other languages... including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Nesimi, Kabir, Anvari, Ansari, Jami, Khayyam, Rudaki, Yunus Emre, Lalla Ded, Mu'in, Ghalib, Iqbal, Abu Nuwas and many others, as well as poetry, fiction, plays, biographies and 12 screenplays.

These seven poems, translated by A. J. Arberry in 1957, are the most famous survivors of a vast mass of poetry produced in the Arabian Desert in the sixth century. Arberry’s introduction explains to the reader what was known about the poems and how they came to be preserved and distributed over time. The epilogue particularly interrogates the authenticity of the poems and tracks how they have been transmitted over time. This work will be of interest to those studying Persian and Middle-Eastern literature and history.

A vibrant and eclectic collection from a stunningly mature young poet "The world—the time has come to say it, though the news will not be welcome to everyone—has no intention of abandoning enchantment altogether." Roberto Calasso's words in Literature and the Gods remind us that, in an age of reason, of mechanization, of alienation, of rote drudgery, we still seek out the transcendent, the marvelous. Ange Mlinko's luminous fourth collection is both a journey toward and the space of that very enchantment. Marvelous Things Overheard takes its title from a collection of ancient rumors about the lands of the Mediterranean. Mlinko, who lived at the American University of Beirut and traveled to Greece and Cyprus, has penned poems that seesaw between the life lived in those ancient and strife-torn places, and the life imagined through its literature: from The Greek Anthology to the Mu'allaqat. Throughout, Mlinko grapples with the passage of time on two levels: her own aging (alongside the growing up of her children) and the incontrovertible evidence of millennia of human habitation. This is an assured and revealing collection, one that readers will want to seek refuge in again and again.

This book studies and evaluates the different translations of the Mu'allaqāt, seven canonical pre-Islamic odes, from Arabic into English and French. First, it introduces the Mu'allaqāt and the chief controversies related to their study in both Eastern and Western scholarship. It then presents the translators of the Mu'allaqāt and their translations and closes with two typologies of the translations and translators presented. A number of criteria for the evaluation of translations of poetry are developed. The book provides a comparative study of the English and French translations of the Mu'allaqāt with a focus on a number of communicative priorities in the source text, based on stylistic devices that require a sound awareness of the culture of pre-Islamic Arabia, the main setting of the Mu'allaqāt. The author assesses the reliability of the criteria of evaluation and the translatability of the Mu'allaqāt as a text that is remote from its translators in time, in place, and with respect to literary tradition.