In this magically evocative novel, William Maxwell explores the enigmatic gravity of the past, which compels us to keep explaining it even as it makes liars out of us every time we try. On a winter morning in the 1920s, a shot rings out on a farm in rural Illinois. A man named Lloyd Wilson has been killed. And the tenuous friendship between two lonely teenagers—one privileged yet neglected, the other a troubled farm boy—has been shattered. Fifty years later, one of those boys—now a grown man—tries to reconstruct the events that led up to the murder. In doing so, he is inevitably drawn back to his lost friend Cletus, who has the misfortune of being the son of Wilson's killer and who in the months before witnessed things that Maxwell's narrator can only guess at. Out of memory and imagination, the surmises of children and the destructive passions of their parents, Maxwell creates a luminous American classic of youth and loss.

A NEW YORK TIMES BESTSELLER A GLOBE AND MAIL BESTSELLER A JIMMY FALLON BOOK CLUB PICK In this exhilarating novel by the best-selling author of The Storied Life of A. J. Fikry two friends—often in love, but never lovers—come together as creative partners in the world of video game design, where success brings them fame, joy, tragedy, duplicity, and, ultimately, a kind of immortality. "Utterly brilliant. In this sweeping, gorgeously written novel, Gabrielle Zevin charts the beauty, tenacity, and fragility of human love and creativity. Tomorrow, and Tomorrow, and Tomorrow is one of the best books I've ever read." —John Green On a bitter cold day, in the December of his Junior Year at Harvard, Sam Masur exits a subway car and sees, amid the hordes of people waiting on the platform, Sadie Green. He calls her name. For a moment, she pretends she hasn’t heard him, but then, she turns, and a game begins: a legendary collaboration that will launch them to stardom. They borrow money, beg favors, and, before even graduating college, they have created their first blockbuster, Ichigo: a game where players can escape the confines of a body and the betrayals of a heart, and where death means nothing more than a chance to restart and play again. This is the story of the perfect worlds Sam and Sadie build, the imperfect world they live in, and of everything that comes after success: Money. Fame. Duplicity. Tragedy. Spanning over thirty years, from Cambridge, Massachusetts, to Venice Beach, California, and lands in between and far beyond, Gabrielle Zevin’s Tomorrow, and Tomorrow, and Tomorrow is a dazzling and intricately imagined novel that examines the multifarious nature of identity, games as artform, technology and the human experience, disability, failure, the redemptive possibilities in play, and above all, our need to connect: to be loved and to love. Yes, it is a love story, but it is not one you have read before.

Last Stop Before Tomorrow shares the compelling tale of three people as they wrestle with the riddles, paradoxes, and dilemmas of climate change and technology, and search for answers to the human predicament and their own lives. Jules, a computer genius, finds himself working with Sir Henry Percival McIntyre, CEO of a multinational energy company, who knows he must change the course of his global enterprise as humanity struggles to change the course of history. Maryanne, Juless artist lover, distrusts the alliance and is filled with premonitions. As Maryanne, Jules, and Sir Henry are brought together, they are swept along on a journey accompanied by Prometheus, bringer of fire, and Pandora, the inquisitive, whose legacies also hang in the balance as they wonder if the outcome will be tragic or transcendent. The writing is brilliant. Its not just a story, its an experience. - B. Wolfe, artist The book has sweep, velocity, and power. Kept me on edge of my seat to the end. - B. Lebaron, musician

April 1952. Los Angeles. After thirteen-year-old Sandy Duncan shoots his stepfather in the temple and carves a symbol into the corpse's forehead in imitation of a comic book, district attorney Seymour Markley launches a grand jury investigation into the murder and its causes, an investigation that could implicate east coast crime boss James Manning and end his thirty-year career. Also potentially implicated: the comic book's creator, Eugene Dahl, who now spends his mornings working as a milkman and his evenings warming bar stools. Threatening notes begin appearing nailed to his front door, notes that draw him to a downtown hotel where one of the district attorney's witnesses, one of the men who could bring down James Manning, is being held. There, Eugene finds the witness murdered, as well as the police officer charged with protecting him; and he finds himself framed for those murders. He's forced to go on the run, and, in order to clear his name, to devise a plan that involves deeds far worse than anything he's been framed for. And he must commit those deeds with the police right behind him.