Franz Kafka's 1915 novella of nightmarish transformation became a worldwide classic and remains a century later one of the most widely read works of fiction in the world. This new and acclaimed translation is accompanied by possible inspirations and critical analysis of Gregor Samsa's strange story. This Norton Critical Edition includes: · Susan Bernofsky’s acclaimed new translation, along with her Translator’s Note. · Introductory materials and explanatory footnotes by Mark M. Anderson. · Three illustrations. · Related texts by Kafka, Leopold von Sacher-Masoch, Friedrich Nietzsche, and Rainer Maria Rilke, among others. · Eight critical essays by Günther Anders, Walter H. Sokel, Nina Pelikan Straus, Mark M. Anderson, Elizabeth Boa, Carolin Duttlinger, Kári Driscoll, and Dan Miron. · A Chronology and a Selected Bibliography.

This volume presents fifty-five stories, newly translated, of the hundred novelle that comprise Boccaccio’s masterpiece. Winner of the 2014 PEN USA Literary Award for Translation This Norton Critical Edition includes: · Fifty-five judiciously chosen stories from Wayne A. Rebhorn’s translation of The Decameron. · Introductory materials and explanatory footnotes by Wayne A. Rebhorn, along with three maps. · Biographical works by Filippo Villani and Ludovico Dolce along with literary studies by Francesco Petrarca, Andreas Capellanus, and Boccaccio. · Eleven critical essays, including those by Giuseppe Mazzotta, Millicent Marcus, Teodolinda Barolini, Susanne L. Wofford, Luciano Rossi, and Richard Kuhns. · A Chronology and a Selected Bibliography.

“I have used this textbook for four courses on children’s literature with enrollments of over ninety students. It is without doubt the most well organized selection of literary fairy tales and critical commentaries currently available. Students love it.” —Lita Barrie, California State University, Los Angeles This Norton Critical Edition includes: · Seven different tale types: “Little Red Riding Hood,” “Beauty and the Beast,” “Snow White,” “Sleeping Beauty,” “Cinderella,” “Bluebeard,” and “Tricksters.” These groupings include multicultural versions, literary rescriptings, and introductions and annotations by Maria Tatar. · Tales by Hans Christian Andersen and Oscar Wilde. · More than fifteen critical essays exploring the various aspects of fairy tales. New to the Second Edition are interpretations by Ernst Bloch, Walter Benjamin, Max Lüthi, Lewis Hyde, Jessica Tiffin, and Hans-Jörg Uther. · A revised and updated Selected Bibliography.

This revised Norton Critical Edition restores the original full title to the 1771 epistolary and picaresque novel. In choosing supporting materials, Evan Gottlieb emphasizes the growing recognition of Smollett as both a major British author and a central player in eighteenth-century London’s vibrant publishing world. In his last and finest novel, Tobias Smollett uses multiple letter writers to create a very funny and nearly kaleidoscopic vision of life in mid eighteenth-century Britain. As his protagonists travel about the countryside on their quest to restore patriarch Matthew Bramble’s health, they unwittingly succeed in uniting Britain across boundaries of nation, class, religion, and gender. The text of this Norton Critical Edition is again based on the first edition of 1771. It is accompanied by explanatory footnotes, illustrations by Thomas Rowlandson for the 1793 edition, and a map by Charles Scavey. A new “Backgrounds and Contexts” section includes selections from Smollett’s popular early poetry as well as important later nonfiction writing on history and the novel and the Anglo-Scottish Union, among others. “Criticism” is divided into two sections and presents the most important reviews and scholarly assessments of The Expedition of Humphry Clinker. “Early Reviews and Criticism” collects four major reviews from 1771 along with Sir Walter Scott’s 1821 preface to the novel. “Contemporary Criticism” focuses on recent scholarship, with its emphasis on Smollett’s connection and relevance to topics of critical interest, including nationalism, colonialism, the history of the novel, gender studies, and the histories of religion and medicine. Contributors include Eric Rothstein, John Zomchick, Robert Mayer, Charlotte Sussman, David Weed, Evan Gottlieb, Tara Ghoshal Wallace, Misty G. Anderson, and Annika Mann. A chronology of Smollett’s life and work and a selected bibliography are also included.

This Norton Critical Edition includes four stories—two set on stormy seas, two on calm seas, all four based on the same incident—that speak to each other in interesting ways. The stories in this Norton Critical Edition maintain the connection and sequencing that Joseph Conrad saw among them. In his “Author’s Note” to ‘Twixt Land and Sea, Conrad writes of his two “Calm-pieces” (“The Secret Sharer” and The Shadow-Line) and his two “Storm-pieces” (The Nigger of the “Narcissus” and “Typhoon”). This edition is based on the first English book edition for the stories and the first American edition for the “Author’s Note” for The Shadow-Line, “Typhoon,” and “The Secret Sharer.” The stories are accompanied by explanatory annotations, a note on the texts (including a list of textual emendations), and a preface. “Backgrounds and Contexts” brings together relevant correspondence and contemporary reviews from both British and American sources. Also included are documents related to Conrad’s sources for the stories, among them Charles Arthur Sankey’s “Ordeal of the Cutty Sark: A True Story of Mutiny, Murder on the High Seas.” To help readers navigate, the editor includes a glossary of nautical terms as well as diagrams of the kinds of ships that appear in the stories. “Criticism” includes fifteen essays representing both new and established voices. The essays are arranged by story, with the focus on Conrad’s major themes—colonialism, narrative, gender, and race. Albert J. Guerard, Lillian Nayder, Mark D. Larabee, Fredric Jameson, F. R. Leavis, and John G. Peters are among the contributors. A chronology of Conrad’s life and work and a selected bibliography are also included.

The best-selling student edition on the market, now available in a Second Edition. Almost two centuries after its publication, Frankenstein remains an indisputably classic text and Mary Shelley’s finest work. This extensively revised Norton Critical Edition includes new texts and illustrative materials that convey the enduring global conversation about Frankenstein and its author. The text is that of the 1818 first edition, published in three volumes by Lackington, Hughes, Harding, Mavor, and Jones. It is accompanied by an expansive new preface, explanatory annotations, a map of Geneva and its environs, and seven illustrations, five of them new to the Second Edition. Context is provided in three supporting sections: “Circumstance, Influence, Composition, Revision,” “Reception, Impact, Adaptation,” and “Sources, Influences, Analogues.” Among the Second Edition’s new inclusions are historical-cultural studies by Susan Tyler Hitchcock, William St. Clair, and Elizabeth Young; Chris Baldrick on the novel’s reception; and David Pirie on the novel’s many film adaptations. Related excerpts from the Bible and from John Milton’s Paradise Lost are now included, as is Charles Lamb’s poem “The Old Familiar Faces.” “Criticism” collects sixteen major interpretations of Frankenstein, nine of them new to the Second Edition. The new contributors are Peter Brooks, Bette London, Garrett Stewart, James. A. W. Heffernan, Patrick Brantlinger, Jonathan Bate, Anne Mellor, Jane Goodall, and Christa Knellwolf. A Chronology and Selected Bibliography are also included.

In its centennial year, Marcel Proust’s masterpiece of literary imagination is available in a Norton Critical Edition. Marcel Proust’s seven-volume masterpiece, In Search of Lost Time (A la recherche du temps perdu), has inspired many superlatives, among them “the greatest novel ever written” and “the greatest novel of the first half of the twentieth century.” Swann’s Way, the first volume of the Recherche and the most widely read and taught of all the volumes, is the ideal introduction to Proust’s inventive genius. This Norton Critical Edition is based on C. K. Scott Moncrieff’s translation, which introduced the English-speaking world to Proust and was published during the author’s lifetime. It is accompanied by Susanna Lee’s introduction, note on the text, and explanatory annotations. Marcel Proust was forty-two years old when Swann’s Way was published, but its foundational ideas and general shape had been evolving for decades. “Contexts” includes a 1912 reader’s report of the manuscript that exemplifies publishers’ complicated reactions to Proust’s new form of writing. Also included are three important post-publication reviews of the novel, by Elie-Joseph Bois, Lucien Daudet, and Paul Souday, as well as André Arnyvelde’s 1913 interview with Proust. The fourteen critical essays and interpretations of Swann’s Way in this volume speak to the novel’s many facets—from the musical to the artistic to its representations of Judaism and homosexuality. Contributors include Gérard Genette, whose “Metonymy in Proust” appears here in English translation for the first time, along with Gilles Deleuze, Roger Shattuck, Claudia Brodsky, Julia Kristeva, Margaret E. Gray, and Alain de Botton, among others. The edition also includes a Chronology of Proust’s Life and Work, a Selected Chronology of French Literature from 1870 to 1929, and a Selected Bibliography.