Not so long ago James Mangan was a brilliant young poet. These days, however, he toils as a journalist and shivers in the shadow of his glamorous movie-star wife. And now she has left him for her lover. Adrift and depressed, Jamie takes refuge with his father, in whose house he turns up a 19th-century daguerreotype bearing the initials “J.M.” and depicting a man who, as it happens, is Jamie’s spitting image. Could this be the only existing photograph of his purported ancestor, the legendarily dissolute Irish poet James Clarence Mangan? Obsessed by this strange resemblance—and aided by an unexpected financial windfall—Jamie heads to Ireland thinking at last to discover that elusive entity: himself. Instead, in the dreary coastal village of Drishane, he meets the Mangans: derelict Eileen, sullen Dinny, drunken (and shrunken) Conor, and the sexy and very available Kathleen. They know something, for sure—something to do with Jamie, and something they don’t want him to find out. The Mangan Inheritance is melodrama at its most inventive and suggestive, an inquiry into the problem of identity and the nature of ancestry that beguiles the reader with dark deeds, wild humor, and weird goings-on, on its way towards a shocking and terrifying—and utterly satisfying—conclusion.

Not so long ago James Mangan was a brilliant young poet. These days, however, he toils as a journalist and shivers in the shadow of his glamorous movie-star wife. And now she has left him for her lover. Adrift and depressed, Jamie takes refuge with his father, in whose house he turns up a 19th-century daguerreotype bearing the initials “J.M.” and depicting a man who, as it happens, is Jamie’s spitting image. Could this be the only existing photograph of his purported ancestor, the legendarily dissolute Irish poet James Clarence Mangan? Obsessed by this strange resemblance—and aided by an unexpected financial windfall—Jamie heads to Ireland thinking at last to discover that elusive entity: himself. Instead, in the dreary coastal village of Drishane, he meets the Mangans: derelict Eileen, sullen Dinny, drunken (and shrunken) Conor, and the sexy and very available Kathleen. They know something, for sure—something to do with Jamie, and something they don’t want him to find out. The Mangan Inheritance is melodrama at its most inventive and suggestive, an inquiry into the problem of identity and the nature of ancestry that beguiles the reader with dark deeds, wild humor, and weird goings-on, on its way towards a shocking and terrifying—and utterly satisfying—conclusion.

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.

Brian Moore (1921 1999) is one of the few novelists whose literary portrayal of Catholicism effectively spans the period prior to and following the Second Vatican Council. Many critics have discussed how Moore's life is reflected in his works, while others have dismissed his fictions as simple narratives in the mould of classical realism. In this timely book, Gearon contends that Moore's fictions are far more complex, as he was one of the great observers of Catholicism in all its modern and historical controversy. .

"Arranged chronologically by decade, from the 1890s to the 1990s, each decade is divided into two different types of writing: critical/documentary and imaginative writing, and is accompanied by a headnote which situates it thematically and chronologically. The Reader is also structured for thematic study by listing all the pieces included under a series of topic headings. The wide range of material encompasses writings of well-known figures in the Irish canon and neglected writers alike. This will appeal to the general reader, but also makes Irish Writing in the Twentieth Century ideal as a core text, providing a unique focus for detailed study in a single volume."--BOOK JACKET.

Four Contemporary Novelists offer accounts of the fiction of Angus Wilson, Brian Moore, John Fowles, and V. S. Naipaul. The author has charted the development of each writer; identified dominant themes, controlling techniques, and informing sensibility; explained what each has tried to accomplish and compare theory to practice; provided an appropriate context for appreciation and evaluation of all parts of each canon; and made qualitative discriminations.