"The twelve essays in Modernity and Mass Culture provide a broad and captivating overview of what has come to be known as culture studies." --Texas Journal This is a wide-ranging analysis of the relationship among industrialization, democracy, and art in the 20th century. U.S. and British scholars discuss the interaction of "high," "popular," and "mass" art, showing how Western culture as a whole is affected by the transition from the modern to the postmodern era.

Many in the Church have accepted modernity in their effort to speak to the modern world, and not nearly enough attention has been given to trying to disentangle the complex of ideas and half-formulated convictions that constitute this mind-set which is in fact contrary to Christianity. The first aim of this book is to examine the origins and present day influence of modernity, and then to argue that there is nothing in the Christian's concern for the modern world that requires accepting this damaging mind-set in connection with the highest form of worship, the Mass. The second aim of the book is to show that that the sources of a genuine liturgical renewal are to be found in a heightened sense of the centrality of the Mass and a return to a theology compatible with the Catechism of the Catholic Church. Fr. Robinson's book is a philosopher's gift to the Catholic liturgy. He provides a thoroughly lucid account of the climate of ideas which handicaps the celebration of Catholic worship in the modern world. This is a diagnosis which shows just how far reaching must be the cure. --Fr. Aidan Nichols, Author, Looking at the Liturgy

Rigorous, concise, and provocative monograph analyzes the ancient concept of mass, the neoplatonic concept of inertia, the modern concept of mass, mass and energy, and much more. 1964 edition.

Jammer then devotes a chapter to the distinction between inertial and gravitational mass and to the various versions of the so-called equivalance principle with which Newton initiated his Principia but which also became the starting point of Einstein's general relativity, which supersedes Newtonian physics. The book concludes with a presentation of recently proposed global and local dynamical theories of the origin and nature of mass."--BOOK JACKET.

"One of the most comprehensive and intelligent postmodern critics of art and literature, Huyssen collects here a series of his essays on pomo . . . " —Village Voice Literary Supplement " . . . his work remains alert to the problematic relationship obtaining between marxisms and poststructuralisms." —American Literary History " . . . challenging and astute." —World Literature Today "Huyssen's level-headed account of this controversial constellation of critical voices brings welcome clarification to today's murky haze of cultural discussion and proves definitively that commentary from the tradition of the German Left has an indispensable role to play in contemporary criticism." —The German Quarterly " . . . we will certainly have, after reading this book, a deeper understanding of the forces that have led up to the present and of the possibilities still open to us." —Critical Texts " . . . a rich, multifaceted study." —The Year's Work in English Studies Huyssen argues that postmodernism cannot be regarded as a radical break with the past, as it is deeply indebted to that other trend within the culture of modernity—the historical avant-garde.