This volume compares two seemingly dissimilar ancient texts, the Gospel of Mark and Joseph and Aseneth. The former is a product of the nascent Jesus movement and influenced by the Greco-Roman Bioi (“Lives”). It details the life, ministry, death, and resurrection of a wandering Galilean. The latter is a Hellenistic Jewish narrative influenced by Jewish novellas and Greek romances. It expands the laconic account of Joseph's marriage to Aseneth in Genesis 41 into a full-fledged love and adventure story. Generically, theologically, and concerning content the two texts are quite different. Nonetheless, Mark and Joseph and Aseneth exhibit a number of remarkable similarities. This book suggests that Mark and Joseph and Aseneth are alike because of their medium and mode of composition. Each was composed via dictation. They are “textualized oral narratives.” As such they represent one instantiation of the complex relationship between orality and textuality in early Judaism and Christianity.

Preface Acknowledgements -- List of Abbreviations 1. Mark and Aseneth 2. Media Theory, Ancient Media, and Orally Composed Narratives from the Papyri 3. Linguistic Oral Residues 4. Metalinguistic Oral Residues 5. Linguistic Trajectories of Joseph and Aseneth and Mark Conclusion Works Cited Subject and Author Index Index of Scripture and Other Ancient Literature.

Generically, theologically, and concerning content, Mark and Joseph and Aseneth are quite different. The former is a product of the nascent Jesus movement and influenced by the Greco-Roman Bioi (“Lives”). It details the life, ministry, death, and resurrection of a wandering Galilean. The latter is a Hellenistic Jewish narrative influenced by Greek romances and Jewish novellas. It expands the laconic account of Joseph's marriage to Aseneth in Genesis 41 into a full-fledged love and adventure story. Despite these differences, Elder finds remarkable similarities that the texts share. Elder uses both texts to examine media and modes of composition in antiquity, arguing that they were both composed via dictation from their antecedent oral traditions. Elder's volume offers a fresh approach to the composition of both Joseph and Aseneth and Mark as well as to many of their respective interpretive debates.

The essays in this volume examine the relationship between ancient fiction in the Greco-Roman world and early Jewish and Christian narratives. They consider how those narratives imitated or exploited conventions of fiction to produce forms of literature that expressed new ideas or shaped community identity within the shifting social and political climates of their own societies. Major authors and texts surveyed include Chariton, Shakespeare, Homer, Vergil, Plato, Matthew, Mark, Luke, Daniel, 3 Maccabees, the Testament of Abraham, rabbinic midrash, the Apocryphal Acts, Ezekiel the Tragedian, and the Sophist Aelian. This diverse collection reveals and examines prevalent issues and syntheses in the making: the pervasive use and subversive power of imitation, the distinction between fiction and history, and the use of history in the expression of identity.

Contextualizing the gospels in ancient Greco-Roman media practices New Testament scholars have often relied on outdated assumptions for understanding the composition and spread of the gospels. Yet this scholarship has spread myths or misconceptions about how the ancients read, wrote, and published texts. Nicholas Elder updates our knowledge of the gospels’ media contexts in this myth-busting academic study. Carefully combing through Greco-Roman primary sources, he exposes what we take for granted about ancient reading cultures and offers new and better ways to understand the gospels. These myths include claims that ancients never read silently and that the canonical gospels were all the same type of text. Elder then sheds light on how early Christian communities used the gospels in diverse ways. Scholars of the gospels and classics alike will find Gospel Media an essential companion in understanding ancient media cultures.

This volume examines the synoptic problem and argues that the similarities between the gospels of Matthew and Luke outweigh the objections commonly raised against the theory that Luke used the text of Matthew in composing his gospel. While agreeing with scholars who suggests that memory played a leading role in ancient source-utilization, Eric Eve argues for a more flexible understanding of memory, which would both explain Luke's access of Matthew's double tradition material out of the sequence in which it appears in Matthew, and suggest that Luke may have been more influenced by Matthew's order than appears on the surface. Eve also considers the widespread ancient practice of literary imitation as another mode of source utilization the Evangelists, particularly Luke, could have employed, and argues that Luke's Gospel should be seen in part as an emulation of Matthew's. Within this enlarged understanding of how ancient authors could utilize their sources, Luke's proposed use of Matthew alongside Mark becomes entirely plausible, and Eve concludes that the Farrer Hypothesis of Matthew using Mark, and Luke consequently using both gospels, to be the most likely solution to the Synoptic Problem.

This book is a collection of cutting-edge essays on the Dead Sea Scrolls as part of ancient Mediterranean media culture, featuring interdisciplinary feedback from scholars in New Testament studies and Classics.