Based on the popular comic book series and toy line from the 1970s comes the first title in an all-new trilogy that takes readers into the realm of The Micronauts, immortals who have paid the cost with their humanity. Earthman Ryan Archer is thrown into their world and instigates change. Original.

While studying the exterior of an eight-year-old Earth boy from their tiny spaceship, four aliens from the planet Xeno are accidentally swallowed by him and get to observe the inside of his body and how it works.

THEY CAME FROM A DYING UNIVERSE! ACROYEAR, SPACE GLIDER, BIOTRON and their allies are back, on the run from the evil BARON KARZA, and blasting through a universe where magic and science vie for control! With resources dwindling, the long-lost TIME TRAVELERS may hold the key to salvation… but will it mean armageddon for our world? Collects issues #1–6.

An all-new Hasbro team-up event featuring your favorite Solstar Knight and the tiniest heroes around! Baron Karza and D'rge, the Dire Wraith sorcerer, have joined forces to carry forward their equally malignant goals--Karza desires to conquer all of Microspace (again), while the Wraiths seek to awaken their Wraith God and conquer Earth! Now it's up to Rom and the Micronauts to form their own alliance in order to stop the evil domination of two worlds! Collects the Micronauts: First Strike one-shot, the Rom: First Strike one-shot, and the 5-issue Rom & The Micronauts mini-series.

Fans and scholars have long regarded the 1980s as a significant turning point in the history of comics in the United States, but most critical discussions of the period still focus on books from prominent creators such as Frank Miller, Alan Moore, and Art Spiegelman, eclipsing the work of others who also played a key role in shaping comics as we know them today. The Other 1980s offers a more complicated and multivalent picture of this robust era of ambitious comics publishing. The twenty essays in The Other 1980s illuminate many works hailed as innovative in their day that have nonetheless fallen from critical view, partly because they challenge the contours of conventional comics studies scholarship: open-ended serials that eschew the graphic-novel format beloved by literature departments; sprawling superhero narratives with no connection to corporate universes; offbeat and abandoned experiments by major publishers, including Marvel and DC; idiosyncratic and experimental independent comics; unusual genre exercises filtered through deeply personal sensibilities; and oft-neglected offshoots of the classic “underground” comics movement of the 1960s and 1970s. The collection also offers original examinations of the ways in which the fans and critics of the day engaged with creators and publishers, establishing the groundwork for much of the contemporary critical and academic discourse on comics. By uncovering creators and works long ignored by scholars, The Other 1980s revises standard histories of this major period and offers a more nuanced understanding of the context from which the iconic comics of the 1980s emerged.

In GIANTS OF THE GENRE, Michael McCarty talked with some of the biggest names in horror, science-fiction and fantasy, including Dean Koontz, Peter Straub and Neil Gaiman. He continues his interview odyssey with MORE GIANTS OF THE GENRE, which features twenty-five new interviews with even more legendary literary talents.