Jeremy thought he'd seen the last of his monster when he sent him away with a one-way bus ticket. But suddenly there's a knock on the door . . . and the monster has returned! Jeremy tries to decide what to do. Is it possible that the monster is in need of a friend? Peter McCarty brings his popular monster back in style, with a sequel that will have kids drawing their own little monsters in no time.

When the monster that Jeremy created threatens to return, Jeremy enlists his neighbors to help him with a creative solution to the problem, in this follow-up to "Jeremy Draws a Monster." Full color.

The monsters of the horror genre never remain dead--they invariably return in new and terrifying shapes for another installment. In this study, Christian Knöppler explores the phenomenon of horror film remakes. He argues that even though these derivative films typically earn little praise from critics, their constant refiguration of monsters and horror scenarios serves to access and update otherwise obscure cultural fears. With an in-depth examination of six sample sequences of films and remakes, this book aims to shed new light on a much maligned and often neglected type of film and promises fresh insights to scholars and aficionados alike.

The monsters of the horror genre never remain dead - they invariably return in new and terrifying shapes for another installment. In this study Christian Knöppler explores the phenomenon of horror film remakes. He argues that even though these derivative films typically earn little praise from critics, their constant refiguration of monsters and horror scenarios serves to access and update otherwise obscure cultural fears. With an in-depth examination of six sample sequences of films and remakes, this book aims to shed new light on a much maligned and often neglected type of film and promises fresh insights to scholars and aficionados alike.

Two years after the events of The Monster Inside, Kayla is once again up against a faceless, merciless killer intent on leaving her and everyone around her dead. It is up to her and a new group of friends to fight for their lives and learn the shocking identity and motives of this new menace. Featuring characters old and new, it is a wild ride from start to finish.

Monsters are fragmentary, uncertain, frightening creatures. What happens when they enter the realm of the theatre? The Monster in Theatre History explores the cultural genealogies of monsters as they appear in the recorded history of Western theatre. From the Ancient Greeks to the most cutting-edge new media, Michael Chemers focuses on a series of ‘key’ monsters, including Frankenstein’s creature, werewolves, ghosts, and vampires, to reconsider what monsters in performance might mean to those who witness them. This volume builds a clear methodology for engaging with theatrical monsters of all kinds, providing a much-needed guidebook to this fascinating hinterland.

Alone in his room, Jeremy draws a monster. But then the monster wants lunch! As his creation takes over, Jeremy begins to wonder how he will ever get rid of the monstrous nuisance. He entertains his unwanted guest all day, but enough is enough. Jeremy finally draws him a bus ticket out of town! With a sure artistic touch and more than a dose of humor, Peter McCarty cleverly blurs the line between his own drawings and Jeremy's, and in doing so subtly questions the line between reality and imagination.