Almost everyone on safari hopes for a glimpse of the charismatic and elusive leopard. Chui was the first of a new generation of leopards Jonathan Scott watched and photographed in Kenya's Masai Mara Game Reserve in the 1970s and 1980s. He spent every available moment watching and photographing Chui and her cubs, Light and Dark, aware that he was only privileged to do so for as long as they chose to remain visible. His classic account tells the story of the mother leopard as a solitary hunter providing for herself and her offspring. He records encounters with baboon, hyaena and man, hazards facing the cubs as they learn to fend for themselves and periods of play and relaxation. Some years after Chui disappeared, a young female appeared, Half-Tail. Jonathan and Angela have followed her and her daughter Zawadi, stars of the BBC's Big Cat Diary, for the past twenty years, bringing the story up to date. Nobody has studied leopards more closely or known them more intimatelyJonathan says: 'The update is based on our work with Half-Tail and Zawadi from both the pictures and text perspective - Angie worked with us on Big Cat Diary as the stills photographer from 1996 and before that we both worked with Half-Tail from the time she first appeared around Leopard Gorge and Fig Tree Ridge - our kids grew up on safari with Half-Tail and Zawadi as stars of their own Mara adventures.'

There are a few creatures in the world who live still untamed, prowling through the rocks, blinking slowly at encroaching civilization far below. On Bountiful Black Mountain, a snow leopard hunts alone, artifact of a vanishing age. But hungry, desperate, as he is forced away from his home toward the tents and fires of the valley, the snow leopard is forced to confront a vision of humanity that's at once profound and disconcerting, poetic and brutal, tender and deeply moving. Through his eyes, we've never seen ourselves quite like this.

The Sicilian prince, Don Fabrizio, hero of Lampedusa's great and only novel, is described as enormous in size, in intellect, and in sensuality. The book he inhabits shares his dimensions in its evocation of an aristocracy confronting democratic upheaval and the new force of nationalism. In the decades since its publication shortly after the author's death in 1957, The Leopard has come to be regarded as the twentieth century's greatest historical fiction. Introduction by David Gilmour; Translation by Archibald Colquhoun (Book Jacket Status: Not Jacketed)

Relates how the leopard got his spotted coat in order to hunt the animals in the dappled shadows of the forest.

WHY THE LEOPARD HAS SPOTS SB

Human emotion and animal instinct meet poignantly when two six-week-old leopard cubs become the charge of 22-year-old game ranger Graham Cooke at Londolozi. Staying with the cubs in an unfenced bush camp surrounded by lions, hyenas and other leopards, he must first gain their trust before he begins to guide them towards release in the wild. It takes weeks of patience and gentleness for Graham to be accepted into the cubs' small family unit and to find ways of communicating with the young leopards as he slowly begins to introduce them to their new environment. Graham finds himself drawn more to the wary little female than her easy-going brother, but over time both cubs come to recognise him as their protector. They form a bond of friendship through which he can gain unparalleled insights into their development and behaviour. When, a year later, the cubs are relocated to the Zambian wilderness, Graham faces the hardest task of all: to set free the young animals he has become so devoted to so that they can return to a wild existence where he is unable to control their fate.