When translator Edgar Logan arrives from his home in Paris to work in Edinburgh he anticipates a period of enlightenment and calm. But when he is befriended by the philosopher Harry Sanderson and his captivating artist wife, Edgar's meticulously circumscribed life is suddenly propelled into drama and crisis. Drawn into the Sandersons' troubled marriage, Edgar must confront both his own deepest fears from the past and his present growing attraction to the elusive Carrie. Moving, witty and wise, The Missing Shade of Blue is a compelling portrait of the modern condition, from the absence of faith to the scourge of sexual jealousy and the elusive nature of happiness.

From David Hume’s famous puzzle about "the missing shade of blue," to current research into the science of colour, the topic of colour is an incredibly fertile region of study and debate, cutting across philosophy of mind, epistemology, metaphysics, and aesthetics, as well as psychology. Debates about the nature of our experience of colour and the nature of colour itself are central to contemporary discussion and argument in philosophy of mind and psychology, and philosophy of perception. This outstanding Handbook contains 29 specially commissioned contributions by leading philosophers and examines the most important aspects of philosophy of colour. It is organized into six parts: The Importance of Colour to Philosophy The Science and Spaces of Colour Colour Phenomena Colour Ontology Colour Experience and Epistemology Language, Categories, and Thought. The Routledge Handbook of Philosophy of Colour is essential reading for students and researchers in philosophy of mind and psychology, epistemology, metaphysics, and aesthetics, as well as for those interested in conceptual issues in the psychology of colour.

Winner of the 2004 Prix Saint-Exup�ry, an award given yearly to the best illustrated picture book in France by the family of The Little Prince author, Antoine de Saint-Exup�ry . In the big gray city, Lived a little boy who never played... With A Blue So Blue, Jean-Fran�ois Dumont has created an outstanding picture book that will dazzle the eye, stir the imagination, and warm the heart. The exquisitely written tale whisks children off of a fantastic journey across land and sea. Every page features breathtaking paintings, rich in color and detail. It is simply a magical tour de force of illustration and storytelling. The adventure begins with a little boy's marvelous dream of a perfect blue, a blue both soft and strong, a blue so blue you want to curl up inside it. Armed with a paintbrush, he travels the globe in search of this special color--from a famous art gallery to a mid-Atlantic fishing boat, from a remote blues club in the Mississippi Delta to a sun-drenched desert with a purple sky--only to realize that what he was looking for was right in his very own home after all.

On Being Blue is a book about everything blue—sex and sleaze and sadness, among other things—and about everything else. It brings us the world in a word as only William H. Gass, among contemporary American writers, can do. Gass writes: Of the colors, blue and green have the greatest emotional range. Sad reds and melancholy yellows are difficult to turn up. Among the ancient elements, blue occurs everywhere: in ice and water, in the flame as purely as in the flower, overhead and inside caves, covering fruit and oozing out of clay. Although green enlivens the earth and mixes in the ocean, and we find it, copperish, in fire; green air, green skies, are rare. Gray and brown and widely distributed, but there are no joyful swatches of either, or any of exuberant black, sullen pink, or acquiescent orange. Blue is therefore most suitable as the color of interior life. Whether slick light sharp high bright thin quick sour new and cool or low deep sweet dark soft slow smooth heavy old and warm: blue moves easily among them all, and all profoundly qualify our states of feeling.

Twenty-first-century philosophy has been drawn into a false opposition between speculation and critique. Nathan Brown shows that the key to overcoming this antinomy is a re-engagement with the relation between rationalism and empiricism. If Kant’s transcendental philosophy attempted to displace the opposing priorities of those orientations, any speculative critique of Kant will have to re-open and consider anew the conflict and complementarity of reason and experience. Rationalist Empiricism shows that the capacity of reason and experience to extend and yet delimit each other has always been at the core of philosophy and science. Coordinating their discrepant powers, Brown argues, is what enables speculation to move forward in concert with critique. Sweeping across ancient, modern, and contemporary philosophy, as well as political theory, science, and art, Brown engages with such major thinkers as Plato, Descartes, Hume, Hegel, Marx, Heidegger, Bachelard, Althusser, Badiou, and Meillassoux. He also shows how the concepts he develops illuminate recent projects in the science of measurement and experimental digital photography. With conceptual originality and argumentative precision, Rationalist Empiricism reconfigures the history and the future of philosophy, politics, and aesthetics.

David Hume was one of the most important British philosophers of the eighteenth century. The first part of his Treatise on Human Nature is a seminal work in philosophy. Hume on Knowledge introduces and assesses: * Humes life and the background of the Treatise * The ideas and text in the Treatise * Humes continuing importance to philosophy

"Suppose I were to begin by saying that I had fallen in love with a color."