"Quite apart from her contributions as a literary critic, Shu-mei Shih is able to historicize literary developments of the period most persuasively. Her analysis of Shanghai, the city, and the literary movement it spawned, is crafted with great sensitivity to both history and literature. In many ways, it is the most inclusive historical study of modern Chinese literature in its formative period."—Prasenjit Duara, author of Rescuing History from the Nation "Tracing the spectral production of 'Chinese' identity as it is disseminated globally, Shih boldly moves away from using place (ethnicity) and the body (race) to anchor Chinese identity, to argue that the visual (film) and the verbal (language and linguistics) are the most salient ones in the modern and contemporary historical formation. She succeeds brilliantly."—David Palumbo-Liu, author of Asian/American: Historical Crossings of a Racial Frontier "This is the most thoroughly researched study of Chinese modernism published to date. The author's theoretical interventions greatly enrich our understanding of colonial modernity and the stakes of comparison in cross-cultural studies. The book is a major contribution to modern Chinese literary studies and comparative literature."—Lydia Liu, editor of Tokens of Exchange

Shu-mei Shih's study is the first book in English to offer a comprehensive account of Chinese literary modernism from Republican China. In The Lure of the Modern, Shih argues for the contextualization of Chinese modernism in the semicolonial cultural and political formation of the time. Engaging critically with theories of modernism, postcoloniality, and global and local cultural studies, Shih analyzes pivotal issues—such as psychoanalysis, decadence, Orientalism, Occidentalism, semicolonial subjectivity, cosmopolitanism, and urbanism—that were mediated by Japanese as well as Western modernisms.

This is a brilliant, provocative long essay on the rise and fall and survival of modernism, by the English-languages' greatest living cultural historian.

This volume is the fourth in a colorful, historical, five-volume series by author Russell E. Lewis. Dealing primarily with items made in the United States since 1940, the series details the fishing tackle industry and its changes until the closing of most companies in the early 1980s. Large, crisp photos, realized values, and company histories are once again components of this essential encyclopedia for collectors. It contains all-new material not presented in the first three volumes. Expanded manufacturer information and new companies are highlights of the book. A review of items from 1953 until 1972 will show collectors what was available at particular times from various companies. Then, the years 1959 and 1970 are given full coverage, as well as all Abu-Garcia items for 1966. Finally, selected photos of miscellaneous fishing collectibles and photos of rods and reels made from 1938 until 1972 round out the book. Nearly 1,500 photos make this a perfect companion to the author's other books

This title explores the enduring myth of Dracula and vampires and just why it has remained so popular for so long.

Noel Cummings's life is about to change irrevocably. After witnessing a brutal murder, Noel is recruited to assist the police by acting as the lure for a killer who has been targeting gay men. Undercover, Noel moves deeper and deeper into the dark side of Manhattan's gay life that stirs his own secret desiresÑuntil he forgets he is only playing a role.