What's really going on in the Psalms? Is it just an anthology of old Israelite songs? Or is there more to it than anyone ever guessed? This evergreen classic is the book that first proposed, in 1997, a messianic metanarrative in the Psalms. It explains how someone arranged the Psalms to outline a program of future events like in Zechariah 9-14. There is an appendix of apocalyptic midrashim, translated into English for the first time. A bridegroom-Messiah gathers exiled Israel. He sets up a kingdom, but dies a violent death. Israel are scattered in the wilderness of the nations. Then they are gathered again in troublous times. Finally, they are rescued by a king from the heavens. He sets his throne on Zion and receives the homage of the nations. 160,000 words. Read all about it!

This intriguing work argues that the book of Psalms has been redacted to reflect a programme of eschatological events like that of Zechariah 9-14. These events include the ingathering of exiled Israel by a bridegroom-king; his establishment of a kingdom, followed by his violent death; the scattering of Israel in the wilderness, and their subsequent regathering and further imperilment; their rescue by a king from the sky, who establishes his kingdom from Zion, brings peace and prosperity to the earth and receives the homage of the nations. There is an appendix of apocalyptic midrashim, translated into English for the first time. www.mornstar.co.uk/

This study of Book III of the Psalter examines evidence for the canonical organization of these seventeen psalms and finds cohesive links that create a consistent and coherent dialogue throughout. Continual laments by a righteous individual on behalf of and in concert with the nation spring from the non-fulfilment of hopes raised in Psalm 72 at the end of Book II. Divine answers give reasons for the continuing desolation but assure the eventual establishment of a kingdom without specifying its time. Book III ends as it began, asking how long God's wrath will smoulder, and in response Book IV opens with Psalm 90 contrasting human and divine perspectives on time.

This scholarly study of the Psalms retains its rigor while focusing particularly on the pastoral use of the Psalms, looking at how they may function as voices of faith in the actual life of the believing community.

Taking his point of departure from the newest frontier of research, McCann reads the psalms in the context of their final shape and canonical form. He interprets the psalms as scripture as well as in their character as songs, prayers, and poetry from Israel's history. McCann's intent is to contribute to the church's recovery of the psalms as torah--as instruction, as a guide to prayer, praise of God, and pious living. The explicit connections which McCann draws from the psalms to the New Testament and to Christian faith and life are extensive, making his work suitable for serious study of the psalms in academic and in church settings. An appendix examines the tradition of singing the psalms and offers suggestions for the use of the psalms in worship.

Good poetry is like a good painting: the more you linger over it, the more it reveals. It is a deep well that never runs dry. And that is why the Psalter, like a good painting, keeps giving. In the last four decades, Psalms scholarship has found remarkable fruitfulness in reading the Psalter as a book--that is, in reading the Psalms as a unified composition with a metanarrative across its 150 poems. Pivotal questions associated with this approach really boil down to two questions--how and why? How are individual psalms sequenced, if at all, and what is the design logic behind that macrostructure? This volume seeks to answer those questions. In essence, the Psalter unfurls the story of the Davidic covenant. While interest in the editing of the Psalter remains high in recent Psalms scholarship, this interest has not led to clear consensus. The specific and timely contribution of this volume is twofold. First, it consolidates the results of studies on groups of psalms. Second, it integrates poetic and thematic approaches that are typically separated in Psalms scholarship. Readers will find results of this study surprising and their implications sobering.