NATIONAL BESTSELLER SCOTIABANK GILLER PRIZE FINALIST A propulsive literary page-turner about a family torn apart by a mother’s obsession with a sound that no one else can hear One night, while lying in bed next to her husband, Claire Devon suddenly hears a low hum. This innocuous sound, which no one else in the house can hear, has no obvious source or medical cause, but it begins to upset the balance of Claire’s life. When she discovers that one of her students can also hear the hum, the two strike up an unlikely and intimate friendship. Finding themselves increasingly isolated from their families and colleagues, they fall in with a disparate group of people who also perceive the sound. What starts out as a kind of neighbourhood self-help group gradually transforms into something much more extreme, with far-reaching, devastating consequences. The Listeners is an electrifying novel that treads the thresholds of faith, conspiracy and mania. Compelling and exhilarating, it forces us to consider how strongly we hold on to what we perceive, and the way different views can tear a family apart.

TheyÕve been listening for longer than you think. A new history reveals howÑand why. Wiretapping is nearly as old as electronic communications. Telegraph operators intercepted enemy messages during the Civil War. Law enforcement agencies were listening to private telephone calls as early as 1895. Communications firms have assisted government eavesdropping programs since the early twentieth centuryÑand they have spied on their own customers too. Such breaches of privacy once provoked outrage, but today most Americans have resigned themselves to constant electronic monitoring. How did we get from there to here? In The Listeners, Brian Hochman shows how the wiretap evolved from a specialized intelligence-gathering tool to a mundane fact of life. He explores the origins of wiretapping in military campaigns and criminal confidence games and tracks the use of telephone taps in the US governmentÕs wars on alcohol, communism, terrorism, and crime. While high-profile eavesdropping scandals fueled public debates about national security, crime control, and the rights and liberties of individuals, wiretapping became a routine surveillance tactic for private businesses and police agencies alike. From wayward lovers to foreign spies, from private detectives to public officials, and from the silver screen to the Supreme Court, The Listeners traces the long and surprising history of wiretapping and electronic eavesdropping in the United States. Along the way, Brian Hochman considers how earlier generations of Americans confronted threats to privacy that now seem more urgent than ever.

Ella May lives on a plantation but she doesn't live in the great house. She is a slave. It's dark in the morning when Ella May heads to the fields to pick cotton. And it's sunset when she comes home. But her day isn't done, not yet. Ella May still has important work to do. She's got to listen. Each night Ella May and her friends secretly listen outside the windows of their master's house. The children listen in the hopes of gleaning information about their fates and those of their loved ones. Who will be sold? Who will stay? The lives of slaves depended on the inclinations of their owners. They had no control over their daily lives or futures. But they could dream. And when the promise of freedom appears on the horizon, the children are the first to hear it. Gloria Whelan's other titles in the Tales of Young Americans series include Friend on Freedom River (Jefferson Cup honor book) and Mackinac Bridge: The Story of the Five-Mile Poem (2007 Michigan Notable Book). Ms. Whelan lives in Michigan. Mike Benny's illustrations have appeared in Time, GQ, and The New Yorker magazines. His awards include three gold and two silver medals from the Society of Illustrators. He also illustrated America's White Table. Mike lives in Austin, Texas.

Rethinking "trance" -- Deep listeners -- Habitus of listening -- Trancing selves -- Being-in-the-world : culture and biology -- Magic through emotion : toward a theory of trance consciousness -- Postscript : trancing, deep listening, and human evolution.

The New York Times–bestselling author “masterfully combines historical thriller and supernatural horror . . . [for] fans of occult thrillers like those by Dean Koontz” (Booklist, starred review). Economic collapse. Crushing unemployment and breadlines crowding city streets as crime spirals out of control. The Great Depression has enough misery for all, and some to spare. But for angel-faced grifter John Partlow, the American South in 1934 is a land of opportunity. The small-time confidence man stumbles into the big leagues when he partners up with beautiful hustler Ginger LaFrance. Seduced into her high stakes plot to kidnap the young children of a New Orleans shipping magnate, John realizes he’s in over his head when Ginger’s fierce desire to see her scheme succeed could mean a gruesome end for their innocent victims. Unless young Nilla can wield her secret gift in time. Though she’s never heard the term, nine-year-old Nilla is a Listener—someone who can telepathically pick up on the thoughts of others like themselves. Nilla has started to communicate with another Listener—a young black man struggling to find his way as a porter at the Union Station. Their lives couldn’t be more different, and though they have never met, their shared bond is so strong that Curtis is ready to risk it all to answer her cry for help. But will it be enough to save two children from the merciless hands of hardened criminals? “Race relations are one subject of this seductive slice of supernatural noir set in 1934 New Orleans . . . McCammon conjures believable characters whose sympathetic plight pulls the reader headlong into the novel’s volatile mix of crime and fantasy. Its tense finale, paced at breakneck speed, will have readers turning pages until its surprise-packed end.” —Publishers Weekly

After fifty-one long years of patient waiting, the message has finally arrived. They have dedicated their lives to trying to decipher the eerie silence that resounds from space and now there is finally a sound after decades of quiet. In the beginning there is a hail of celebration - the Project has finally produced results - but then the questions begin. What does the message mean? Could it be 'We come in peace' or 'Get ready for world domination'? The message baffles Earth. Only one man has the power to make the decision and it could mean intergalactic warfare if he makes the wrong choice. Director MacDonald holds in his hands the fate of Earth, the universe and the Project, which is dedicated to answering questions that have plagued humanity for centuries. Will he make the correct choice?