Reminiscence of the first twenty-one years of Wilfred Bion s life: eight years of childhood in India, ten years at public school in England, and three years of life in the army.

The Long Week-End is a reminiscence of the first twenty-one years of the author's life: eight years of childhood in India, ten years at public school in England, and three years in the army.

This book is a reminiscence of the first twenty-one years of the Wilfred R. Bion's life from 1897 to 1919: eight years of childhood in India, ten years at public school in England, and three years in the army.

'If you carry on like this, you'll do nothing but play football and cricket all your life.' These were the exasperated words of Mike Brearley's mother, as he once again trod mud into the family home after a long day playing outdoors. They were also an unwitting but half-accurate prediction, for Brearley would become one of the most successful sportsmen of his generation by playing cricket for Cambridge, Middlesex and then becoming one of England's finest captains. But for Brearley, cricket wasn't just a physical activity, it was also an intellectual game, offering the chance to bring closer together body and mind. When his cricketing career came to end - during his playing days he had had a hiatus as a philosophy lecturer - he eschewed sporting commentary for a career as a psychoanalyst. In Turning Over the Pebbles, which he calls a 'memoir of the mind', Brearley reviews his life with its attendant emotions, tensions and moves. It is also a book of his second thoughts and reassessments, allowing him to understand more fully things that were obscure to him earlier. After all, he says, 'captaining ourselves, like captaining a team, requires a willingness to allow thoughts and feelings their space'. Deeply thoughtful, erudite and elegantly framed, this book seamlessly blends all aspects of Brearley's life into a single integrated narrative. With wide-ranging meditations on sport, philosophy, literature, religion, leadership, psychoanalysis, music and more, Brearley delves into his private passions and candidly examines the various shifts, conflicts and triumphs of his extraordinary life and career, both on and off the field.

Wilfred Bion and Literary Criticism introduces the work of the British psychoanalyst, Wilfred Bion (1897–1979), and the immense potential of his ideas for thinking about literature, creative process, and creative writing. There is now renewed interest in Bion’s work following the publication of his Complete Works but the complexities of his theory and his distinctive style can be forbidding. Less well-known than Freud or Lacan, the work of Wilfred Bion nevertheless offers new insights for psychoanalytic literary criticism and creative writing. For newer readers of his work, this book offers an engaging introduction to several of Bion’s key ideas, including his theory of thinking (the ‘thought without a thinker’), the container/contained relationship, alpha-function; alpha-elements, beta-elements, and bizarre objects; K and -K; the Grid, O, and the caesura. It also offers a way in to Bion’s astonishing and challenging experimental work, A Memoir of the Future, and explores the impact of his devastating personal experiences as an officer during the First World War. Each chapter of Wilfred Bion and Literary Criticism draws on one or more specific aspects of Bion’s theory in relation to creative texts by Sigmund Freud, Stevie Smith, B.S. Johnson, Mary Butts, Jean Rhys, Nicholas Royle, J.G. Ballard, and Wilfred Bion himself. The first full-length study to explore the potential of Bion’s ideas for literary criticism, Wilfred Bion and Literary Criticism introduces his complex and extensive work for a new audience in an accessible and engaging way, and will be of great interest to scholars of creative writing, literary criticism, and psychoanalysis.

The Bion Seminars at the A-Santamaria Association offers readers insightful analyses and commentaries on Bion’s key papers and books, as well as providing a unique set of discussions and explorations of many of Bion’s central concepts and foundational texts. This diverse collection of essays brings together contributions from internationally renowned Bionian scholars and analysts, including Annie Reiner, Nicola Abel-Hirsch, Antònia Grimalt, Avner Bergstein, Afsaneh Kiany Alisobhani, João Carlos Braga, Tom Helscher, Tim Smith and Peter Goldberg. Readers will encounter expansions and extensions of contemporary and timeless themes and discover the originality with which psychoanalysts from different geographical regions take ownership of the ideas discussed. Chapters cover the early and late work of Bion, spanning topics such as arrogance, the theory of thinking, memory and desire, and the clinical importance of frustration. The authors reveal to us the elements of continuity and discontinuity in Bion's work, sharing open conjectures to allow new developments to evolve. This volume is essential reading for practicing psychoanalysts, analysts-in-training, analytic psychotherapists, and anyone interested in exploring Bion's work.