Enhanced by a 15,000-word technical glossary, a manual for creating quality sound for live performances covers such issues as analyzing venue needs and setting up and testing equipment.

Written for and by sound engineers, musicians and DJs, this text is an all-inclusive manual for creating the finest sound for live performances. It applies to the entire range of stage performers and their equipment.

(Yamaha Products). Sound reinforcement is the use of audio amplification systems. This book is the first and only book of its kind to cover all aspects of designing and using such systems for public address and musical performance. The book features information on both the audio theory involved and the practical applications of that theory, explaining everything from microphones to loudspeakers. This revised edition features almost 40 new pages and is even easier to follow with the addition of an index and a simplified page and chapter numbering system. New topics covered include: MIDI, Synchronization, and an Appendix on Logarithms. 416 Pages.

If you’ve ever handled live sound, you know the recipe for creating quality live sound requires many steps. Your list of ingredients, shall we say, requires an understanding of sound and how it behaves, the know-how to effectively use a sound system), and the knowledge to choose and use your gear well. Add a dash of miking ability, stir in a pinch of thinking on your feet for when your system starts to hum or the vocals start to feed back, and mix. In practice, there really is no "recipe" for creating a quality performance. Instead, musicians and engineers who effectively use sound systems have a wealth of knowledge that informs their every move before and during a live performance. You can slowly gather that knowledge over years of live performance, or you can speed up the process with The SOS Guide to Live Sound. With these pages, you get practical advice that will allow you to accomplish your live-sound goals in every performance. Learn how to choose, set up, and use a live-performance sound system. Get the basics of live-sound mixing, save money by treating your gear well with a crash course in maintenance, and fix issues as they happen with a section on problem-solving, full of real-world situations. You’ll also get information on stage-monitoring, both conventional and in-ear, along with the fundamentals of radio microphones and wireless mixing solutions. Finally, a comprehensive glossary of terminology rounds out this must-have reference.

Access and interpret manufacturer spec information, find shortcuts for plotting measure and test equations, and learn how to begin your journey towards becoming a live sound professional. Land and perform your first live sound gigs with this guide that gives you just the right amount of information. Don't get bogged down in details intended for complex and expensive equipment and Madison Square Garden-sized venues. Basic Live Sound Reinforcement is a handbook for audio engineers and live sound enthusiasts performing in small venues from one-mike coffee shops to clubs. With their combined years of teaching and writing experience, the authors provide you with a thorough foundation of the theoretical and the practical, offering more advanced beginners a complete overview of the industry, the gear, and the art of mixing, while making sure to remain accessible to those just starting out.

Design and build customized, professional-quality speakers. From drivers to crossovers and custom enclosures, the possibilities for designing speakers that will provide the best possible performance are endless. Great Sound Stereo Speakers Manual, Second Edition, by David Weems and G.R. Koonce, eliminates much of the guesswork--not to mention the ripping out of parts and trying of alternative values--associated with proper design. More than a normal revision, this edition is virtually a new book, with a solution to an old problem, crossover design. This reader-friendly guide puts equipment-enhancing, computer-aided design techniques at your disposal. You get six complete projects, with lucid illustrated instructions for modifying and testing designs, along with 24 proposed projects. The CD-ROM packaged with the book gives you system design software, crossover network design applications, and files for all project drivers, allowing you to alter a project to fit a different physical arrangement of the drivers, explore driver substitution, perform driver tests, simulate box and network design, or customize the included projects.

The third edition of The Ultimate Live Sound Operator’s Handbook offers new sections on digital concepts, wireless considerations, digital mixers, modern digital snakes, routing schemes, block diagrams, signal paths, plug-ins for live sound, and more. Any live act must sound great to be well received by today’s increasingly demanding audiences. If you’re a sound operator, teacher, musician, or even a music fan who is interested in becoming a sound operator, you know that regardless of the musical genre or venue, high-quality audio is mandatory for an artist or band’s success. This book shows you how to improve your audio skills, including how to build great sounds that form a professional-sounding mix. Revised and updated, The Ultimate Live Sound Operator’s Handbook, 3rd Edition focuses on each modern and classic aspects of live sound operation in a way that is straightforward and easy to understand—from system, component, and acoustic considerations to miking, mixing, and recording the live show. Tightly produced online videos clearly demonstrate key concepts presented in the text. These instructional videos, along with hundreds of detailed illustrations and photographs, provide an incredibly powerful and useful learning experience. The Ultimate Live Sound Operator’s Handbook, 3rd Edition, features: Shaping Instrument and Vocal Sounds Creating an Excellent Mix Mixer Basics Digital Mixers and Snakes Volume Issues and Sound Theory Digital Theory Managing the Signal Path Signal Processors and Effects Modern Plug-ins Microphone Principles, Techniques, and Design Wireless Systems In-Ear versus Floor Monitors Loudspeakers and Amplifiers Acoustic Considerations Miking the Group and Sound Check