The four stories that make up the Mabinogi, along with three additional tales from the same tradition, form this collection and compose the core of the ancient Welsh mythological cycle. Included are only those stories that have remained unadulterated by the influence of the French Arthurian romances, providing a rare, authentic selection of the finest works in medieval Celtic literature. This landmark edition translated by Patrick K. Ford is a literary achievement of the highest order.

The four stories that make up the Mabinogi, along with three additional tales from the same tradition, form this collection and compose the core of the ancient Welsh mythological cycle. Included are only those stories that have remained unadulterated by the influence of the French Arthurian romances, providing a rare, authentic selection of the finest works in medieval Celtic literature. This landmark edition translated by Patrick K. Ford is a literary achievement of the highest order.

The title Mabinogi refers to the first four stories in this collection of tales from Welsh tradition. They are best known as the "Four Branches of the Mabinogi," and comprise the tales of Pwyll, Branwen, Manawydan, and Math. The remaining stories also spring from the same tree, and together they form a collection that comprises the core of the ancient Welsh mythological cycle. They are also among the best the medieval Celtic literature has to offer.

"Tales of giants and heroes, of beautiful maidens, of the Emperor of Rome and the Emperor Arthur, of legendary history and historical legend, all told with the skill of long-trained storytellers and sensitive touch of polished writers. Such are the four tales translated here: How Culhwch got Olwen, perhaps the oldest but certainly, by far, the most exuberant of Arthurian tales, the finely crafted Dream of Maxen Wledig, Emperor of Rome, who fell in love in his sleep, the folkloric triad of The Story of Lludd and Llefelys, with its link to the legends of Merlin, and the exceedingly colourful Dream of Rhonabwy.'" This is how John K. Bollard introduces his new translation of those four native Welsh tales found in the same two medieval manuscripts as the great classic The Mabinogi. The text is beautifully illustrated by Anthony Griffiths's photographs of the locations and landscapes evoked by and specifically named in the text, reminding us of the timelessness and beauty of the stories and land they inhabit.

A retelling of the Four Branches of the Mabinogi for children by Gwyn Thomas.

'Here at the turn of the leaf a horseman is riding through the space between one world and another . . .' The Mabinogi is the Welsh national epic, a collection of prose tales of war and enchantment, adventure and romance, which have long fascinated readers all over the world. Matthew Francis's retelling of the first four stories (the Four Branches of the Mabinogi) is the first to situate it in poetry and captures the magic and strangeness of this medieval Celtic world: a baby is kidnapped by a monstrous claw, a giant wades across the Irish Sea to do battle, a wizard makes a woman out of flowers, only to find she is less biddable than he expected. Permeating the whole sequence is a delight in the power of the imagination to transform human experience into works of tragedy, comedy and wonder. The Mabinogi is an important contribution to the storytelling of the British Isles. 'I have waited a life for this book: our ancient British tales re-told, in English, by a poet, as they were in their original Welsh. This is more than translation. It picks up the harp and sings.' Gillian Clarke