New York City has had a profound influence on the Marvel Comics universe. Unlike Batman's Gotham City or Superman's Metropolis, the Marvel superheroes - Spider-Man, the Fantastic Four, the Avengers - are grounded firmly in the streets of New York, working and living beside us. This fun and informative guide will take you through those streets, pointing out locations of interest along the way. Peter Parker's apartment in the West Village? We'll show you how to get there. Looking for the Avengers headquarters? They might give you funny looks when you show up at the Frick Museum, but don't worry, you're in the right place. You'll also discover why Stan Lee decided to use New York as his backdrop in the first place, and what effect that decision has had on subsequent generations of comic book artists and writers. Whether you're a curious traveller or just a Marvel Comics fan, The Marvel Comics Guide to New York Citygives a fresh and fun new look at the greatest city in the world - and the Marvel universe.

The Marvel Book is an exhilarating journey through the endlessly fascinating, ever-dynamic, and awe-inspiring Marvel Comics universe. One Marvel book to guide them all. If you want to understand the Marvel Comics Universe in all its complex glory, The Marvel Book is the only book you need. It is a unique exploration of the vast, interconnected Marvel Comics Multiverse from its birth to the end of everything and beyond. Meticulously researched and expertly written, The Marvel Book is packed with vivid, carefully sourced artwork, illuminating infographics, and incisive, specially curated essays that shed new light on the myriad wonders of the Marvel Comics universe. From iconic Super Heroes such as the Avengers, Spider-Man, and the Black Panther, to revolutionary technology like Iron Man's armors and S.H.I.E.L.D.'s Helicarriers, to enduring villains such as Thanos and Loki, The Marvel Bookexplores the key concepts, characters, and events that have defined and shaped Marvel Comics over the past 80 years. The book's content is divided into key subject areas-The Multiverse, Science and Technology, War and Peace, Cosmic Forces, Magic and the Supernatural, and Alternate Realities-that form the foundations of Marvel Comics. The Marvel Bookis a revealing and invaluable roadmap to a boundless comics universe that no Marvel fan will want to miss! © 2019 MARVEL

Police officer Kain Walker has gone to great lengths to prevent his coworkers, family, and friends from finding out he’s gay. But when Kain meets Mel Fredericks, he realizes at once that his whole world is about to change. For the first time, Kain wants more than a one-night stand, but a relationship carries risks, discovery not least among them. Battling with others’ expectations and biases—and his own—Kain struggles to balance his desire for secrecy with his feelings for Mel at a time when being out could cost him dearly...Set in New York in the 1990s, this heartbreaking love story makes its English debut in a beautiful, oversized omnibus edition.

Winner of the 2022 Eisner Award for Best Comics-Related Book The first-ever full reckoning with Marvel Comics’ interconnected, half-million-page story, a revelatory guide to the “epic of epics”—and to the past sixty years of American culture—from a beloved authority on the subject who read all 27,000+ Marvel superhero comics and lived to tell the tale “Brilliant, eccentric, moving and wholly wonderful. . . . Wolk proves to be the perfect guide for this type of adventure: nimble, learned, funny and sincere. . . . All of the Marvels is magnificently marvelous. Wolk’s work will invite many more alliterative superlatives. It deserves them all.” —Junot Díaz, New York Times Book Review The superhero comic books that Marvel Comics has published since 1961 are, as Douglas Wolk notes, the longest continuous, self-contained work of fiction ever created: over half a million pages to date, and still growing. The Marvel story is a gigantic mountain smack in the middle of contemporary culture. Thousands of writers and artists have contributed to it. Everyone recognizes its protagonists: Spider-Man, the Avengers, the X-Men. Eighteen of the hundred highest-grossing movies of all time are based on parts of it. Yet not even the people telling the story have read the whole thing—nobody’s supposed to. So, of course, that’s what Wolk did: he read all 27,000+ comics that make up the Marvel Universe thus far, from Alpha Flight to Omega the Unknown. And then he made sense of it—seeing into the ever-expanding story, in its parts and as a whole, and seeing through it, as a prism through which to view the landscape of American culture. In Wolk’s hands, the mammoth Marvel narrative becomes a fun-house-mirror history of the past sixty years, from the atomic night terrors of the Cold War to the technocracy and political division of the present day—a boisterous, tragicomic, magnificently filigreed epic about power and ethics, set in a world transformed by wonders. As a work of cultural exegesis, this is sneakily significant, even a landmark; it’s also ludicrously fun. Wolk sees fascinating patterns—the rise and fall of particular cultural aspirations, and of the storytelling modes that conveyed them. He observes the Marvel story’s progressive visions and its painful stereotypes, its patches of woeful hackwork and stretches of luminous creativity, and the way it all feeds into a potent cosmology that echoes our deepest hopes and fears. This is a huge treat for Marvel fans, but it’s also a revelation for readers who don’t know Doctor Strange from Doctor Doom. Here, truly, are all of the marvels.

Comics emerged parallel to, and in several ways intertwined with, the development of modern urban mass societies at the turn of the 20th century. On the one hand, urban topoi, self-portrayals, forms of urban cultural memories, and variant readings of the city (strolling, advertising, architecture, detective stories, mass phenomena, street life, etc.) are all incorporated into comics. On the other hand, comics have unique abilities to capture urban space and city life because of their hybrid nature, consisting of words, pictures, and sequences. These formal aspects of comics are also to be found within the cityscape itself: one can see the influence of comic book aesthetics all around us today. With chapters on the very earliest comic strips, and on artists as diverse as Alan Moore, Carl Barks, Will Eisner and Jacques Tardi, Comics and the City is an important new collection of international scholarship that will help to define the field for many years to come.

Contributions by José Alaniz, Jessica Baldanzi, Eric Berlatsky, Peter E. Carlson, Sika A. Dagbovie-Mullins, Antero Garcia, Aaron Kashtan, Winona Landis, A. David Lewis, Martin Lund, Shabana Mir, Kristin M. Peterson, Nicholaus Pumphrey, Hussein Rashid, and J. Richard Stevens Mainstream superheroes are becoming more and more diverse, with new identities for Spider-Man, Captain America, Thor, and Iron Man. Though the Marvel-verse is becoming much more racially, ethnically, and gender diverse, many of these comics remain shy about religion. The new Ms. Marvel, Kamala Khan, is a notable exception, not only because she is written and conceived by two women, Sana Amanat and G. Willow Wilson, but also because both of these women bring their own experiences as Muslim Americans to the character. This distinct collection brings together scholars from a range of disciplines including literature, cultural studies, religious studies, pedagogy, and communications to engage with a single character, exploring Khan’s significance for a broad readership. While acknowledged as the first Muslim superhero to headline her own series, her character appears well developed and multifaceted in many other ways. She is the first character to take over an established superhero persona, Ms. Marvel, without a reboot of the series or death of the original character. The teenager is also a second-generation immigrant, born to parents who arrived in New Jersey from Pakistan. With essays from and about diverse voices on an array of topics from fashion to immigration history to fandom, this volume includes an exclusive interview with Ms. Marvel author and cocreator G. Willow Wilson by gender studies scholar Shabana Mir.

Marvel Comics has an established tradition of addressing relevant real-life issues facing the American public. With the publication of Civil War (2006-2007), a seven-issue crossover storyline spanning the Marvel universe, they focused on contemporary anxieties such as terrorism and threats to privacy and other civil liberties. This collection of new essays explores the Civil War series and its many tie-in titles from the perspectives of history, political science, sociology, psychology, literary criticism, philosophy, law and education. The contributors provide a close reading of the series' main theme--the appropriate balance between freedom and security--and discuss how that balance affects citizenship, race, gender and identity construction in 21st-century America.