“The funniest, most savage takedown of the American news media since Fear and Loathing: On the Campaign Trail ’72.”—The Washington Post Michael Hastings’ untimely death at the age of thirty-three rocked the journalism community. But the New York Times bestselling author of The Operators left behind an unexpected legacy: a wickedly funny novel based on Hastings’s own journalistic experiences in the mid-2000s. Discovered in his files, the novel features a wet-behind-the-ears intern named Michael M. Hastings who must choose between his career and the truth. A searing portrait of print journalism’s last glory days, The Last Magazine earned Hastings comparisons to Evelyn Waugh and Hunter S. Thompson and stands as a testament to one of America’s most treasured reporters.

An anthology of 150 of the world's most cutting-edge art, fashion, photography, architecture, and design periodicals currently in publication traces the evolution and future of magazines in the digital age, in a visual survey that features essays from such top industry thinkers as Steven Heller, Terry Jones, and Robert Sacks. Original.

In Ms. Kirschbaum's debut satirical novel Who Town, Sarah, Rick, Roxy and Lola-specifically, one trend reporter and a few 'it kids'-form a dysfunctional downtown family in NYC. How they manipulate the media, and how the media manipulates them results in their public images differing vastly from their personal realities.

A 17-year-old boy from the Bronx suddenly finds himself in a private school in New Hampshire. He’s violent, gifted, alienated, and on fire with a ferocious loneliness. Two faculty members wrestle with the dilemma: Is the kid a star or a disaster? A passionate, explosive portrait of a young man on the verge of salvation or destruction.

A guide to home maintenance presents a wide range of helpful tips, such as a ten-minute check that can add years to the life of appliances and how to make worn furniture look new

Photography Is Magic draws together current ideas about the use of photography as an invaluable medium in the contemporary art world. Edited and with an essay by leading photography writer and curator Charlotte Cotton, this critical publication surveys the work of a diverse group of artists, many working at the borders of the "art world" and the "photography world," all of whom are engaged with experimental ideas concerning photographic practice and its place in a shifting photographic landscape being reshaped by digital techniques. Readers are shown the scope of photographic possibilities in the context of the contemporary creative process. From Michele Abeles and Walead Beshty to Daniel Gordon and Matthew Lipps, Cotton has selected artists who are consciously reframing photographic practices using mixed media, appropriation and a recalibration of analog processes. Cotton brings these artists together around the idea of magic, the properties of illusion and material transformation that uniquely characterize photography. Beautifully produced and critically rigorous, Photography Is Magic is aimed at younger photo aficionados, students and anyone interested in gaining a deeper understanding of contemporary photography. It includes images and text by more than 80 artists, including Sara Cwynar, Shannon Ebner, Annette Kelm, Josh Kline, Elad Lassry, Jon Rafman, Shirana Shahbazi and Sara VanDerBeek, among many others.